Other forms used include melodrama, with its simultaneous music and speech, and grand opera in a setting of a version of the early 18th century libretto by Apostolo Zeno, Iphigenie in Aulis.

Vocal and Choral Music

Danzi wrote sacred and secular choral music, Masses, oratorios and cantatas. His songs and canzonettes are in contemporary style, but no longer regarded as an important part of German song tradition.

Orchestral Music

In orchestral music Danzi was similarly prolific, contributing principally to the Sinfonia concertante and concerto repertoire.

Chamber Music

Danzi's chamber music includes sextets, quintets, quartets and trios, some for strings, some for wind instruments and some for a combination of the two. His duo sonatas show a similar variety in their instrumentation. These works are generally in a style that reflects his own early experience in Mannheim and the influence of his teacher Abt Vogler, with whom Weber also studied.

Piano Music

There is a smaller amount of piano music by Danzi, including a number of works for four hands.