| | Motorhead Stone Dead Forever CD Motorhead Discography of CDs
In a sea of Motorhead greatest-hits sets, this one at least distinguishes itself from the pack somewhat. In an interesting strategy, Stone Dead Forever explores the less-known nuggets from the band's golden era, many of which are simply awesome anyway. Still, it begs the question: why not just jump right in and get the original classic LPs (Overkill, Bomber, and Ace of Spades) once and for all? ~ Eduardo Rivadavia
guitarist Eddie Clarke compiled this 14 track album from his personal archive material, feat. never before released studio versions of the best known Motorhead tracks + 3 never before released tracks; Lemmy & drummer Philthy Taylor helped put the finishi Stone Dead Forever Review
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Buy Stone Dead Forever CD Purchase Stone Dead Forever CD To buy, Click on price to add to cart | Motorhead Sacrifice CD (1995)
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| | Motorhead Overnight Sensation CD (1996)
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| | Motorhead Snake Bite Love CD (1998)
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| | Judas Priest Demolition CD (2001)
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With most of the album written by guitarists Glenn Tipton ...
| | Joe Stump Speed Metal Messiah CD (2004)
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If people thought Alvin Lee was fast on "I'm ...
| | Motorhead Overnight Sensation/Snake Bite Love CDs (2003) Import
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| | Abaddon CD (2000) (Import) United Kingdom
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| | Arch Enemy Wages Of Sin CDs (2001)
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This an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Sounding like a particularly rotten day during the apocalypse, Arch Enemy is a ferocious gang of Swedish death metalers bent on throttling their listeners, and they succeed most magnificently on Wages of Sin. The Scandinavians in general are known most for their allegiance to black metal: atmospheric, epic-sounding, satanic-leaning stuff which they invented. But Arch Enemy, who includes members and former members of Carcass, Armageddon, and Mercyful Fate, is more death than black, but there's a little bit of everything in their mix of Sepultura-like riffage; mid-'80s ...
| | Prong 100% Live CD (2002)
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From the hope-they-haven't-lost-their-vitality department came Prong, re-emerging after a five-year hiatus with a new lineup, tour, and subsequent live album. Fans were rightfully skeptical, Prong in 2002 being essentially singer, guitarist, and main songwriter Tommy Victor teamed up with some hired guns for the purpose of mining the band's back catalog -- and the not-so-creatively titled 100% Live is an underwhelming return for one of metal's most overlooked and wildly creative acts of the '90s. Part of the problem is this live set's sanitized production, ...
| | Various Artists Ultimate R&B Album CD (2004) (Import) United Kingdom
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| | Girl's Box: Best Hits Compilation Win CD (2005) (Import) Japan
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| | Japanimation Paniponi Dash: Vocal Album CD (2005) (Import)
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| | SR-71 Now You See Inside CD (2000)
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Combine the edgy pop riffs of Lit with an emphasis on vocal harmony reminiscent of the Outfield, and you have SR71. While it may be little more than a boy-band with a heavy guitar backdrop, SR71 nevertheless delivers a smart and fun set of upbeat rockers on NOW YOU SEE INSIDE.
Light social commentary peppers NOW YOU SEE INSIDE in tunes like "Politically Correct" and "The Last Man on the Moon." The main thrust of NOW YOU SEE INSIDE, however, is the adolescent alienation and wonder that all youths experience. Lyrically the album is quite sound. Frontman Mitch Allan's take on teenage romance provides SR71's music with a maturity that is often lacking in popular love songs. While SR71 doesn't exactly break new ground on NOW YOU SEE INSIDE, it does succeed in reinvigorating the rock ballad on songs such as "What a Mess" or "Fame (What She's Wanting)." If SR71 is a pretty bunch of boys very likely to become the next N'SYNC, at least they'll have some talent to back it up.
SR-71 may not worry about being politically correct, but where most of the band's peers come off as snide, this band isn't afraid to pour on some sugar. Naturally, the quartet sometimes veers toward boy band wussiness, especially on the marshmallow centers of "Empty Spaces" and "Go Away," but the clean Bay City Rollers vibe throughout combines with spacious headphone production to make even the few lesser moments worthy of attention. "Alive" may owe more to Kiss than Pearl Jam (especially since SR-71 covers the make-up menaces in concert), and this positive party atmosphere makes the whole album rise above. Rather than attempting to maintain the velocity of the opening one-two combo "Politically Correct" and "Right Now" (this actual hit discusses Ms. Right; the one about Mr. Right appears later), the quartet soars into several airwave-friendly dimensions: "Last Man on the Moon" deserves heavy rotation, "Fame" features downright wondrous keys with a clever Kinks reference, and closer "Paul ...
| | Suki Rae My Bamboo Hat CD (2003)
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In many cases, artists who claim that they are "beyond category" are guilty of wishful thinking. That doesn't mean that they're untalented -- only that they aren't as distinctive or unique as they would like to think. But the enigmatic Debbie Spitz, aka Suki Rae, really is an extremely difficult artist to categorize. The New York-based singer/songwriter/flutist has recorded everything from vocal jazz to adult alternative to traditional Middle Eastern and Jewish music. So where would you place Rae's CDs if you were managing a CD store? That's a tough question because words that describe one of her albums don't apply to another. Far from a carbon copy of either Water & Fire or I Think of You, My Bamboo Hat is best described as adult alternative with strong Caribbean leanings on some tracks and a jug band influence on others. While some of her other work has favored a deep-thinking, serious-minded spirituality, My Bamboo Hat is as fun and lighthearted as it is quirky -- Rae's more eccentric side asserts itself on humorous tracks like "De Mongoose of de Island," "Bugs in da Bed," and the honky tonk-flavored "One Poached Egg to Go." Trying to sing in a country vocal style, Rae sounds awkward; she's way too much of a New Yorker and an urbanite to be truly convincing as a country singer. But then, "One Poached Egg to Go" was meant to be ironic -- Rae never claimed to be Patty Loveless or Tanya Tucker -- and the tune's awkwardness is actually a big part of its charm. My Bamboo Hat never takes itself too seriously, which is why that track is appropriate for this pleasantly good-natured, if mildly uneven, album. ~ Alex Henderson
A native Chicagoan, flutist/singer/songwriter Suki Rae has been playing music since the age of five.A classically trained flutist,she has an MA in Music/Film and has been performing internationally for the last 20 years.Awards include:only American finalist in the Hoeillart Jazz Festival in Belgium; Honorary Award in Great American Song Festival; Runner up Song of the Year Award; Viewer's Choice Award at ...
| | Forever In Terror Restless In The Tides CD (2007)
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