| | Charlie Byrd For Louis CD Charlie Byrd Discography of CDs
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FOR LOUIS is a tribute to the music and spirit of Louis Armstrong. It is also Charlie Byrd's last recorded work.
Includes liner notes by Jim Ohlschmidt & John Burk.
Recorded at Clinton Studios, New York, New York on September 10 & 11, 1999.
Personnel: Charlie Byrd (nylon-string guitar); Steve Wilson (saxophone); Joe Wilder (trumpet); Robert Redd (piano); Dennis Irwin (bass); Chuck Redd (drums).
Personnel: Charlie Byrd (guitar); Steve Wilson (saxophone); Joe Wilder (trumpet); Robert Redd (piano); Chuck Redd (drums).
Audio Mixers: Gregg Field; Seth Presant.
Liner Note Authors: Jim Ohlschmidt; John Burk.
Recording information: Clinton Recording Studios, New York, NY (09/10/1999/09/11/1999).JazzTimes (12/00, p.132) - "...It exhibits Byrd's love for great tunes....While he could play appropriately pretty...he could also swing and get lowdown..." Charlie Byrd For Louis Songs For Louis Review
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Purchase For Louis CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
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$38.09 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's ...
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| | Answer To Everything: Girl Answer Songs Of The '60'S CD (2007) (Import) United Kingdom
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$16.85 An astounding number of "answer" songs have been recorded in response to big hits in the history of the recording industry, though the phenomenon is more popular at some points than at others. This CD collects no less than 28 such items from 1959-1966, most of them from the early '60s, and all but one (Bertell Dache's "Not Just Tomorrow, But Always") sung by a woman vocalist or female group. As you'd expect, virtually all of these are novelties of sorts, and virtually none of them are in the same class as the songs they're answering. Nor were many of them successful in the marketplace, though a few of them (especially Jody Miller's "Queen of the House," ...
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| | Edward Simon Trio Poesia CD (2009)
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$13.65 When one looks at and then hears the growing discography of pianist Edward Simon, you have to marvel at his consistently high level of brilliant musicianship. He's one of the better melodic inventors in modern jazz, whose ideas flow like a river, onward and upward. Simon's recordings in the piano-bass-drums format have been as good as any in recent years, and on Poesia he takes into account the beauty of things either unseen or rarely noticed. As art and poetry are major direct or implied components in jazz, Simon has chosen to take a larger notice of them in this beautifully rendered original music, telepathically assisted by the peerless team of electric and acoustic bassist John Patitucci with drummer Brian Blade, a pair he has played with prior. The music clearly has a rhapsodic quality, a broad usage of color profiles, and a direct lineage to predecessors like Bill Evans, Keith Jarrett, and his peer David Kikoski. There's but one cover, "Giant Steps," that does not sound at all like the John Coltrane classic, but instead is completely deconstructed, reassembled, torn down, and again built from the ground up in a thought-provoking, command performance by this trio. ...
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