Aaron Carter - Aaron's Party (Come Get It) CD

Aaron's Party (Come Get It) album for sale Faith Hill won the 2000 CMA Award for Female Vocalist Of The Year. BREATHE won the 2001 Grammy Award for Best Country Album. "Breathe" won the 2001 Grammy Award for Best Female Country Vocal Performance. "Let's Make Love" won the 2001 Grammy Award for Best Country Collaboration with Vocals. "Breathe" was nominated for the 2001 Grammy Award in the categories of Best Country Song and Song Of The Year. "The Way You Love Me" was nominated for the 2001 Grammy Award for Best Country Song. With her third album, FAITH, Faith Hill tasted pop crossover success--and she evidently liked the taste. BREATHE, Hill's fourth release, takes the pop/country stylings of FAITH to the next level. It's an appealing collection of pop, gospel, R&B, rock, and ballads, with just a bit of country thrown in. The production, featuring Hill's big voice surrounded by booming drums and screaming guitars, is so slick you could skate on it. Love is the subject of nearly every song, from the exuberant "I Got My Baby," to the soulful "Love Is a Sweet Thing," to the cutesy "The Way You Love Me," with its Beatlesque backing vocals. But while Hill can obviously handle a wide range of material, she sounds best on the quieter, country-flavored numbers, like the title track, the lovely "It Will Be Me," and a haunting, vaguely Latin-flavored reworking of Bruce Springsteen's "If I Should Fall Behind." The most emotional track is "Let's Make Love," a full-fledged duet with Hill's husband Tim McGraw. Because McGraw's voice is unmistakably country, Hill adopts a similar sound to match him. And because you know they've lived the lyrics, the song--about reconnecting emotionally and physically with your mate--comes across as undeniably real. Principally recorded at Ocean Way, Nashville, Tennessee. Personnel: Faith Hill (vocals); Julian King (recorder). Audio Mixers: Chris Lord-Alge; J.R. Rodriguez; Bryan McConkey; Mike Shipley. Recording information: Emerald ENtertainment, Nashville, TN; Essential Sound, Nashville, TN; LOUD Recording; Ocean Way Studios, Nashville, TN; Sony Music Studios, Los Angeles, CA; The Sound Kitchen, Franklin, TN. Personnel includes: Faith Hill, Tim McGraw (vocals); B. James Lowry (acoustic & electric guitars); Larry Byrom (acoustic guitar); Dann Huff, Gordon Kennedy, John Willis, Michael Landau (electric guitar); Paul Franklin (steel guitar); Gary Smith (piano, organ); Aubrey Haynie, Stuart Duncan (fiddle); Steve Nathan, Tim Akers (keyboards); Glenn A. Worf, Mike Brignardello (bass); Lonnie Wilson, Steve Brewster (drums); Eric Darken (percussion); Bekka Bramlett, Chris Rodriguez, Gene Miller, Kim Parent, Lisa Bevill, Stephanie Bentley (backgound vocals); The Nashville String Machine. Producers: Byron Gallimore, Dann Huff, Faith Hill. Award Winner

Aaron's Party (Come Get It) buy CD music A DAY WITHOUT RAIN won the 2002 Grammy Award for Best New Age Album. Celtic songbird Enya is nothing if not consistent--A DAY WITHOUT RAIN won't disappoint anyone who was entranced by her first major hit "Orinoco Flow." The same blend of adult-contemporary pop, Celtic overtones, and peaceful, new age-derived ambience fills these songs. Enya knows how to set a mood, and she takes her time establishing the themes here; the title cut that opens the album doesn't even have any words, just Enya's harmoniously overdubbed humming. Speaking of overdubs, Enya sang and played every single thing on A DAY WITHOUT RAIN herself, demonstrating both an impressive versatility and a remarkable steadiness of vision. With the (seemingly) sampled timpani and strings that adorn much of the album, some of the cuts here simply scream "film soundtrack," as if they're just waiting to be snatched up by James Cameron for his next epic film and embedded forever in the public consciousness. Solo performer: Enya (vocals, various instruments).

