| | Rebirth Jazz Band Here To Stay CD Rebirth Jazz Band Discography of CDs
Mid-'80s session featuring The Rebirth Brass Band, New Orleans' finest contemporary ensemble playing in this style, along with The Dirty Dozen Brass Band. Unlike the Dirty Dozen, who are more eclectic and also have worked with high-profile rockers, the Rebirth crew mainly stick to the tried and true marching band menu: stomps, gutbucket blues, novelty tunes and uptempo wailers. ~ Ron Wynn
Recording information: Grease Lounge (05/03/1984/05/07/1984).
Photographer: Mike Smith .
Unknown Contributor Role: Jerry Brock.
Producers: Chris Strachwitz, Jerry Brock, Rebirth Jazz Band.
Personnel: Kermit Ruffins (trumpet); Reginald Steward, Keith Anderson (trombone); Philip Frazier (tuba); Keith "Bass Drum Shorty" Frazier (bass drum, cymbals); Kenneth Austin (snare drum).
Live 1984
Rebirth Jazz Band Here To Stay Songs Here To Stay Review
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$9.59 The Square Egg presents with it's first full-length studio release featuring collaborations with Big Brooklyn Red, Antonia Jenae, Geisha Solbarn, Nicole Henry and many more...Billboard Magazine - "The raps are intelligent and accessible..."Mind, Body & Soul - "These lyrical visionaries combine hip-hop beats...with thought provoking raps that take you from the bizarre to the caustic."The Scene - "(Their cd) is also the catchiest tune I've heard in months - local, or national."Jam Entertainment News - "(Their cd) isn't that decaffeinated instant stuff you get in a jar, but neither is it bitter or angry espresso. It's well brewed, tasty and invigorating, meant to be savored slowly." Clue Magazine - "...this group definitely provided a lot of funk and a different aspect of what is going on musically in Miami manifesting in an enthusiastic response from the crowd." Miami Herald - "...every now and then, an original voice comes along...a mixture of soul, rap, funk, jazz and the essential intangible appeal that has every critic scrambling to come up with another term for "crossover urban-pop fusion." "...smooth, ...
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| | Stolen Records Basement Songs CD (2006)
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$9.35 Coming up from the ’Basement’: Lincoln-Sudbury grads taking their band, The Stolen Records, to the next levelBy Mason Neely/ Daily News CorrespondentSunday, July 23, 2006 Recent music history has shown there are easier lines of work than playing in a ska band. Nearly a decade after its mid-90s commercial heyday, the infectious horn-driven sound that launched bands like Reel Big Fish, No Doubt and Boston’s own Mighty Mighty Bosstones to multi-platinum status couldn’t be more out of the national mainstream. Despite that cultural exile, it’s a handicap that has managed to elude The Stolen Records, the Sudbury-based quintet who in only a few short years has seen their pop- and punk-inflected ska make considerable inroads throughout the region. Formed in 2004, the same year all five members graduated from Lincoln-Sudbury Regional High School, the band will release its second full length CD, "Basement Songs," at The Middle East in Cambridge on Friday. Recorded in a home studio over the last year, the album wears the influence of a numerous ska touchstones, most noticeably the amped-up skank of Operation Ivy and the dub-inspired synth touches of Lee "Scratch" Perry. According to keyboardist Casey Gruttadauria, the album’s wide-open sonic palette is a testament to the band’s convenient neutrality within the ska community. Since the band isn’t directly tied to any of the genre’s subcultures, like older rooted two-tone or rock steady or more modern pop-punk, the group can write and arrange without much restraint. "There’s definitely an influence from different bands, but what we do also comes out of experimenting with new sounds and trying to grow and bring something new to the table," said Gruttadauria. "No one wants to hear the same song 40 times, and we don’t necessary want to play the same song that often. We just try to push ourselves outside of what we know and find new things to add in. We started out as more of a rock band coming at it from all over the place, but the more we heard ska, the more we came to love it. It’s really become a part of what we do," he said. "Any band has certain genre conventions," added bassist Jamison Hollis, who is credited with turning his bandmates onto older ska acts like the Skatalites. "But because ska had already had its heyday, we didn’t see that to make the music that we really wanted to make. We try and look at an album and what we do on the whole as not just a bunch of songs, but something that’s cohesive and works together. We want people to go on a little ride." Already a fixture on the Boston college circuit and at established clubs like T.T. The Bear’s and Bill’s Bar, the band has built much of its expanding reputation on its live show, a high-energy set that draws on a surprising New Wave influence. "I think it worked out to where ...
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$18.95 From outer space, gliding across the deep blue vacancy of the south Pacific to the jagged shore of the southern continent , and up the tendrils of Sydney Harbour , under the great arched bridge and making land fall at Iron Cove, came to earth a soul . They called him John.The earthly father was the strongman ...
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