Finzi’s reputation grew during the 1930s with performances of his Hardy song-sets A Young Man’s Exhortation (1926-9), and Earth and Air and Rain (1928-32), and was consolidated with the premiere in 1940 of his cantata for high voice and strings Dies natalis (mid 1920s, 1938-9). During World War II Finzi worked at the Ministry of War Transport and founded a fine, mainly amateur orchestra, the Newbury String Players. Two of his most popular works appeared during the war, the Five Bagatelles for clarinet (1938-43) and his Shakespeare settings, Let us Garlands bring (1929-1942).

Among Finzi's works from the post war years are the festival anthem Lo, the Full, Final sacrifice (1946), and the ceremonial ode For St Cecilia (1946-7). During this time he became associated with the Three Choirs Festival where the premieres took place of his Clarinet Concerto (1948-9) and Intimations of Immortality for chorus and orchestra (late 1930s, 1949-50). Although the final years of his life were lived under the shadow of an incurable illness, he completed a Magnificat (1952), the Christmas scene In terra pax (1954) and the Cello Concerto (1951-2, 1954-5).

In September of 1956, Finzi contracted chicken-pox, which in his weakened state led to a swelling of the brain. On the 26th he was admitted to hospital and his wife arranged for him to listen to the first broadcast of the concerto that night. It was the last music he heard for he died the following day.

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