| | Cumbia Che Una Calle Nos Separa CD Cumbia Che Discography of CDs
 (1 Customer Review)
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Cumbia Che: Gerardo Tavares (guitars); Paco Zappa (bass guitar, drums); Essau Morales. Una Calle Nos Separa Music Cumbia Che Una Calle Nos Separa Songs | 1. | Una Calle Nos Separa | $0.99 | |
| 2. | Que Bella | $0.99 | |
| 3. | Hacer el Amor con Otro | $0.99 | |
| 4. | Porque Yo Te Amo | $0.99 | |
| 5. | Ay Ay Ay | $0.99 | |
| 6. | No Quiero Flores | $0.99 | |
| 7. | Volverte a Amar | $0.99 | |
| 8. | No Podras | $0.99 | |
| 9. | Este Noche Loca | $0.99 | |
| 10. | Hoy Tengo Ganas de Ti | $0.99 | |
| 11. | Hoy Te Confieso | $0.99 | |
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Una Calle Nos Separa Music Review Purchase Una Calle Nos Separa CD To buy, Click on price to add to cart | Marisela Canciones De Amor CD (2010) Remastered
Una Calle Nos Separa album
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| | Julieta Venegas Si CD (2003)
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| | R K M & Ken-Y Masterpiece CD (2006) With DVD; Special Edition
Una Calle Nos Separa music CDs
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Although the title, MASTERPIECE, may be a bit of an overstatement, this full-length by duo Rakim (not to be confused with the legendary hip-hop MC) y ...
| | Los Tigres Del Norte Los DOS Plebes CD (1994)
Una Calle Nos Separa songs
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Award Winner
| | Motel CD (2006)
Una Calle Nos Separa album
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| | Los Bondadosos Hoy Te Quiero Tanto CD (2006)
Una Calle Nos Separa CD music
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| | Black Pearls CD (1958) (Import)
Una Calle Nos Separa music CDs
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Recorded in the late-1950s, ...
| | Aretha Franklin Best Of CD (1968)
Una Calle Nos Separa songs
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| | Peggy Lee Latin Ala Lee! CD (1960)
Una Calle Nos Separa album
$10.89
More than a decade after her massive hit "Mañana," Peggy Lee recorded a full album of Latin themes with Latin ala Lee!. The subtitle -- "Broadway hits styled with an Afro-Cuban beat" -- sounds not only forced, but a bit too gimmicky to be worth much more than the cardboard it's printed on. Also, none of the musicians are credited, and only a clueless marketing man would write the note on the back cover, "Accompanied by authentic Afro-Cuban rhythms." Even so, Peggy Lee's mastery over a range of stylistic situations rescues any potential miscues, and the rugged backing of arranger/conductor Jack Marshall is a pleasant surprise. The rhythms are not only authentically Afro-Cuban, but surprisingly strong and rarely watered down. The rest of the arrangements, though breezy and pop-slanted, support Lee's vocals perfectly. And though her voice isn't quite as strong as it had been during the '50s, Lee uses the cracks on her high notes to accentuate the songs. Out of print for many years, EMI-Capitol brought the album back in 2000 on a CD issue with remarkably clear stereo separation, though there are slight, occasional imperfections that would have been barely noticeable if not for the immaculate sound which surrounds them. ~ John Bush
More than a decade after her massive hit "Mañana," Peggy Lee recorded a full album of Latin themes with Latin ala Lee! The subtitle -- "Broadway hits styled with an Afro-Cuban beat" -- sounds not only forced, but a bit too gimmicky to be worth much more than the cardboard it's printed on. Also, none of the musicians are credited, and only a clueless marketing man would write the note on the back cover, "Accompanied by authentic Afro-Cuban rhythms." Even so, Lee's mastery over a range of stylistic situations rescues any potential miscues, and the rugged backing ...
| | Candy Dulfer Essential CD (2008) (Import)
Una Calle Nos Separa CD music
$17.29
| | Popup Time & A Place CD (2009) Digipak
Una Calle Nos Separa music CDs
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| | Mighty Wind: The Album CD (2003) Original Soundtrack
Una Calle Nos Separa songs
$6.79
A MIGHTY WIND was nominated for the 2004 Grammy Award for Best Film/TV/Visual Media. "A Mighty Wind" won for Best Song Written For A Motion Picture, Television Or Other Visual Media.
Fans of This Is Spinal Tap certainly were satisfied by Christopher Guest's Waiting for Guffman and Best in Show, since they often achieved a similar level of deliriously inspired improvised genius. Even so, one key ingredient was missing: the music, which is as brilliant as the spontaneous jokes and set pieces in the movie itself. For his third mockumentary (a term that Guest hates, but has become shorthand for his unique comedy), Guest returned to music, creating a tribute to the folk scene of the early '60s with A Mighty Wind, where three of the biggest folk acts of the era reunite for a tribute concert to a recently deceased folk producer. Since this is a fictional comedy, not a documentary, it does take some liberties with the truth, particularly because it deliberately chooses not to address political or protest folk. Some may gripe about this, but it hardly hurts the film and its accompanying soundtrack because the movie is bathed in the warm, fond glow of nostalgia and prefers to focus on the spirit of the times, not the details. So, there is no no equivalent of Bob Dylan or Phil Ochs in A Mighty Wind, but the three main acts have clear counterparts: the trio of the Folksmen (featuring Spinal Tap's Guest, Michael McKean, and Harry Shearer) are the Kingston Trio; Mitch & Mickey (Eugene Levy and Catherine O'Hara) are the film's romantically entwined duo, akin to Ian & Sylvia or Richard & Mimi Fariña; finally, the New Main Street Singers (featuring John Michael Higgins, Jane Lynch, and Parker Posey, among others) are the equivalent of the Limeliters and the New Christy Minstrels. What's remarkable about the music is that it's all written by the cast and perfectly captures the sound and feel of the folk crossover acts of the time. Each group has a different sound befitting their counterpart, and within that, the songs are bright and varied, tuneful and memorable. Apart from the Folksmen's cover of the Rolling Stones' "Start Me Up," which is not heard in the film, and perhaps the heavy-handed (but very funny) "The Good Book Song" by the New Main Street Singers, there are no obvious jokes, which is what makes the music work as music. And while some of the songs may function almost too well as neo-period ...
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