Aaron's Party (Come Get It) songs This album represents Celine Dion's return to recording after a lengthy hiatus (nobody ever believed that "retirement" guff) taken to spend time with her family. As such, the aptly titled A NEW DAY HAS COME finds everybody's favorite French Canadian diva audibly reveling in her return to the vocation for which she was born. The title track finds Dion's elegant voice resplendent amid a pool of twinkling synthesizers, full of energy and joy. "Right in Front of You" opens with some attention-grabbing violin-sawing before giving way to a Euro-synth sound that falls halfway between power ballad and dance tune a la Cher. There's no question about the balladic nature of "Have You Ever Been in Love," it's the kind of heart-on-sleeve tune Dion's big, soaring voice was made for. Elsewhere, Dion stretches out a bit, touching on R&B with "Rain, Tax (It's Inevitable)" and a poignant version of Eden Ahbez's standard "Nature Boy," but that familiar vocal stamina is consistent throughout A NEW DAY HAS COME. Personnel: Celine Dion (background vocals); Eric Kupper (guitar, keyboard programming); Richie Jones (guitar, drum programming); Andreas Carlsson, Robert John "Mutt" Lange (guitar, background vocals); Chieli Minucci, Esbjörn Öhrwall, Sébastien Chouard, Michael Hart Thompson , Michael Landau, Paul Jackson, Jr. , Terry Britten (guitar); Dan Warner, Kevin Breit (acoustic guitar, electric guitar); Dorian Cheah (electric guitar); Kevin Fox (cello); Stockholm Session Orchestra (strings); Harry "Slick" Sommerdahl, Jorge Calandrelli (piano); Walter Afanasieff (keyboards, programming, drum programming); Kristian Lundin (keyboards, programming); David Siegel, Mark Portmann , Simon Franglen (keyboards); Guy Roche (synthesizer, drum programming); Marcus Brown (drums, percussion, keyboard programming); Rafael Padilla (percussion); Christian B. (programming); Claytoven Richardson, Sam Watters, Nana Hedin, Jennifer Carr, Francis Benítez, Sakai, Maryanne Morgan, Janie Barnett, Joey Diggs, Kenny O'Brien, Margaret Dorn, Mary Griffin, Anders "Bag" Bagge, Richard Page, Shania Twain, Shelene Thomas, Skyler Jett, Steve Morales, Sue Ann Carwell, Jeanette Olsson, Yvonne Williams, Keith Fluitt, Chantal Kreviazuk (background vocals). Audio Mixers: Bernard Löhr; Humberto Gatica; Kristian Lundin; Mick Guzauski. Liner Note Author: Celine Dion. Recording information: Bananaboat Studios, Burbank, CA; Chartmaker Studios, Los Angeles, CA; Cove City Sound Studios, Li, NY; Deutsches Filmorchester Studios, Berlin, Germany; Endeavour Studio (Suresnes); Endeavour Studios (Suresnes); Maison De Musique, Canada; Master Plan Studios, Stockholm, Sweden; metropolis Studios, London, England; Murlyn Studios, Stockholm, Sweden; Paradise Sound Studios, FL; Piccolo Studios, Montreal, Ontario, Canada; Sony Music Studios, New York, NY; Sony Oasis, Canada; Sony Scoring, L.A; SR Studio 2, Stockholm, Sweden; Studio Piccolo, Montreal, Quebec, Canada; The Enterprise II, L.A; The Hit Factory, Miami, FL; The Location, Stockholm, Sweden; TODD-AO Studios, L.A; WallyWorld, CA; Westlake Audio, L.A. Photographer: Gérard Schachmés. Arrangers: Guy Roche; Humberto Gatica; Mark Portmann ; Anders "Bag" Bagge; Simon Franglen; Steve Morales; Walter Afanasieff. Personnel includes: Celine Dion (vocals); Dorian Cheah (guitar, violin); Michael Thompson, Paul Jackson Jr (guitar); Felipe Elgueta, Simon Franglen, Guy Roche (programming); Chantal Kreviazuk, Richard Page, Sam Watters, Mary Griffin, Sue Ann Carwell, Yvonne Williams, Joey Diggs, John Stoddast (background vocals). Producers include: Ric Wake, Gerald De Palmas, Robert "Mutt" Lange, Simon Franglen, Anders Bagge.

