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The Benoit/Freeman project is a reunion of sorts, as both smooth jazz icons worked on 1986's landmark Rippingtons debut Moonlighting and together wrote Benoit's hit "Every Step of the Way." Since then, Freeman's career with that band and Benoit's as a solo artist spearheaded the smooth jazz movement while expanding the rules on just what modern jazz is. The new project combines the radio-friendly pleasures inherent in their separate endeavors with an exciting expansion and interplay of fresh and innovative ideas. Though the focus is clearly on the interplay between guitar and piano, the two are surrounded by all-star backing talent like Nathan East, Abe Laboriel, John Robinson, and former Rippingtons members Steve Reid and Tony Morales. Much attention was directed to Kenny Loggins' wonderful vocal performance of "When She Believed in Me," but the Phil Perry sung version of "After the Love Is Gone" is superfluous; it's beautiful but adds nothing to the original Earth, Wind & Fire arrangement. Instrumental highlights include "Mediterranean Nights" (a seven-minute meditation featuring symphonic elements and Freeman's rich electric guitar work), the percussive "Swept Away," moody "The End of Our Season," and a remake of "Mirage," one of Moonlighting's most beautiful tunes. The two seem to have been too busy for a follow-up, but smooth jazz could definitely benefit from another tandem brainstorm like this. ~ Jonathan Widran
Personnel: David Benoit (piano); Russ Freeman (guitar, electric guitar, classical guitar, keyboards, synthesizer, percussion); Kenny Loggins, Phil Perry (vocals, background vocals); Nathan East, Vesta (vocals); Henry Ferber, Pamela Gates, Charles Everett, Bruce Dukov, Peter Kent, Maria Newman, Armen Garabedian, Michele Richards, Berj Garabedian, Ronald Clark, Endre Granat (violin); James Ross , Cynthia Morrow, Robert Becker, Evan Wilson (viola); Daniel Smith, Suzie Kattayama, Suzie Katayama, Larry Corbett, Stephen Erdody (cello); Dan Higgins (alto saxophone); Jerry Hey (trumpet, flugelhorn); Gary Grant (trumpet); John "J.R." Robinson (drums, percussion); Michael Baird , Tony Morales (drums); Steve Reid (percussion); Anjani Thomas, Steve George (background vocals).
Audio Mixer: Russ Freeman .
Recording information: 29th Street Studios, Torrance, CA; Cheyenne Mountain Ranch Studios, CO; Ocean Way Recording Studios, Hollywood, CA; Sound Design Studios, Santa Barbara, CA.
Photographer: Carl Studna.
Arrangers: David Benoit; Jerry Hey; Russ Freeman .
Personnel includes: David Benoit (piano); Russ Freeman (keyboards, acoustic & electric guitars, bass, percussion); Nathan East (vocals, bass); Kenny Loggins, Vesta, Phil Perry (vocals); Dan Higgins (alto saxophone); Jerry Hey (trumpet, fluglehorn); Gary Grant (trumpet); Abe Laboriel (bass); John Robinson, Tony Morales, Mike Baird (drums); Steve Reid (percussion); Anjani Thomas, Steven George (background vocals).
Engineers include: Russ Freeman, Alan Hirshberg, Terry Nelson.
Benoit/Freeman Project Music | List Price | $14.98 (You save $2.49) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Piano | | Label | GRP | | Orig Year | 1994 | | All Time Sales Rank | 38947  | | CD Universe Part number | 1001872 | | Catalog number | 9739 | | Discs | 1 | | Release Date | Feb 15, 1994 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Dave Grusin; David Benoit; Larry Rosen; Russ Freeman | | Recording Time | 52 minutes | | Personnel | Jerry Hey - trumpet, flugelhorn Nathan East - vocals, bass Gary Grant - trumpet Dan Higgins - alto saxophone Russ Freeman - guitar, electric guitar, classical guitar, keyboards, synthesizer, percussion Russ Freeman - guitar, electric guitar, classical guitar, keyboards, synthesizer, percussion Mike Baird - drums Steve Reid - percussion David Benoit - piano Abe Laboriel - bass Anjani Thomas Tony Morales - drums Steven George - background vocals
Also: Kenny Loggins, Phil Perry, Vesta, Larry Corbett, Bruce Dukov, Peter Kent, Armen Garabedian, Stephen Erdody, Evan Wilson, Michele Richards, Michael Baird, Endre Granat, Daniel Smith, Berj Garabedian, Charles Everett, Henry Ferber, Robert Becker, Maria Newman, Pamela Gates, Ronald Clark, James Ross, Suzie Kattayama, Cynthia Morrow, Alan Hirshberg |
Benoit / Freeman Project Benoit/Freeman Project Songs | 1. | Reunion | |
| 2. | When She Believed in Me | |
| 3. | Mediterranean Nights | |
| 4. | Swept Away | |
| 5. | End of Our Season, The | |
| 6. | After the Love Has Gone | |
| 7. | Smarty Pants | |
| 8. | It's the Thought That Counts | |
| 9. | Mirage | |
| 10. | That's All I Could Say | |
| Benoit/Freeman Project Review
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Purchase Benoit/Freeman Project CD To buy, Click on price to add to cart | Rippingtons Life In The Tropics CDs (2000)
Benoit/Freeman Project album
$8.15 Life in the Tropics -- the first Peak Records release for the Rippingtons -- features guitarist Russ Freeman and is a great smooth jazz celebration of rhythmic delights that resemble the tropical splendor of an island oasis. The natural beauty of each composition is reflected by the great talents of the Rippingtons: Kim Stone on bass, Dave Kochanski on keyboards, Ramon Yslas on percussion, and Dave Hooper on drums, along with special guests the great saxophonists Dave Koz, Eric ...
