Closed Captioned; Standard Screen; Soundtrack English; Soundtrack French; English Subtitles
NORTH BY NORTHWEST is a suspense thriller that finds Cary Grant in the role of Roger Thornhill, a Manhattan advertising executive mistaken for a spy. Considered by many to be the prototypical pure action movie (creating the template for later James Bond and Indiana Jones films), the film is a cross-country roller-coaster ride with Alfred Hitchcock at the helm. The film is duly famous for several classic and indelible scenes, including the desert biplane encounter and the Mt. Rushmore climax. The original title was THE MAN IN LINCOLN'S NOSE, which was replaced by a reference to a line from William Shakespeare's HAMLET (in which Hamlet says, "I am but mad north-north-west."). The magical combination of Hitchcock and the debonair Grant--who made four wonderful films together--makes NORTH BY NORTHWEST a suspense-filled standout.
When Thornhill finds himself in the wrong place at the wrong time, the world as he knows it comes to an end. Suddenly danger threatens as the hapless businessman is targeted as an American intelligence agent and set up as a killer. All of Thornhill's attempts to straighten things out only make matters worse--and soon the desperate man is on the run from murderous foreign operatives, the CIA, and the police. The supporting cast, including Eva Marie Saint, James Mason, and Martin Landau, is uniformly excellent.
Hitchcock cameo: The director can be seen missing a bus at the opening.
Shot in studios and on location on Long Island, New York, and in Chicago, Rapid City, and South Dakota.
Ernest Lehman received the Edgar Allan Poe Award for Best Screenplay of 1959.
NORTH BY NORTHWEST is number 40 on the American Film Institute's list of America's 100 Greatest Movies.
NORTH BY NORTHWEST was added to the Library of Congress National Film Registry in 1995.
In 2001, Ernest Lehman received the first honorary Academy Award ever presented to a screenwriter.
North By Northwest Reviews:
"...NORTH BY NORTHWEST is sequence after sequence of breathlessly exciting and amusing entertainment..." -- 5 out of 5 stars
-- Nev Pierce, Total Film
"...One of Alfred Hitchcock's most durable entertainments..."
-- Mike Clark, USA Today
"...The master's greatest toy..."-- Entertainment Weekly Staff, Entertainment Weekly
"...NORTH BY NORTHWEST is the paragon for every action caper that's followed."
-- Premiere Staff, Premiere
Another remarkable Hitch film Hitch's career was at its peak when he finished directing this classic film. This film is an action packed, suspenseful, Hollywood thriller that still stands as one of the greatest movies of all time. Another testament to Hitch's unbelievable career. Hitch came to Hollywood in 1940 after doing great work in England and made his first movie here in Hollywood called Rebecca. This picture won an Academy Award and ever since that time Hitch has made masterpiece after masterpiece for 20 years. Then he chose to work on the picture North by Northwest. Some people consider this to be Hitch’s greatest film. Eva Marie Saint and Cary Grant did a great job with there leading roles. Cary Grant plays a man who is wrongly accused for drink driving and murder and is travelling from place to place trying to escape from the police and people who are trying to kill him. He meets Eva Marie Saint who plays the enchanting blonde women that Hitch always loved to portray in his pictures and from there the plot thickens and the film engages in twists and turns. This film is another example of what Hitch’s cinema stood for. Great technical achievement, great plot, great suspense and great acting aswell as story telling. Considered by many to be the Ultimate Hitchcock thriller, this picture will keep you glued to the screen. After this film, Hitch made Psycho which is probably the greatest picture ever made. It's no wonder why he is regarded as the greatest director ever. Some of his masterpiece include, Rear Window, Psycho, Vertigo, The Birds and offcourse North by Northwest. Submitted by Joey 34 (L.A California) Was This Review Helpful? YesNo
Hitch's American Monument. "It's so horribly sad," says a CIA agent in "North by Northwest," "how is it I feel like laughing?" It is a question one might ask of the film. Alfred Hitchcock's first movie after "Vertigo" might also have its serious implications about identity and sexual tensions, but they are kept at arm's length by the sheer delight in malevolent inventiveness. Hitchcock often recalled remarking at story conferences: "Wouldn't it be fun if we killed him this way?" "North by Northwest" remains one of the greatest of all comedy thrillers precisely because of its ability to be at its funniest when also at its most frightening.