Aaron's Party (Come Get It) CD music Brought to you under the auspices of no less impressive an entrepreneur than Clive Davis, O-Town seems to be the music mogul's entry in the boy-band sweepstakes. The fivesome's self-titled debut album is so attentive to the details of teen-pop tropes that O-Town almost seems like meta-teen-pop. This is nowhere so apparent as on the opening track, where the boys name-check Destiny's Child, Janet Jackson, Madonna, and "Jennifer" (it's not clear whether they mean Love Hewitt or Lopez, but that hardly matters) in the space of a 20-second chorus. For lovers of Boyzone, Backstreet Boys, etc., it's all here, from the high-sheen harmonies to the romantic, R&B-laced ballads and pop/hip-hop production blend. Ori Release '01. Debut album from the Boys Band created for the ABC television show Making the Band includes the singles Liquid Dreams All Or Nothing. Producers include: Clive Davis, Quincy Patrick, Joshua P. Thompson, David Kopatz, Dane DeViller. Engineers include: Adam Kagan, Spider, Adam Barber. Personnel: Ashley Parker Angel, Dan Miller , Trevor Penick, Erik-Michael Estrada, Jacob Underwood (vocals); David Kopatz (guitar, keyboards, programming); Dave Deviller (guitar, programming); Paul Gendler, John Smith, Anthony Anderson, Tony Battaglia (guitar); David Frank (keyboards, drums); Steve Mac (keyboards); Shawn Pelton, Chris Laws (drums); Adam Kagan, Michael Norfleet, Jack Kugell, Sean Hosein, Steve Smith , Steve Kipner, Warryn Campbell, Bradley Spalter (programming); Mike Mangini (drum programming); Mark Hudson (background vocals). Audio Mixers: Joe Smith ; Manny Marroquin; Kevin Clark; Matt Howe; Rob Chiarelli; Steve Mac. Recording information: Canyon Reverb, L.A; Classroom, L.A; Olympic Studios, London, England; Quad Studios, New York, NY; Right Track Recording, New York, NY; The Sweatbox, L.A; Trans Continental Studios, Orlando, FL; Tupper Manor Studios, Vancouver, British Columbia, Cana; WHK Studios, L.A., CA. Arrangers: Dakari; David Frank; David Kopatz; Jack Kugell; Steve Kipner. O-Town: Trevor, Dan, Erik, Ashley, Jacob (vocals). Additional personnel: Warryn "Baby Dub" Campell (various instruments, programming); David Kopatz (guitar, keyboards, programming); Anthony Anderson, Dane DeViller, Tony Bataglia (guitar); Byron Chambers (piano); Kevin Clark, Steve Pearce, Scott Borland (bass); David Frank (drums, programming); Bradley Spalter, Michael Norfleet, Adam Kagan, Jack Kugell, Steve Kipner, Skoti Elliot, Michael Mangini (programming); Mark Hudson, Ali Tennant (background vocals).

Aaron's Party (Come Get It) buy CD music As he eases into teenhood, Aaron Carter, younger brother of Backstreet Boy Nick, continues to spin out one slice of hook-filled teenpop after another. As on his previous efforts, Carter splits his time between rapping, R&B crooning, and jubilant pop singing. Though pulling a Willie/Julio on "To All the Girls" might seem a bit premature for a 14-year-old, he IS a pop hearthrob, and the girls in question are probably no older than the singer. The opening title track finds Carter in full-on hip-hop mode, while "Keep Believing" is a heart-on-sleeve romantic R&B-laced ballad filling much the same function as "I'm All About You" did on the previous year's OH AARON. True, he doesn't deviate much from his pre-established template, but do you really think Aaron's devoted, predominantly female fans would want him to? Personnel includes: Aaron Carter, The Baja Men. Producers include: Lucas & Mickey P, Dreamscape, Shep & Kenny, Riprock 'N' Alex G.

Aaron's Party (Come Get It) songs Contains an untitled hidden track which occurs after "Cowgirl (Lil' Mama)." Even if adolescent pop star Aaron Carter is destined to become the Jimmy Osmond of the 21st Century, he's determined to go out fighting. Following up the huge success of its predecessor, OH AARON follows a similar formula, employing elements of R&B, hip-hop and pure pop production. Though the title song concerns Carter's difficulty in scoring a boatload of tickets to a Backstreet Boys concert for his friends, the young pop idol largely eschews the romantic ballad style of said teenpoppers--that may come after he gets a bit more puberty under his belt. Instead, this is largely a party album, powered by funky synth bass, drum loops, and sock-it-to-'em hooks. On "Not Too Young, Not Too Old," Carter sings about playing both sides of the age game to his advantage. "Stride" finds Aaron rapping over the chorus of Matthew Wilder's '80s hit "Break My Stride." Though he engages in an amiable rap style for most of the album, Carter does manage to croon one sentimental ballad, "I'm All About You," which will surely have his predominantly female following weeping into their junior high yearbooks. Personnel includes: Aaron Carter, Nick Carter, No Secrets (vocals); Brian Kierfulf (guitar, programming); Josh Schwartz, Paul Gendler, Michael Thompson (guitar); Mike Rose, Nick Foster (keyboards, programming); Tony T, Andy Goldmark, Marc Nelson (background vocals). Producers include: Brian Kierulf, Josh Schwartz, Scorpio, Rose & Foster, Andy Goldmark. Engineers include: Brian Kierulf, Josh Schwartz, Bill Malina.