| | Jazz Moods: Saturday Afternoon Jazz CD
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Our Price: $8.49 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Another volume of classic jazz from the popular Concord series, JAZZ MOODS: SATURDAY AFTERNOON JAZZ, presents a collection of smooth yet vibrant music including songs from Django Reinhardt, Billy Strayhorn, Herbie Hancock, and Fletcher Henderson.
Director: Alexis Davis.
Photographer: John Klycinski. Jazz Moods: Saturday Afternoon Jazz Music Jazz Moods: Saturday Afternoon Jazz Songs Jazz Moods: Saturday Afternoon Jazz Review
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Purchase Jazz Moods: Saturday Afternoon Jazz CD To buy, Click on price to add to cart | Norah Jones Fall CD (2009)
Jazz Moods: Saturday Afternoon Jazz album
$14.54 With The Fall, Norah Jones completes the transition away from her smooth cabaret beginnings and toward a mellowly arty, modern singer/songwriter. Jones began this shift on 2007's Not Too Late, an album that gently rejected her tendencies for lulling, tasteful crooning, but The Fall is a stronger, more cohesive work, maintaining an elegantly dreamy state that's faithful to the crooner of Come Away with Me while feeling decidedly less classicist. Some of this could be attributed to Jones' choice of producer, Jacquire King, best-known for his work with Modest Mouse and Kings of Leon, but King hardly pushes Norah in a rock direction; ...
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$9.99 ELLA FITZGERALD WISHES YOU A SWINGING CHRISTMAS is a charming, warmly humorous--and yes, swinging--set of classic Christmas tunes. The program is familiar, from bouncy singalongs like "Jingle Bells" to slinky ballads like a downright sexy "Have Yourself a Merry Little Christmas," but Fitzgerald treats each song with exactly as much respect as it deserves. And so Frank Loesser's "What Are You Doing New Year's Eve" is wistfully romantic and Sammy Cahn and Jule Styne's "Let It Snow" is kittenishly enticing. As always, Norman Granz's production avoids the schlock that drowns some holiday sets. This is as good as jazz Christmas albums ...
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Jazz Moods: Saturday Afternoon Jazz music CDs
$16.69 Charlie Parker's love affair with strings, most notably during the 1950's for Verve Records, made it acceptable for other saxophonists to undertake similar projects. After all, if a player of the magnitude of Parker can indulge, than it must be OK for everyone else. Gary Smulyan, who is a member of the Charles Mingus Big Band, undertakes the daunting task of linking the deep, robust sound of a baritone with a string section without creating nothing more than sugar-coated boredom. With the help of Bob Belden's charts, that musical objective is achieved. The deep sound and rich color unique to the baritone is used to good effect on such ballads as "The Bad and the Beautiful," "Lush Life" and "Beware My Heart." To avoid being trapped in the sensualness of lush arrangements, Smulyan and Belden offer contrasting, crisper, peppier arrangements and renditions for numbers like "The Moment of Truth." The Latin beat is introduced with "Two for the Seesaw." Strings notwithstanding, the ace rhythm section of Mike LeDonne, Kenny Washington and Peter Washington remind the listener that this is, after all, a jazz album, and provide support to the Smulyan saxophone within that context. They get opportunity ...
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"It Wasn't Me" was nominated for the 2002 Grammy Award for Best Pop Collaboration With Vocals.
GRAMMY winning reggae superstar Shaggy delivers another hit-stacked album with HOTSHOT. The album incorporates a mix of styles and songwriting textures, from the singer's customary super party vibe to the more mellow qualities of songs such as "Why Me Lord," "Keepin' it Real," and "Hope," the latter of which was featured in the Kevin Costner movie FOR THE LOVE OF THE GAME.
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