| | Tony Rice California Autumn CD Tony Rice Discography of CDs
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Rice splits the material on California Autumn between vocal numbers and instrumentals while resurrecting old-time songs including "Billy in the Lowground," "Beaumont Rag" and "Red Haired Boy." ~ Jason Ankeny
Recorded at Track Recorders, Silver Spring, Maryland.
Personnel: Tony Rice (vocals, guitar); John Starling (guitar); Jerry Douglas , Mike Auldridge (dobro); J.D. Crowe, Ben Eldridge (banjo); Ricky Skaggs (mandolin, fiddle, viola); Larry Rice (mandolin).
Recording information: Track Recorders, Silver Spring, MD.
Photographer: Lynwood Atkins.
Personnel: Tony Rice (vocals, guitar); John Starling (guitar, background vocals); Ben Eldridge, J.D. Crowe (banjo); Mike Auldridge, Jerry Douglas (dobro); Ricky Skaggs (mandolin, diddle, viola, background vocals); Larry Rice (mandolin); Tom Gray (bass).
California Autumn Music | List Price | $15.98 (You save $3.03) | | Category | Rock/Pop Albums, Folk CDs, Country, Folk Music, Bluegrass | | Label | Rebel | | Orig Year | 1975 | | All Time Sales Rank | 68409  | | CD Universe Part number | 1002203 | | Catalog number | 111549 | | Discs | 1 | | Release Date | Aug 25, 1994 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | John Starling | | Engineer | Bill Tate; Fran Tate; George Massenburg; Billy Tate | | Recording Time | 36 minutes | | Personnel | Tony Rice - vocals, guitar Tom Gray - bass Ben Eldridge - banjo
Also: Jerry Douglas, Ricky Skaggs, Mike Auldridge, John Starling, J.D. Crowe, Larry Rice |
Tony Rice California Autumn Songs | 1. | California Autumn |
| 2. | Bullet Man |
| 3. | Mr. Poverty |
| 4. | Billy in the Low Ground |
| 5. | Red Haired Boy |
| 6. | Good Woman's Love |
| 7. | You Don't Know My Mind |
| 8. | Alone and Forsaken |
| 9. | Bugle Call Rag |
| 10. | Georgia on My Mind |
| 11. | Scarborough Fair |
| 12. | Beaumont Rag |
| California Autumn Review
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Purchase California Autumn CD To buy, Click on price to add to cart | Tony Rice Guitar CD (1970)
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| | Tony Rice Bluegrass Guitar Collection CD (2003)
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$14.09 There is no question that the most influential lead guitarist in bluegrass history is the late Clarence White. After that, the arguments start. Who comes next -- Doc Watson? Norman Blake? Dan Crary? While you'll never achieve complete consensus on this point, if you took a vote the chances are very good that the second name in the list of important lead guitarists would be that of Tony Rice, who is not only an acknowledged master of the traditional bluegrass idiom but a highly influential stylistic innovator, one who helped create the jazz-grass fusion music of the 1970s and 1980s that came, for better or worse, to be called new acoustic music. This excellent compilation (which gets its title from the serial number of Clarence White's Martin D-28 guitar, which Rice has owned and played since 1975) celebrates his contributions on the more traditional side of things, and its tracks include full-band performances with the likes of the Bluegrass Album Band, his own Tony Rice Unit, and a quartet made up entirely of Rice brothers, as well as a handful of duo recordings with Norman Blake and a rambunctious arrangement of "Lost Indian" for a guitar trio featuring Rice, Blake, and Doc Watson. Although you could argue that his take on Bill Monroe's "Jerusalem Ridge" is maybe a bit lacking in nuance, everything else on this album ...
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$14.29 Each of the original Limeliters, surprisingly enough, chose this album as their most satisfying. In the midst of their hectic rise to the top of their profession, the group decided to record a children's album, live (in the best hootenanny tradition), featuring a chorus of 70 elementary school children from Berkeley, CA. The result is what the folk process is all about: children learning songs from the "town troubadours." Any youngster in the early '60s, could sing along with this record and learn such classics as "The Riddle Song," "This Train," "The Lollipop Tree," and singalongs like "Join into the Game" and "B-A ...
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California Autumn songs
$14.69 The self-titled Constellation Records debut by Exhaust embodies the sound of squatting in an anarcho-socialist warehouse commune in Montreal's arty/industrial Mile-End district surrounded by French-speaking philosopher/musicians with revolution on their minds and time on their hands. Exhaust are comprised of drummer Aidan Girt (aka 1-Speed Bike and later of Godspeed You Black Emperor!), Gordon Krieger on bass guitar and bass clarinet, and Mike Zabitsky on reel-to-reel tape "distortions." Constellation calls it "a bipolar thrillride from one of the bands that made us want to start a record label." Much of their live-to-four-track recordings have been electronically manipulated during mixdown to evoke an aura of experimental dub and an attendant cinematic mystery that conjures the urban setting of their creations. The drumming is minimalist and crudely recorded, as if from a single microphone set up in a storm drain, yet front and center, directing each piece, while menacing tape loops of agitprop speeches, street conversations, film dialog, and eerie wails permeate the mix, and all of this is anchored by depth-charge bass drones and the moaning of the clarinet. Song titles are as evocative as the music itself: "A History of Guerrilla Warfare," "Two Years on Welfare," "A Medley of Late Night Buffet Commercials," "We Support Iran in Their Bid to Win the 1998 World Cup." The last track, "The Black Horns of H2T," an apparent homage to Montreal's premier avant music recording studio, the mighty Hotel 2 Tango, is a solo for bass clarinet sounding more like a time-warped ...
| | Aaron Tippin Stars & Stripes CD (2002)
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$12.65 This is a Hyper CD, which contains regular audio tracks and also provides a link to the aritist's website with the help of a browswer.
This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
He may look like Greek new-ager Yanni with a military haircut, but as is heavily underlined by the mega-patriotism of the title cut (not to mention the Ol' Glory album cover), Aaron Tippin is clearly an all-American country boy. While subtlety-lovers might be put off by the brashness of said title track, it's still leagues more user-friendly than similar odes to the eagle contemporaneously offered by the more hawkish likes of Toby Keith and Alan Jackson. Perhaps more importantly, Tippin doesn't belabor the point by spending the rest of album showing his red, white, and blue colors. Instead, he gets straight down to the business of honky-tonkin', waving a flag of a more Nashville kind on such title-says-it-all tunes as the roadhouse two-stepper "Honky Tonk If You Love Country" and the waltz-time saloon song "Five Gallon Tear." Things close out with a touch of soul as Tippin emotes with his deep voice on the ballad "Love Me Back," closing STARS & STRIPES on an appropriately hopeful note.
Recorded at The Sound Shop Studios, Nashville, Tennessee.
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