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When GRP dropped John Patitucci in 1996, it turned out to be a blessing in disguise. The bassist found a supportive new home in Concord Jazz, where his creativity was encouraged and he was able to take his share of chances. Just as 1998's cerebral Now was a departure from 1996's introspective, deeply personal One More Angel, Imprint finds Patitucci surprising his followers once again by emphasizing Latin elements. Employing drummer Jack DeJohnette and saxman Chris Potter, as well as Latino improvisers, pianist Danilo Perez and drummer/percussionist Horacio "El Negro" Hernandez, Imprint is the most Latin-minded album that he recorded in the 1990s. However, Imprint isn't Latin jazz in the sense that Poncho Sanchez is Latin jazz -- it is more intellectual and less direct, and it's not as accessible. While Sanchez's releases tend to favor immediacy and take an extroverted, party-time approach, that's hardly what Patitucci is going for on this acoustic post-post-jazz effort. Sticking to the upright bass, Patitucci delivers an album that is almost as intellectual as Now, but with an emphasis on Latin rhythms. For those who aren't afraid of being challenged, Imprint is a welcome addition to the bassist's catalogue. ~ Alex Henderson
Recorded at Avatar Studios, New York, New York in August 1999. Includes liner notes by Tom Patitucci.
Personnel: John Patitucci (kalimba, percussion); Chris Potter (soprano saxophone, tenor saxophone); Mark Turner (tenor saxophone); Danilo Perez, John Beasley (piano); Horacio "El Negro" Hernández (snare drum, percussion); Jack DeJohnette (snare drum); Giovanni Hidalgo (congas, percussion); Sachi Patitucci (kalimba).
Audio Mixer: Joe Barbaria.
Recording information: Avatar Studios, New York, NY (08/1999).
Director: Alexis Davis.
Photographers: John Russell ; Mary Javorek.
Arrangers: Giovanni Hidalgo; John Patitucci.
Personnel: John Patitucci (acoustic, electric & 6-string basses, percussion, kalimba); Chris Potter (soprano & tenor saxophones); Mark Turner (tenor saxophone); John Beasley, Danilo Perez (piano); Horacio "El Negro" Hernandez (drums, percussion); Jack DeJohnette (drums); Giovanni Hidalgo (congas, percussion); Sachi Patitucci (kalimba).
Down Beat (7/00, p.67) - 4 stars out of 5 - "...Maybe his most accomplished album as a leader, experimenting with a brainy brand of Latin jazz....As ever, his electric lines are clean, warm and clearly articulated..."
JazzTimes (5/00, p.138) - "...Merges [both] post-bop modern and Latin jazz....making a significant impression on the mind and spirit..." John Patitucci Imprint Songs Imprint Review
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Purchase Imprint CD To buy, Click on price to add to cart | John Patitucci One More Angel CD (1997)
Imprint album
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Though One More Angel demonstrates bass-master John Patitucci's skills both as a composer and artist, in allowing others to contribute in both ways, Patitucci demonstrates a rare modesty that combines well with his musical role as a strong but subtle support rather than an overbearing titular lead. Featuring Impulse! artist Michael Brecker on tenor sax and Patitucci's wife Sachi on cello, ...
| | Long Beach Dub Allstars Right Back CD (1999)
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Three years after the accidental overdose of Sublime's Brad Nowell prematurely derailed the band's impending success, his rhythm section (Eric Wilson and Bud Gaugh) reconvened with the Long Beach Dub Allstars. Joined by a cadre of friends, Wilson and Gaugh became a California version of Sly & Robbie for this posse of reggae lovers. Having already made their mark backing up the Wailing Souls on ...
| | John Patitucci Communion CD (2001)
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"Communion" was nominated for the 2002 Grammy Award for Best Instrumental Composition.
