| 1. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Excerpt (2:01) |
| Common Name | Also Sprach Zarathustra Thus Spoke Zoroaster For Orchestra |
| Composer | Richard Strauss (1864 - 1949) |
| Conductor | Gerard Schwarz |
| Genre | Tone Poem |
| Date Written | 1896 |
| Country | Germany |
| 2. Feste romane (Roman Festivals), symphonic poem, P. 157: Ottobrata (excerpt) (4:01) |
| Common Name | Feste Romane Roman Festivals |
| Catalog No. | P 157 |
| Composer | Ottorino Respighi (1879 - 1936) |
| Conductor | James DePreist |
| Genre | Tone Poem |
| Date Written | 1928 |
| Country | Italy |
| 3. Bantu, for guitar quartet (2:12) |
| Composer | Andrew York (1958 - ) |
| Genre | Quartet |
| Ensemble | Los Angeles Guitar Quartet |
| 4. Alma Redemptoris mater, motet (unspecified of 4) (2:57) |
| Composer | Giovanni Pierluigi da Palestrina (circa 1525 - 159 |
| Conductor | Dennis Keene |
| Genre | Motet / Renaissance Period |
| Date Written | by 1584 |
| Period | Renaissance |
| Country | Italy |
| 5. Water Music Suite No.2 for orchestra in D major, HWV 349: Alla Hornpipe (3:45) |
| Common Name | Alla Hornpipe, Water Music Suite For Orchestra |
| Catalog No. | HWV 349 |
| Composer | George Frederick Handel (1685 - 1759) |
| Conductor | Gerard Schwarz |
| Genre | Baroque Period / Partita / Suite |
| Date Written | 1717 |
| Period | Baroque |
| Notes | Composition written: 1717.
Composition revised: United Kingdom. |
| 6. Toccata and Fugue, for organ in D minor, BWV 565 (BC J37): Toccata (2:54) |
| Common Name | Toccata And Fugue For Organ |
| Catalog No. | BWV 565 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Robert Noehren (Organ) |
| Genre | Baroque Period |
| Date Written | by 1708 |
| Period | Baroque |
| Country | Germany |
| 7. Lohengrin, opera, WWV 75: Prelude to Act 3 (3:28) |
| Common Name | Prelude To Act 3, Lohengrin Opera |
| Catalog No. | WWV 75 |
| Composer | Richard Wagner (Classical) (1813 - 1883) |
| Conductor | Gerard Schwarz |
| Genre | Opera / Romantic Period |
| Date Written | 1848 |
| Period | Romantic |
| Country | Germany |
| 8. Grand Canyon Suite, for orchestra: On the Trail (excerpt) (3:07) |
| Common Name | On The Trail, Grand Canyon Suite For Orchestra |
| Composer | Ferde Grofé (1892 - 1972) |
| Conductor | Gerard Schwarz |
| Genre | Suite |
| Date Written | 1931 |
| Country | United States of America |
| 9. Fanfare for the Common Man, for brass & percussion (from Symphony No. 3) (3:37) |
| Common Name | Fanfare For The Common Man For Brass & Percussion From Symphony |
| Composer | Aaron Copland (1900 - 1990) |
| Conductor | Gerard Schwarz |
| Genre | Fanfare |
| Date Written | 1942 |
| Country | United States of America |
| 10. Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. (3:28) |
| Composer | Maurice Duruflé (1902 - 1986) |
| Conductor | Dennis Keene |
| Genre | Requiem |
| Date Written | 1947 |
| Country | France |
| 11. Gymnopedie for piano No. 1 (2:33) |
| Common Name | Gymnopedie For Piano |
| Composer | Erik Satie (1866 - 1925) |
| Performer | Wendy Herner Lucas (Harp) |
| Genre | Character Piece |
| Date Written | 1888 |
| Country | France |
| 12. Arabesque, for piano No. 1 in E major, L. 66/1 (3:42) |
| Common Name | Arabesque For Piano |
| Catalog No. | L 66 |
| Composer | Claude Debussy (1862 - 1918) |
| Performer | Carol Rosenberger (Piano) |
| Genre | Arabesque |
| Date Written | 1888 |
| Country | France |
| 13. Serenade for winds and strings in D minor, B. 77 (Op. 44): Minuet (4:11) |
| Common Name | Serenade For Winds And Strings |
| Catalog No. | B 77 |
| Composer | Antonin Dvorák (1841 - 1904) |
| Genre | Romantic Period / Serenade |
| Ensemble | Chamber Music Society of Lincoln Center |
| Period | Romantic |
| Country | Czechoslovakia |
| 14. Violin Concerto, for violin, strings & continuo in F major ("L'autunno," The Four Seasons; "Il cimen (3:14) |
| Common Name | Violin Concerto For Violin Strings & Continuo The |
| Composer | Antonio Vivaldi (1678 - 1741) |
| Conductor | Gerard Schwarz |
| Genre | Baroque Period / Concerto |
| Date Written | 1725 |
| Period | Baroque |
| Country | Italy |
| 15. Porgy and Bess, opera: Medley (3:31) |
| Common Name | Medley, Porgy And Bess Opera |
| Composer | George Gershwin (1898 - 1937) |
| Conductor | Frederick Fennell |
| Performer | Eugene Rousseau (Saxophone) |
| Genre | Opera |
| Date Written | 1935 |
| Ensemble | Indiana Wind Ensemble |
| Country | United States of America |
| 16. El Sombrero de tres picos, ballet in 2 parts, G. 53: Excerpt (3:31) |
| Common Name | El Sombrero De Tres Picos Ballet In 2 Parts |
| Catalog No. | G 53 |
| Composer | Manuel de Falla (1876 - 1946) |
| Conductor | Gerard Schwarz |
| Genre | Ballet |
| Date Written | 1917-1919 |
| Country | Spain |
| 17. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): Movement 5 (excerpt) (2:33) |
| Common Name | Stabat Mater For Vocal Soloists Chorus & Orchestra |
| Catalog No. | B 71 |
| Composer | Antonin Dvorák (1841 - 1904) |
| Conductor | Zdenek Macal |
