| | Shit & Shine Kuss Mich, Meine Liebe CD Shit & Shine Discography of CDs
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U.K. purveyors of extreme noise hooliganism, Shit & Shine, have garnered considerable attention due to their destructive live shows, sometimes involving between two to four drummers. Their American-label debut, KUSS MICH, MEINE LIEBE is a stunning maestrom of distorted, malfunctioning electronics, coupled with a heart-stopping multi-drum pummeling. Gut-wrenching and abrasive to the core, Shit & Shine hold their own with the most extreme proponents of grindcore and power-electronics. Kuss Mich, Meine Liebe Music Shit & Shine Kuss Mich, Meine Liebe Songs Kuss Mich, Meine Liebe Music Kuss Mich, Meine Liebe Review
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Purchase Kuss Mich, Meine Liebe CD To buy, Click on price to add to cart | Prefuse 73 One Word Extinguisher CD (2003)
Kuss Mich, Meine Liebe album
 $14.49  
Prefuse 73's second album for Warp should be the one that catapults Scott Herren into the programming firmament occupied by Warp mainstays like Autechre and Aphex Twin. A fascinating collection of glitchy breakbeats and inventive, melodic experimental techno, One Word ...
| | Jesu Conqueror CD (2007)
Kuss Mich, Meine Liebe CD music
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| | Volcano The Bear Classic Erasmus Fusion CDs (2006)
Kuss Mich, Meine Liebe music CDs
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| | Battles Mirrored CD (2007)
Kuss Mich, Meine Liebe songs
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If modern day indie music appears to consist of an endless queue of groups that are either bland emo retreads or glitzy disco punkers, it is then that much more refreshing to encounter a band like Battles. With a lineage that consists of some of indie rock's most accomplished musicians, Battles is a veritable neo-prog supergroup, though one that embraces the possibilities of technology used in tandem with instrumental virtuosity.
MIRRORED, ...
| | Eat Skull Sick To Death CD (2008)
Kuss Mich, Meine Liebe album
$11.59
| | Sunn O Monoliths & Dimensions CD (2009)
Kuss Mich, Meine Liebe CD music
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Practitioners of the glacial school of extreme-volume music, Sunn O))) are the leading exponents of doom, the darkest and heaviest of all metal sub genres. While the group's black-cloaked garb and ritual theatrics have firmly aligned them to the imagery and aesthetic of metal, leader Stephen O'Malley's numerous forays into noise and experimental music, and member Greg Anderson's sideline as label head of Southern Lord (the leading label for adventurous metal) has fashioned the duo as gatekeepers to metal's uncharted paths. MONOLITHS AND DIMENSIONS, the seventh Sun O))) album, continues the monolithic low-end throb and stentorian guitar drones the duo are best known for, and features an array of past collaborators (Attila Csihar, Oren Ambarchi) and brand new guests, Julian Priester (trombonist for Herbie Hancock and Sun ...
| | A Global Threat Where The Sun Never Sets CD (2006) Digipak
Kuss Mich, Meine Liebe music CDs
$11.65
On the album-opening song by Boston's A Global Threat, the band shouts that "we want our part in something new." Not hardly. What they want is their part in something old -- old-school hardcore, that is, Boston-style, circa 1983. Sure, there are other elements here as well, including the occasional subtle whiff of emo, but by far the strongest element on this record (their first for the Better Youth Organization label) is early-'80s hardcore. And good for them. Sometimes it takes a band like this to remind you how fresh and exciting those SSD and Gang Green concerts were ...
| | Barbarians CD (2004)
Kuss Mich, Meine Liebe songs
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| | Clifford Charles Just In Time CD (2004)
Kuss Mich, Meine Liebe album
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| | Tim Mcgraw All I Want CD (2007) (Import)
Kuss Mich, Meine Liebe CD music
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| | Figures On A Beach Standing On Ceremony CD (1987)
Kuss Mich, Meine Liebe music CDs
$9.69 
Aside from the glorious opener "No Stars," a swelling, romantic tune with a memorable melody and gossamer production, the full-length debut by Figures on a Beach is a bit of a dud. The group's two indie releases from 1983 and 1984 were complex and melodic synth pop with a slightly arty edge, but the comparatively slick production of this album (by New York remixer Ivan Ivan, who had recently done good work with the fairly similar though more airy Book of Love) makes these songs sound flaccid and underwritten. Even worse, the arrangements sound terribly dated in retrospect -- it's possible that this very early-'80s brand of art rock sounded dated even in 1987 -- which detracts further from Christopher Ewen's solid melodies. Songs like "Rhythm" and the mildly over-the-top "Pagan Gift" feel like empty exercises, and even some of the better songs could stand a thorough remixing. Compared to what had come before, Standing on Ceremony is a disappointment. The self-titled 1989 follow-up was an improvement, however. ~ Stewart Mason
The full-length debut by Figures on a Beach features the glorius "No Stars," a swelling, romantic tune with a memorable melody and gossamer production. While the ...
| | Lexie Mountain Boys Sacred Vacation CD (2008)
Kuss Mich, Meine Liebe songs
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| | Sun Ra Universe Sent Me CD (2008)
Kuss Mich, Meine Liebe album
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| | Ben Sollee Learning To Bend CD (2008) Digipak
Kuss Mich, Meine Liebe CD music
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When you think of folksingers walking down the long lonesome road, you usually think of them with a guitar slung over their shoulder. Ben Sollee's a wandering folksinger too, but he's dragging a cello behind him as he drifts from town to town, club to club. Like Crooked Still's Rushad Eggleston and Tristan Clarridge, who play old-time and bluegrass music on the instrument, Sollee is interested in breaking cello stereotypes. He's played blues with Otis Taylor and new whatchamaycallit Chinese grass with Béla Fleck and Abigail Washburn in the Sparrow Quartet. On his debut album, Sollee takes a giant step in reinventing his instrument with ten original tunes and one unexpected cover tune. On "How to See the Sun Rise" Sollee turns in a soulful vocal whilst playing bowed triplets on the cello. The '50s feel is augmented by Clayton Vaghn's bass, with Dick Sisto's jazzy vibes coming as a pleasant surprise. It's a beautiful bit of retro R&B with a simple, elegant lyric. "Bury Me with My Car" has a rompin' stompin' country chorus and a verse that references Egyptian, Roman, and Chinese burial rituals, all cultures that buried important people with their boat/chariot/saddle. It's hard to tell if he's protesting or celebrating American car culture, which gives the tune a nice edge. "It's Not Impossible" is a poignant acoustic rocker with a lead banjo and some smooth sax work by Jacob Goran; Sollee's bowed cello underscores his vulnerable lead vocal as he sings of his inability to cry. "Boys don't cry" he laments, hoping all the while for "the kiss that brings tears to my eyes." Sollee plays ...
| | Stiff Little Fingers Long Way To Paradise CD (2008)
Kuss Mich, Meine Liebe music CDs
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