John Patitucci's fourth Concord release is a sprawling, ambitious affair, employing 18 musicians over the course of ten tracks. Playing both upright and six-string electric basses, Patitucci continues to explore Afro-Cuban and Brazilian sounds -- to greatest effect on the vibrant "Choro Luoco," featuring the wordless vocals of Luciana Souza. Patitucci's compositions are brought to life by some of the best players around: pianists Brad Mehldau, Ed Simon, and Bruce Barth; saxophonists ...
| | Long Beach Dub Allstars Wonders Of The World CD (2001)
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The Long Beach Dub Allstars, headed up by the rhythm section from Sublime, returns for another collective effort that effortlessly bridges the gap between dancehall, roots reggae, ska, dub, pop, and R&B. From the pumping ska feel of "Rolled Up" to the atmospheric hip-hop tour de force "Life Goes On," (featuring members of underground rap outfits the Jurassic 5 and Delinquent Habits), this loose collection of like-minded musicians ...
| | Erik Truffaz Walk Of The Giant Turtle CD (2003)
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French trumpeter Erik Truffaz has been a mover and shaker on the European creative improvisational scene since the mid-'90s. With the release of The Mask (a compilation of three previously released recordings: Out of a Dream, The Dawn, and Bending New Corners), Revisité (a DJ dance remix of The Mask), and 2002's forward-sounding Mantis, Truffaz became one of the most popular electronic jazz trumpeters to ...
| | Ayreon Human Equation CDs (2004) Bonus DVD; Special Edition
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| | Busta Rhymes E.L.E. (The Final World Front) CD (1998)
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E.L.E. (THE FINAL WORLD FRONT) was nominated for the 2000 Grammy Award for Best Rap Album. "Gimme Some More" was nominated for the 2000 Grammy Award for Best Rap Solo Performance. "What's It Gonna Be?!" was nominated for the 2000 Grammy Award for Best Rap Performance By Duo Or Group.
The full title of this album, EXTINCTION LEVEL EVENT, gives one a good idea of the themes contained herein. The album kicks off with a spoken word piece setting a scene of apocalypse and the end of civilization as we know it. This rather fatalistic prediction is given life on the title tune, but many of the songs here are concerned with less weighty topics. Janet Jackson guests on the propulsive, sexy "What's It Gonna Be," a tune with more carnal concerns. Ozzy Osbourne ...
| | Alice Coltrane Journey In Satchidananda CD (1971)
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Digitally remastered using 20-bit technology by Erick Labson (MCA Music Media Studios).
The death of John Coltrane left not only a musical, but a spiritual void among his many followers and admirers. By aligning himself with the searchers among the new generation, John Coltrane legitimized their quest and set a daunting standard of excellence for those who experiment outside the mainstream of modern jazz.
Among those searchers was young Alice McLeod of Detroit, a virtuoso on the vibraphone, piano, organ and harp. John Coltrane had always expressed a fondness for the harp, and while young McLeod never did bring that instrument into the context of Trane's working groups, she did bring her rolling, ecstatic style of piano to bear in the saxophonist's last quartets and quintets as Mrs. Alice Coltrane.
JOURNEY IN SATCHIDANANDA, recorded in the fall of 1970, is a serene, composed meditation on the lessons of the 1960's, a mystical work of enduring sweetness and spiritual longing. The concluding cut "Isis And Osiris" (recorded earlier that summer at the Village Gate), is a global village of texture and song, animated by Pharaoh Sanders' gently wafting soprano and Rashied Ali's quicksilver brushwork, as Vishnu Wood's feathery oud, Charlie Haden's woody bass and Coltrane's sweeping harp combine to create a dreamy ...
| | Bill Evans Further Conversations With Myself CD (1967)
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| | White Party USA: Vol.3 CDs (2006)
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| | Scott Joplin Ragtime Piano Roll CD (2007) (Import)
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| | Hero Immortal CD (2009)
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Release Date: June 9, 2009Catalog Number: RAR7872UPC: 845121006315Style: Melodic/Gothic MetalTracks: 10Time: 43:12Lyrics: YesPackaging: 6 panel full color digihubABOUT THE ALBUMFounder of the band, vocalist Michael Hero, was raised in the cold northern part of Sweden. He started playing guitar when he was just 9 years old, rocking out to classic rockers like Kiss and Judas Priest. Michael now runs a real-life "School Of Rock" project in Stockholm, working with youth and coaching many bands. ...
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