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Purchase Doc CD To buy, Click on price to add to cart | Count Basie - Big Band 77 DVD (1977) Remastered; DTS Sound
Doc
 $9.35 
The 1977 Montreux Jazz Festival is the setting for this set that features Count Basie and his band jamming on numbers like "These Foolish Things" and the incendiary "Jumpin' at the Woodside," with jazz legends like trumpeter Roy Eldridge and saxophonists Benny Carter and Zoot Sims.
This 1977 concert is part of the Norman Granz Jazz in Montreux series. 12 tracks are included.
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| Doc Severinsen Rhapsody For Now! CD (1973)
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 $7.99  
Audio Mixer: Mickey Crofford.
Liner Note Author: Leonard Feather.
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| Doc Severinsen Night Journey CD (1976)
Doc
$9.44 
Track Listing of songs: I Wanna Be With You; Night Journey; The World's Gone Home; Spanish Dreams; You Put The Shine On Me; Now And Then; Little Tiny Feet; Lookin Good; Open The Gates;
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| Doc Severinsen Brass Roots CD (1971)
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| Doc Severinsen Brand New Thing CD (1977)
Doc
$9.44
Track Listing of songs: Untitled; Untitled;
| | Best Of Earl Grant : Singin' And Swingin' CD (1998)
Doc
$11.99  
Reissue producer: Marty Wekser.
Includes liner notes by Joseph F. Laredo.
All tracks have been digitally remastered.
Personnel: Earl Grant (vocals, piano).
Audio Remixer: Paul Elmore.
Liner Note Author: Joseph F. Laredo.
Recording information: 07/15/1957-12/02/1968.
Photographer: Frank Driggs.
Earl Grant was a multiple talent: a great singer, a swinging organist whose mastery of the Hammond B-3 was a thrill to listen to, and a songwriter who could come up with material as solid as the standards he regularly recorded for Decca in his all-too-short career. This 21-track collection brings together the cream of his stay at Decca, featuring hits like "The End," "Ebb Tide," "Misty," "Teach Me Tonight," and his own "Swingin' Gently," with the bonus track of "The End" sung in Italian thrown in to round out the package. A great song selection and superb mastering make this a marvelous introduction to this pop-jazz artist. ~ Cub Koda
| | Louis Armstrong Thanks A Million CD (2002)
Doc
$13.59
25 tracks from 1935-39 w. Teddy Wilson & His Orch. feat. Roy Eldridge, Ben Webster, Cecil Scott, Dick Clark, Bunny Berigan +
Personnel: Louis Armstrong (vocals, trumpet); Pee Wee Hunt (vocals, trombone); Dave Barbour, Lee Blair, Jack Blanchette (guitar); Rupert Cole, Ralph Cole, Charlie Holmes (clarinet, alto saxophone); Bingie Madison (clarinet, tenor saxophone); Clarence Hutchenrider, Harry Jones, Art Ralston (alto saxophone); Dan d'Andrea, Pat Davis, Joe Garland, Greely Walton (tenor saxophone); Haig Stephens, Kenny Sargent, Pops Foster (baritone saxophone); Leonard Davis, Gus Aitken, Bernard ...
| | Human Feel Welcome To Malpesta CD (1994) (Import)
Doc
$16.55
Live Recording
Human Feel: Andrew D'Angelo (alto saxophone, bass clarinet), Chris Speed (tenor saxophone, clarinet), Kurt Rosenwinkel (guitar), Jim Black (drums).
Recorded at Power Station, New York on April 3-4, 1994. Includes liner notes by Louisa Hufstader.
All songs written or co-written by members of Human Feel except "Yesterday I Passed" (traditional).
Judging from some of the music on Welcome to Malpesta, this foursome must have moved from Boston to New York City for the coffee in addition to the artistic climate. When based in Beantown, they recorded a fine quintet disc for GM Recordings, but after losing their bassist and forging on as a New York-based quartet, they seem to have received an energy jolt from somewhere. And a flash of inspiration too. Welcome to Malpesta finds Human Feel taking a collective approach to music-making in ways only hinted at by Scatter, the band's GM CD. While reedmen Andrew D'Angelo and Chris Speed, guitarist Kurt Rosenwinkel, and drummer Jim Black all contributed compositions to Scatter and none of the four took more than their share of the spotlight, the presence of bassist Joe Fitzgerald (a fine bassist, actually) tended to give the band a more conventional structure. Here, in contrast, the idea of a four-way collective is fully realized deep within the architecture of the music. Welcome to Malpesta is paradoxical -- simultaneously free and rigorously controlled, filled with hot soloing and yet absent typical soloist-accompanist roles. The musicians are in it together at each moment, even while each is off in an individual world of his own making. Saxophone, clarinet, electric guitar, and drums wail away in a variety of combinations, yet the overall intensity is carefully modulated and the melodic, harmonic, and rhythmic elements are all shared property. The quartet also makes its togetherness explicit by skittering through impossibly tight and tortuously fast unison passages, as on D'Angelo's "Moods." D'Angelo contributes some of the CD's most agitated music, such as the crazed 7/8 repetitions of "Sich Reped" and stop-and-start "Undral Malpest Seam"; his melody line on "Sphasos Triem" careens all over the place with wide-interval leaps, as if musically sketching the New York skyline and frantic pace of city life. Although Human Feel was particularly adept at navigating up-tempo material, the band could step back from the fast and frenetic, as the lead-in to Rosenwinkel's dramatic "An Hour Ago" and some Speed's contributions ably demonstrate. The engaging mid-tempo groove and moody chamberesque improvisations of "Pith" and the evocative two-sax arrangement of the album-closing traditional "Yesterday I Passed" are good examples of Speed's restrained side. And his "Iceaquay" explores the place where contemporary classical music meets creative improvisation, featuring sustained reed and guitar lines that slowly unfold before staccato outbursts take over, fueled by Black's crisp percussion. Black is particularly noteworthy -- his work here and on the first CD by Dave Douglas' Tiny Bell Trio (recorded several months before) presaged a slew of albums that would establish him as one of the most exciting drummers in creative music. Without bassists, both Human Feel and Tiny Bell Trio threw a lot of responsibility on Black's shoulders, and he rose to the challenge, setting a new standard that few improvising drummers could match. But Welcome to Malpesta foreshadows killer music from all four band members, who would go on to record one more Human Feel album (Speak to It), lead their own ensembles, and also appear in groups led by the likes of Douglas, Tim Berne, Ellery Eskelin, and Matt Wilson. During the remainder of the decade and into the next, elements of Welcome to Malpesta echoed ...
| | Tony Fruscella Tonys Blues CD (2009) (Import) Import; Spain
Doc
$13.99
The third and final volume of the complete Fruscella recordings (except a date for Atlantic label) including a session with three saxophones (Geller, Urso and Allen) from 1952, and a concert with Phil Woods from 1955. Includes a live title ...
| | Bill Evans Further Conversations Wi CD (2008) (Import)
Doc
$39.39
| | Rossano Sportiello Do It Again CD (2009)
Doc
$12.64
| | Lee Konitz Brazilian Serenade CD (2009) (Import) Import
Doc
$23.65
Track Listing of songs: Favela; Once ...
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