| | One For All Killer Joe CD One For All Discography of CDs
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Our Price: $27.39 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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One for All has developed into one of the solid hard bop units, consisting of six talented New York-based musicians, most of whom have recorded a fair amount as individual leaders. With tenor saxophonist Eric Alexander, trombonist Steve Davis, and trumpeter Jim Rotundi in the front line, along with pianist David Hazeltine, bassist David Williams, and drummer Joe Farnsworth providing a great rhythm section, the sextet delves into decades-old gems like "Killer Joe," "Matin Call," and "I Remember Clifford" with authority. But such a band needs to come up with original material to stay fresh, so Alexander contributed the mellow, sauntering ballad "Island," which features superb interplay among the horns. Davis penned the driving"Hot Sake," which sounds like it would have been perfect fodder for Art Blakey's Jazz Messengers, or any hard bop band. Recommended. ~ Ken Dryden
One for All: Eric Alexander (tenor saxophone); Jim Rotondi (trumpet); Steve Davis (trombone); David Hazeltine (piano); David Williams (double bass); Joe Farnsworth (drums).
One For All Killer Joe Songs | 1. | Killer Joe |
| 2. | Island |
| 3. | Night Mist Blues |
| 4. | Mating Call |
| 5. | Hot Sake |
| 6. | Say When |
| 7. | I Remember Clifford |
| 8. | You Know I Care |
| Killer Joe Review
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| | Supremes Magnificent: The Complete Studio Duets CDs (2009)
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$24.79 The Supremes and the Four Tops concluded their early-'70s duets with Dynamite, an album that abandons the progress of The Return of the Magnificent 7 and returns to the covers-heavy formula of their first album, balancing oldies like Barbara Lewis' "Hello Stranger" with then-current hits like Stephen Stills' "Love the One You're With" and Bread's "If." Because this doesn't rely so heavily on older Motown tunes and familiar hits like The Magnificent 7 does, this escapes the oldies revue feel that sometimes plagued that record, and this is also down to the savvy, modern production, mostly by Frank Wilson and Bobby Taylor, but also Johnny Bristol and Joe Hinton on a couple of tracks. They, as much as the harmonies of the two groups, help push this record into a moderately enjoyable piece of early-'70s Motown product.
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