| | Hepcat Scientific CD Hepcat Discography of CDs
(2 Customer Reviews)
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Our Price: $11.65 CDFor Sale Usually ships in 1-2 days
Our Price: $10.89
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Throughout the mid-'90s ska revival, Hepcat should have felt right at home, but ironically the multi-racial Los Angeles-based band couldn't have sounded more at odds with then-current ska trends. Instead of offering a fashionable ska-punk hybrid, Hepcat went way back to the '60s for its inspiration, expertly emulating ska's first wave by bridging R&B and jazz with ska's trademark upbeat. Scientific, the band's second album, doesn't break from the classic ska formula, which is what makes the disc so great. Hepcat's dogged dedication to old-school ska sets it apart from the competition, with the outfit embracing lengthy horn solos and soulful vocals where other groups offer shouting and distorted guitars. Vocalists Alex Desert and Greg Lee would even sound right at home on any Studio One session, crooning, cooing, and toasting where necessary. Scientific doesn't always stick strictly to ska, but it stays in the vicinity: Hepcat also explores ska's antecedents rocksteady, reggae, and dub, with songs such as "Keep On" slowing things down to a less danceable pace. But despite the slight style juggling, the emphasis remains mostly on traditional Jamaican music -- pure, simple, musical, and joyous, with a touch of politics, even if a potentially galvanizing track titled "Anita Hill" is perversely presented as an instrumental. ~ Joshua Klein
Editor: Jimmy Street.
Personnel: Deston Berry (vocals, keyboards, percussion); Alex Desert, Greg Lee (vocals); Lino Trujillo (guitar); Raul Talavera (alto saxophone); Efren Santana (tenor saxophone, percussion); Kincaid Smith (trumpet, flugelhorn); Greg Narvas (drums, percussion).
Recording information: Sunburst Studios.
Scientific Music | List Price | $13.97 (You save $2.32) | | Category | Rock/Pop Albums, Rock CDs, Punk, Reggae/Ska/Calypso, Ska | | Label | Better Youth Organization (BYO) | | Orig Year | 1996 | | All Time Sales Rank | 32818  | | CD Universe Part number | 1002062 | | Catalog number | 40 | | Discs | 1 | | Release Date | Apr 05, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Hepcat | | Engineer | Bob Wayne | | Personnel | Alex Desert Deston Berry - vocals, keyboards, percussion Efren Santana - tenor saxophone, percussion Greg Lee - vocals Kincaid Smith - trumpet, flugelhorn Lino Trujillo - guitar Raul Talavera - alto saxophone Greg Narvas - drums, percussion
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Purchase Scientific CD To buy, Click on price to add to cart | Hepcat Right On Time CD (1998)
Scientific album
$10.35 RIGHT ON TIME is the third release from Hepcat, the eminently soulful nine-piece ska collective. From the title cut's opening groove, the group plays it smooth. The same song ...
| | Hepcat Push 'N Shove CDs (2000)
Scientific CD music
$9.59 Falling more between the sound of ska pioneers The Skatalites and the 1980s U.K. Two-Tone movement rather than the hybridized sound of third wavers No Doubt and The Mighty Mighty Bosstones, L.A. natives Hepcat conjure up all sorts of rootsy purity on their fourth album. Like legendary session guitarist Ernest Ranglin, this septet displays an impressive range that covers many of Jamaica's musical shifts.
With the punchy, out-in-front drumming punctuated by plenty of crisp rimshots and shuffling brushstrokes, Hepcat take on samba-flavored instrumentals ("The Ronnie"), soul singer Brenton Wood ("Gimme Little Sign"), and rock-steady romanticism ("You And I"). Former frontman Alex Desert even took a ...
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Scientific music CDs
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| | Horrors Strange House CD (2007) Enhanced CD
Scientific songs
$9.99 On their singles and EPs, the Horrors proved they'd done their post-punk and freakbeat homework. With their debut album, Strange House, they push their sound forward, distill it to its rawest essence, and give it a few funhouse mirror twists and turns for good measure. Almost half of the songs on the album already appeared on previous Horrors ...
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$11.65 The real meat of his classic rocksteady period and a chunk of his recordings with Bunny Lee. 2CD's with a 16 page full color booklet with discography, full biography and rare photos.
Jamaican singer Delroy Wilson was only 14-years-old when he first entered a recording studio, and although he died young, at 47, he still left behind over 30 years of remarkably consistent work. Like seemingly everyone else on the island, he got his start with producer Clement "Coxsone" Dodd at Studio One, but throughout his career, Wilson worked with several producers, most notably Bunny Lee and Lloyd Chalmers. This two-disc collection centers on his peak rocksteady and early reggae years, and includes many of his biggest ...
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| | Bob Dylan Tell Tale Signs: The Bootleg Series Vol. 8 CDs (2008) Deluxe Edition w/ book
Scientific album
$124.05 This eighth chapter in Dylan's epic Bootleg Series covers the era bookended by 1989's OH MERCY and 2006's MODERN TIMES. As the only installment with its own unique title, TELL TALE SIGNS acts in some ways as its own original record and the fourth salvo in the renaissance kicked off by 1997's TIME OUT OF MIND. A deeply satisfying two-disc set, TELL TALE SIGNS argues emphatically that these albums were no fluke, but rooted in a significantly broader, deeper wellspring of creativity. Unconcerned with the contemporary zeitgeist, Dylan synthesizes old forms--from rockabilly to jump blues; from Jimmie Rodgers-esque parlor balladry to country gospel--into his millieu with extraordinary ease, and rides various ace line-ups (which feature such stalwarts as guitarist/fiddler Larry Campbell, guitarist Charlie Sexton, and organist Augie Meyers) into an isolated dreamland soaked with spring reverb and pulsating tremolo. The stranger in these songs may be familiar, but now his visions thrum with nostalgia and regret.
The highlights are many. A devastating acoustic demo of the OH MERCY stand-out "Most of the Time" rescues the song from Daniel Lanois's overweaning production on the original. "Red River Shore" and "Marchin' to the City"--cut from the final sequence of TIME OUT OF MIND--smolder. Two vastly different alternate versions of both the OH MERCY-era single "Dignity" and LOVE AND THEFT's "Mississippi" reveal the degree to which Dylan plumbs a song's performative possibilities. Still restless, ...
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