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Personnel: Ceylon Mooney, Marvin Stockwell (vocals, guitar); Joey Mullinix (vocals, bass guitar).
Recording information: Westbeach Recorders (06/03/1997-06/??/1997).
Pezz: Marvin Stockwell, Ceylon Mooney (guitar, vocals); Joey Mullinix (bass, vocals); Chris Coble (drums).
Producers: Steve Kravac, Pezz, Mark "Big Daddy" Stern.
Memphis Punk
One Last Look Review
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge ...
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures ...
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On their 2001 album Wonderland, the Charlatans UK started to seem a little boxed in by the classicist rock & roll that was their stock-in-trade since the heady heyday of Britpop in 1995, so perhaps it shouldn't be a great surprise that their lead singer, Tim Burgess, packed up and headed out to California around the time of its release. It also shouldn't be a great surprise that he cut a solo album not long after Wonderland, releasing I Believe in the fall of 2003 (at least in the U.K.; in the U.S., it didn't see a release until the spring of 2005, nearly a full year after the Charlatans' eighth album, Up at the Lake). Written and recorded with Linus of Hollywood (no last name given), the record is recognizably the work of the Charlatans' leader -- there is a similar fondness for laid-back, easy-rolling classic rock, sunny hooks, a vague infatuation with lite dance rhythms -- but instead of the journeyman working band vibe that has been the group's stock-in-trade since their eponymous 1995 album, Burgess develops a light, breezy, retro vibe here that is considerably lighter on its feet than anything his regular band has done in recent memory. Heavily inspired by his surroundings, Burgess indulges in a variety of Southern Californian styles, whether it's the sweet, skipping country-rock of "Years Ago," the mellow funky jam of "I Believe in the Spirit," or the string-laden sweet soul of "Say Yes." After the rather rote handful of Charlatans records since Tellin' Stories, this is a nice relief, and the entire record has an appealing, relaxed vibe that makes it a good soundtrack for a sunny afternoon. The only problem is, it's an album about sound, not songs. None of the individual tracks are all that memorable, but as a whole, it's a nice, friendly record that proves that it was a good idea for Burgess to go it alone this time around. ~ Stephen Thomas Erlewine
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