Hitchcock had long wanted to film a chase across the presidential faces sculptured into Mount Rushmore. He also had an idea for a film that would begin at the United Nations in New York and end in the wastes of Alaska. Another idea that intrigued the director was for a story involving a non-existent character or event. He remembered a conversation with a New York newspaper man who had offered him the idea of the CIA inventing a fake decoy agent in a spy plot.
John Michael Hayes said that Hitch invited him to script "North by Northwest" well before Ernest Lehman was given the job. The reason that Lehman was finally chosen to write the script—apart from his impressive credentials, which included such films as "Sabrina," "Executive Suite," and "Sweet Smell of Success"—was MCA's negotiation for Hitchcock of a one-picture deal with M-G-M, where Lehman happened to be under contract. The two began to work, calling their project "In a Northwesterly Direction," a title later changed at the suggestion of M-G-M itself.
Hitchcock's exploitation of the dramatic contrast between bizarre foreground and benign background has seldom been more ingeniously demonstrated than in "North by Northwest." A hotel lobby is the setting for kidnapping, the United Nations building for murder, and the stone face of Mount Rushmore for perilous pursuit.
Most famously, Hitchcock even injects paranoia into a prairie setting when Thornhill (Cary Grant) is sprayed with bullets from a crop-dusting biplane. It is Hitchcock's most dazzling reversal of thriller cliché: here the dark deed takes place in bright sunlight. It is also a set-piece that is brilliantly set up by the film, establishing a hero who is the embodiment of urban man then suddenly depositing him in a setting where he is small, vulnerable and exposed. And it shows his arrival at the scene from a vantage point that subtly implies danger without revealing what it is. The crop-dusting episode is an object lesson in how to prepare and pace a suspense sequence.
Apart from the technique, what makes "North by Northwest" exceptional amongst comedy thrillers is the maturity of its relationships and perceptive cynicism of its politics. The central love relationship has the kind of tensions one has observed elsewhere in Hitchcock. As in "Vertigo," the girl falls in love with the man almost out of guilt at setting him up; as in "Suspicion" and "Spellbound" she makes love to a man who could be a murderer. For his part, he seems only too willing to be ensnared by a sexual siren who might be summoning him to his doom. Politically, the film also has a comment to make about the callous exploitation and abuse of individuals for minor political advantage in a deadly game of strategy, performance, bluff and double bluff.
But it would be unwise to distort the emphasis of the various elements. Lots of familiar Hitchcock ingredients are bubbling in "North by Northwest": the theme of the wrong man, the precariousness of identity, the ineffectuality of the police. The ultimate effect, however, is of a dazzling and exhilarating cinematic display, the American Dream played out as potential nightmare but in broad daylight and to a resoundingly triumphant conclusion. Hitchcock might play irreverent games with American monuments in "North by Northwest" but its achievement is such that the film has become something of an American monument itself. [filmfactsman] Submitted by filmfactsman (Beverly Hills, CA, USA) Was This Review Helpful? YesNo
Awsome Movie The best Hitchcock/Grant movie Submitted by impulsehydro (Bakersfield Ca) Was This Review Helpful? YesNo 0 of 1 found this helpful.
A Hitchcock Classic This is a great thriller. Need I say more? Okay. I loved this movie for how amazing Hitchcock keeps you on the edge of your seat and marvel as how well its shot for a movie that came out in 1959. Great acting all around, and it has a light humour touch to add to its genoius. Submitted by reservoir_bill (Toronto, Canada) Was This Review Helpful? YesNo This review is for a different format.
It's Hitchcock I didn't expect to enjoy this movie as much as I did. I wasn't a Cary Grant fan until now. Found the actor who played his mother very funny and very likable.
Great watch for a Saturday night at home.
Submitted by a reviewer (Alexandria, Virginia) Was This Review Helpful? YesNo This review is for a different format.
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