| Roger Reynolds: Complete Piano Works / Takahashi, Nonken, Huebner, Et Al CDs (2009)
 $23.29  
Liner Note Author: Yuji Takahashi. Illustrator: Gen-Ichiro Yagyu
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| Whispers Out Of Time: Works For Orchestra By Roger Reynolds CD (2007)
$14.75
Reynolds, Roger
Reynolds: Whispers Out of Time CD
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| Reynolds: Whispers Out Of Time, Transfigured Wind CD (1992)
$27.95
Lovely and mysterious works for flute and computer-generated tape. ~ "Blue" Gene Tyranny
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 | | Discography |
| Roger Reynolds - The Paris Pieces CDs (1996)
$31.29 |
| Rick Reynolds Only The Truth Is Funny CD (1992)
$14.35
Recorded live at the Canon Theater, Beverly Hills, California on October 26, 1991. All material written by Rick Reynolds Producers: Janet Rienstra, Steven Miller, Wil Ackerman. Personnel: Rick Reynolds (spoken vocals).
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| David Starobin New Music With Guitar, Vol.5 CD (1993)
Roger Reynolds classical music
$14.35 |
| From Behind The Unreasoning Mask CD (1998)
Roger Reynolds Composer
$14.69
Roger-Earl-Chou-Paul
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| Roger Reynolds All Known All White CD (2002) (Import)
Roger Reynolds classical music
$15.59
Why these were not made available again earlier remains a mystery, especially since the music of Morton Feldman and Giacinto Scelsi enjoyed a "revival" of sorts in avant-garde circles at the turn of the millennium. Personnel: Roger Reynolds (piano); Karen Reynolds (flute); Ed Harkins (trumpet); Yuji Takahashi, Cecil Lytle (piano); Paul Chihara (harmonium, percussion); Daryl Pratt (percussion); Alan Johnson (electronics). "Ping" and "Traces" are from the late '60s and feature Reynolds (piano), Karen Reynolds (flute), Paul Chihara (percussion/harmonium), and Alan Johnson (live electronics) -- minus Roger Reynolds and Chihara and plus Yuji Takahashi (piano) and Lin Barron (cello) for the second piece. All three blend tape music with acoustic instrumentation and live electronics to achieve time-stretching effects. All Known All White repackages three recordings previously issued on CRI LPs in the 1970s and 1980s. Performed by Edwin Harkins (trumpet), Cecil Lytle (piano), and Daryl Pratt (percussion), it mostly consists of a set of attitudes and interactions between the players and a multi-channel tape part. Recording information: Music Department Of The University Of California, San D (07/03/1984); The Recital Hall Of The Mandeville Center For The Arts (07/03/1984). Its elongated movements charm and mesmerize, down to its fake finale (too comfortable to be true) and coda. "Traces" is more subdued and thus less noticeable. Liner Note Author: Roger Reynolds. " The Serpent-Snapping Eye" was composed in 1978 and recorded in 1984 -- it is the freshest piece in this collection. "Ping" is a stunning work pairing delicate sections made of elongated gestures focused on multiphonics (the flute, especially) and harsh outbursts of electronics. The three 20-minute works included here reward multiple listens as they reveal their delights slowly. Like them, Roger Reynolds searched for spatialization, multiple chronologies, and a form of minimalism that focused on listening rather than formalism.
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