| | Sweet Live Breakdown CD - Import Sweet Discography of CDs
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Our Price: $17.19  CDFor Sale Usually ships in 1-2 days
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live album from 70's rockers, 11 tracks Live Breakdown Music Review Purchase Live Breakdown CD To buy, Click on price to add to cart | Echo & The Bunnymen The Fountain CD (2009)
Live Breakdown
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| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
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| | Nile Those Whom The Gods Detest CD (2009)
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Additional Tracks
| | Bryan Ferry Bride Stripped Bare CD (1978)
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Personnel: Bryan Ferry (vocals); Waddy Wachtel (guitar, background vocals); Neil Hubbard (guitar); Mel Collins (saxophone); Martin Drover (trumpet); Ann Odell, Steve Nye (electric piano); Herbie Flowers (acoustic bass); Alan Spencer, John Wetton (bass); Rick Marotta, Preston Heyman (drums).
All tracks have been digitally remastered using HDCD technology.
Personnel: Bryan Ferry (vocals, harmonica, piano, keyboards, background vocals); Waddy Wachtel (vocals, guitar, slide guitar, background vocals); Richard Wachtel (guitar, keyboards); Alan Spenner, Neil Hubbard (guitar); Mel Collins (saxophone); Martin Drover (trumpet); Ann Odell (piano, electric piano, organ); Steve Nye (electric piano); Preston Heyman, Rick Marotta (drums).
Audio Remasterer: Bob Ludwig.
Audio Remixers: Jimmy Douglass; Lewis Hahn; Simon Puxley.
Recording information: Mountain Studios, Montreux, Switzerland; Mountian Studios.
Photographer: John Swannell.
Unknown Contributor Roles: Peter Revill; ...
| | Stone Temple Pilots Core CD (1992)
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Live Recording
Stone Temple Pilots: Weiland (vocals); Dean DeLeo (guitar); Robert DeLeo (bass); Eric Kretz (drums).
Recorded at Rumbo Recorders, Los Angeles.
"Plush" won the 1994 Grammy Award for "Best Hard Rock Performance With Vocal."
Stone Temple Pilots were positively vilified once their 1992 debut, Core, started scaling the charts in 1993, pegged as fifth-rate Pearl Jam copyists. It is true that the worst moments of Core play like a parody of the Seattle scene -- titles like "Dead and Bloated" and "Crackerman" tell you that much, playing like really bad Alice in Chains parodies, and the entire record tends to sink into gormless post-grunge sludge. Furthermore, even if it rocks pretty hard, it's usually without much character, sounding like cut-rate grunge. To be fair, it's more that they share the same influences as their peers than being overt copycats, but it's still a little disheartening all the same. If that's all that Core was, it'd be as forgettable as Seven Mary Three, but there are the hits that propelled it up the charts, songs that have remarkably stood the test of time to be highlights of their era. "Sex Type Thing" may have a clumsy anti-rape lyric that comes across as misogynist, but it survives on its terrifically lunk-headed riff, while "Wicked Garden" is a surprisingly effective piece of revivalist acid rock. Then, there's the slow acoustic crawl of "Creep" that works as well as anything on AIC's Sap and, finally, "Plush," a majestic album rock revival more melodic and stylish than anything grunge produced outside of Nirvana itself. These four songs aren't enough to salvage a fairly pedestrian debut, but they do find STP to be nimble rock craftsmen when inspiration hits. ~ Stephen Thomas Erlewine
The group that put San Diego on the musical map, Stone Temple Pilots released their debut album with no fanfare, and caught the public's eye only after touring for a year. CORE's sound--relentlessly pounding guitars, a heavy bottom and a singer ...
| | Yulduz Usmanova Jannona CD (1995) (Import) Import; Germany
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| | River City Rebels No Good, No Time, No Pride CD (2002)
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3rd Release. Have Toured W/Ten Foot Pole,Dead Kennedys
This is an Enhanced CD, which contains both regular audio tracks and mulitimedia computer files.
River City Rebels: Dan O'Day (vocals, guitar); Chris Hamm (guitar); Rylan ...
| | Fooling April Every Good Boy Does Fine CD (2005)
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| | Glen Campbell Rhinestone Cowboy CDs (2004) (Import) Box Set; Netherlands
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| | Indian Meditation CDs (2005) Boxed Set
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| | Deskeem Survivin The Streets CD (2007)
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| | Introducing Jennie Laws CD (2008)
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With distinctive and dynamic vocal artistry, unique and original songwriting skills and wide range of influences and inspirations, Jennie Laws has emerged as a beautiful and brilliantly talented new arrival on the cutting edge of today’s music.Yet for all her extraordinary gifts, the Toronto-born singer, composer and multi-instrumentalist is perhaps most notable for her ability to bring it all together in one accessible and appealing package. Small wonder word of mouth has been spreading steadily since Jennie Laws first began recording and performing, both in her hometown and for a growing fan base from New York to Los Angeles and beyond.It’s a buzz that’s about to grow a lot louder with the release of her debut EP. Featuring such Laws originals as “Heavenly,” “I Just Wanna Be Close To You,” “So Deep” and “My Soul,” it’s a collection that effortlessly spans musical genres while at the same time laying claim to a style that is wholly and completely her own. Mixing contemporary urban grooves with folk-flavored nuances and jazz-tinged flourishes, Jennie Laws has fashioned an alluring soundscape that draws on a lifetime of music making and points to a promising future for this passionate and polished young artist.“It took me a while to realize that the music going around in my head ever since I can remember was there for a reason,” says Jennie. “As much as it is about entertaining people, it’s also about creating positive energy and spreading love. There’s a purpose to what I do and that’s the most important element of the songs I write and sing.”It’s a purpose to which Jennie has been wholeheartedly committed ever since she can remember. “Music has always been there,” she explains. “Some of my first toys were musical instruments and although I experimented with acting and dancing and athletics, by the time I got into my teens I realized that music had a special place in my life.”It did indeed and with characteristic determination, Jennie pursued it wholeheartedly, joining a series of singing groups, studying classical guitar and, at age sixteen, recording early originals on a four-track machine. “My influences are literally too numerous to mention,” she laughs. “It begins with Ella Fitzgerald, Sarah Vaughan and Louis Armstrong and then carried on to artists like George Michael and Michael Jackson. By the time I got to college, it was like I was carrying a musical encyclopedia around in my head; everyone from ...
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