| | Muddy Waters Folk Singer CD (1964) Remastered
Benoit/Freeman Project CD music
$8.49 Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
"You Can't Lose What You Ain't Never Had" and "The Same Thing" did not appear on the original version of FOLK SINGER. They were recorded at a separate session in April 1964, three months after FOLK SINGER was released.
The title and cover photo of this 1963 recording were an attempt to cash in on the burgeoning American folk revival, but this is pure acoustic blues. Muddy began his career as a Robert Johnson-style solo acoustic performer, ...
| | Russ Freeman Drive CD (2002)
Benoit/Freeman Project music CDs
$6.79 Since the Rippingtons do Russ Freeman's bidding, he hasn't found it necessary to do a full-fledged, regular solo album since he founded the group in 1986. (There have been duo albums with David Benoit and Craig Chaquico as well as a solo holiday record, however.) But listeners "started encouraging me to 'step out' more and to play more guitar," he writes in the liner notes to Drive, and "hence, this album," his first such release since 1985's Nocturnal Playground. That statement is the key to what distinguishes the disc from a Rippingtons album. Although Freeman has called upon a few guest musicians, with Chris Botti contributing muted trumpet work to "Soul Dance," ...
| | Rippingtons Let It Ripp! CD (2003)
Benoit/Freeman Project songs
$9.65 On Let It Ripp, the contemporary jazz masters known as the Rippingtons offer a mixed exhibition of musical paintings that freely roam their "live" aesthetic more than on any previous studio project. Recorded with no outside musicians except for the horns of Jerry Hey, Gary Grant, and Steven Hoffman, this excellent collection of 11 original songs written by Russ Freeman exemplifies the culmination of 17 years of being on the road. Special guest saxophonist Eric Marienthal (whose killer chops have been heard with the likes ...
| | Benoit/Freeman Project 2 CD (2004)
Benoit/Freeman Project album
$6.69 Creatively, David Benoit has had his ups and downs over the years. The pianist/keyboardist has recorded more than his share of forgettable smooth jazz albums, but he has also provided some decent straight-ahead discs that were greatly influenced by Bill Evans (the pianist, not the saxophonist). This 2004 release, however, doesn't fall into either category -- Benoit/Freeman Project 2, a collaboration with guitarist Russ Freeman, isn't straight-ahead acoustic jazz, but it isn't an album of mindless "elevator Muzak" either. For the most part, this CD ...
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| | Jason Lindner Premonition CDs (2000)
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$9.65 If one wants a good idea of where New York jazz was heading as of the year 2000, this album is a good place to start. Pianist Jason Lindner's Stretch Records debut showcases the big band he has paid dues with at New York's Smalls club for several years. The leader's piano plays a relatively minor role, but his prowess as a composer and arranger comes across loud and clear. Lindner's eclecticism is bold and purposeful, not trendy. A brief, highly modern intro opens the record, giving way to the classic, bop-oriented big-band sound of the title track, which features a great tenor break by guest soloist Gregory Tardy. But then trombonist Avi Lebovich's "Mr. Demargary" comes along, defying categorization altogether, setting up spirited trading between Alex Norris on flügelhorn and Diego Urcola on muted trumpet, as well as a sweet Fender Rhodes solo by Lindner. It's not bebop, it's not ...
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