| | Enya Christmas EP CD Enya Discography of CDs
 (8 Customer Reviews)
One of our annual best-selling Christmas titles, back again in time to make sure you'll have enough stock on hand for the holidays! This 1994 Canadian-only EP features beloved Irish new age vocalist Enya's cherished take on the classic Chrristmas ... Full Descriptioncarol "Silent Night" sung in Gaelic under the title of "Oiche Chiun". Accompanying the gentle melody here are four other essential recordings by this former member of Clannad: the title track to her 1987 debut solo album 'The Celts', plus "Ebudae" from her best-selling 1991 outing 'Shepherd Moons' and the hard to find B-sides "'S Fagaim Mo Bhaile" & "As Baile" (a Gaelic-sung version of the standout track "Exile" from her breakthrough 1988 album 'Watermark'). Comes packaged in a standard jewelcase. Hide Description Enya Christmas EP Songs | 1. | Oiche Chiun |
| 2. | As Baile |
| 3. | S Fagaim Mo Bhaile |
| 4. | Ebudae  |
| 5. | Celts, The |
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Christmas EP Music Review Average Rating: (4 out of 5 stars)   List All Reviews Christmas songs?
Love enya, not worth buying if you have any other other albums. Only 5 songs, 2 being actual Christmas songs. Otherwise just a re-hash of other stuff.
Submitted by a reviewer (San Diego, CA, USA) 
Was This Review Helpful? Yes No 1 of 1 found this helpful.
Very Good, But
Way too short, It would have been a really supper CD with more. As always Enya was perfect, just not enough..
Submitted by a reviewer (Topsham, ME, USA)
Was This Review Helpful? Yes No  Awesome
Enya is awesome and does a terrific job getting the Christmas spirit alive.
Submitted by a reviewer (Cincinnati, OH, USA)
Was This Review Helpful? Yes No
Excellent
It gave me goosebumps.
Submitted by tabbi (Plant City, FL)
Was This Review Helpful? Yes No I have to agree!
There are plenty of traditional Christmas Songs that would suit Enya's style. Adeste Fideles for one! Granted, Jingle Bell Rock wouldn't be right for Enya, but a Christmas cd should at least have a Christmas theme. She can do better than this and her fans deserve better. I can't believe they put Celts on this! How many times will this be rereleased? This is just laziness and greed!
Submitted by mheinen3 (Oklahoma City, OK, USA)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Christmas EP CD To buy, Click on price to add to cart | Enya Celts CD (1986)
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Faith Hill won the 2000 CMA Award for Female Vocalist Of The Year.
BREATHE won the 2001 Grammy Award for Best Country Album. "Breathe" won the 2001 Grammy Award for Best Female Country Vocal Performance. "Let's Make Love" won the 2001 Grammy Award for Best Country Collaboration with Vocals. "Breathe" was nominated for the 2001 Grammy Award in the categories of Best Country Song and Song Of The Year. "The Way You Love Me" was nominated for the 2001 Grammy Award for Best Country Song.
With her third album, FAITH, ...
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DJs: Johnny Budz; DJ Irene.
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I am a worship pastor at Hope Foursquare Church in Snohomish, Washington. This is my first recording project, and it wouldn't have been possible without the help of many talented friends.The following has been copied from the CD liner notes:This has been an amazing journey and at times an overwhelming experience. I thought this would be a fun hobbyist project, but it was more like taking a college course on my days off. If I had realized the audacity of what I was about to take on with this project, I may never have begun. I did the whole thing by myself with no prior experience. (I do not recommend this.) The project took over four years because of the steep learning curve I faced through the whole process, and I seemed to run into trouble of some kind at every turn. (Software bugs, hardware conflicts, I'm a little slow, etc.) I re-recorded several parts more than once, and while many things are not perfect, there comes a point when you have to just move on. There are small glitches scattered throughout the album, but it wouldn't be a proper first project without them, right? My hope for this project is that you will be ministered to, and that it brings you into the presence of God.My first instrument was violin at six years old. I played until I was 13 or 14, but never really learned to read music. I somehow managed to pass auditions and play in the Everett Youth Symphony for two years before it became clear that I was in over my head. We got a piano when I was ten, and I learned the basic kid songs, plus a blues tune that I practiced avidly and can still play to this day. I began to play with the church youth group when I was in Jr. High, (the sound was horrific I'm sure) and continued with worship in that group until I was in college. As I went through High School and College age, I continued helping in worship and learned from anyone I could. Somewhere ...
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Some of my earliest memories are of listening to radio in the early 1970’s. My imagination was captured by the storytelling and my ears were drawn in by the melodies. My own songwriting draws from many musical styles and I always strive to tell an interesting story with a catchy melody. I believe these two things are the basis of every good song.I began to study the piano and sing in various choral groups at the age of eight, but I didn’t discover my passion for music until I began to play guitar in High School. It seemed that overnight everything changed; all I wanted to do was practice and play songs by my favorite bands. Until that time I hadn’t realized that music was more than taking lessons and reading music. I could create my own music and that’s what I loved to do.In 1990 I entered Berklee College of Music in Boston and for three years studied Music Production and Engineering, music theory and ear training. The curriculum at Berklee exposed me to jazz for the first time and challenged me to open my ears to scales and harmonies that were far outside those I was accustomed to. As I began to work with these new sounds my songs grew richer and more complex. I graduated Berklee in 1993 with a Bachelor’s Degree and formed a progressive rock band, FEED, that performed throughout the Boston area for the next three years.When the band broke up I set my sights on the West Coast. Arriving in the San Francisco Bay Area in 1997, I began establishing myself as an independent engineer and producer. I spent a year working at the Record Plant in Sausalito assisting the likes of Metallica, Dave Matthews Band and Primus. In addition to my work at the Record Plant I was engineering recordings for local acts. Between 1997 and 1999 I recorded and produced tracks for five CD releases.In 1999 I joined Tempest, a progressive folk band signed to Rochester, N.Y.-based Magna Carta Records. For three years I recorded and performed with Tempest throughout the United States and Canada and twice at the Skagen Festival in Denmark. “Tempest — Live at the Philadelphia Folk Festival”, released in 1999, features my guitar playing and mix engineering. “Balance” ...
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