| Genre | Romantic Period |
| Period | Romantic |
| Country | Czechoslovakia |
| 18. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, Joy of Man's Desiring (3:23) |
| Common Name | Herz Und Mund Und Tat Und Leben, Cantata, Cantata 147 |
| Catalog No. | BWV 147 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Todd Wilson (Organ) |
| Genre | Baroque Period / Cantata |
| Date Written | 07/02/1723 |
| Period | Baroque |
| Country | Germany |
| 19. O Hear Us, Lord (2:04) |
| Composer | Anthony Piccolo (1946 - ) |
| Conductor | Donald Pearson |
| 20. Dies Natalis I, for orchestra: Excerpt (3:41) |
| Composer | Howard Hanson (1896 - 1981) |
| Conductor | Gerard Schwarz |
| Date Written | 1967 |
| 21. 1812 -- Festival Overture, for orchestra in E flat major, Op. 49: Excerpt (2:32) |
| Common Name | 1812 Festival Overture For Orchestra |
| Composer | Pyotr Il'yich Tchaikovsky (1840 - 1893) |
| Conductor | James DePreist |
| Genre | Romantic Period |
| Date Written | 1880 |
| Period | Romantic |
| Country | Russia |
| 22. Sound Effects: Jet flyover (USMC MkLk, Bangalors & FA-18s) (0:18) |
| Common Name | Sound Effects |
| Composer | Recorded Sound |
| 23. Sound Effects: Fire Department Code 3 (0:56) |
| Common Name | Sound Effects |
| Composer | Recorded Sound |
| 24. Sound Effects: Canadian Pacific Railroad (1:35) |
| Common Name | Sound Effects |
| Composer | Recorded Sound |
| 25. Sound Effects: Hawaiian surf (1:40) |
| Common Name | Sound Effects |
| Composer | Recorded Sound |
| 26. Sound Effects: Light rain with thunder (0:57) |
| Common Name | Sound Effects |
| Composer | Recorded Sound |
| 27. Sound Effects: WWII Aircraft (Reno Air Races) (1:40) |
| Common Name | Sound Effects |
| Composer | Recorded Sound |
| 28. Sound Effects: Steam Locomotive 4501 passes ina thunderstorm (1:46) |
| Common Name | Sound Effects |
| Composer | Recorded Sound |
| 29. Stereo Setup and Imaging: Stereo channel identification (1:06) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 30. Stereo Setup and Imaging: Stereo phase (1:06) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 31. Stereo Setup and Imaging: Stereo balance (1:05) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 32. Stereo Setup and Imaging: Left-Right frequency balance (1:06) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 33. Stereo Setup and Imaging: Stereo center imaging (1:17) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 34. Stereo Setup and Imaging: Stereo half-left & half-right imaging (2:23) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 35. Stereo Setup and Imaging: Continuous wideband stereo pan (1:07) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 36. Stereo Setup and Imaging: Stepped wideband stereo pan (1:05) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 37. Stereo Setup and Imaging: Continuous narrowband stereo pan (1:07) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 38. Stereo Setup and Imaging: Stepped narrowband stereo pan (1:09) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 39. Stereo Setup and Imaging: Speaker compsrison level-matching (1:07) |
| Common Name | Stereo Setup And Imaging |
| Composer | Recorded Sound |
| 40. Subwoofer Evaluation and Setup: Low-frequency sweep with voiceover (1:22) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 41. Subwoofer Evaluation and Setup: Low-frequency sine wave sweep with harmonic (1:21) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 42. Subwoofer Evaluation and Setup: Subwoofer level (with meter) (1:07) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 43. Subwoofer Evaluation and Setup: Subwoofer phase: 200Hz (1:05) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 44. Subwoofer Evaluation and Setup: Subwoofer phase: 160Hz (1:05) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 45. Subwoofer Evaluation and Setup: Subwoofer phase: 125Hz (1:05) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 46. Subwoofer Evaluation and Setup: Subwoofer phase: 100Hz (1:05) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 47. Subwoofer Evaluation and Setup: Subwoofer phase: 80Hz (1:05) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 48. Subwoofer Evaluation and Setup: Subwoofer phase: 62Hz (1:05) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 49. Subwoofer Evaluation and Setup: Subwoofer blend (slow) (1:06) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 50. Subwoofer Evaluation and Setup: Subwoofer phase: (fast) (1:20) |
| Common Name | Subwoofer Evaluation And Setup |
| Composer | Recorded Sound |
| 51. Surround Sound Setup and Imaging: Surround-Sound channel identification (1:01) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 52. Surround Sound Setup and Imaging: Surround-Sound speaker balance (1:06) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 53. Surround Sound Setup and Imaging: Surround-Sound speaker balance with subwoofer (1:06) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 54. Surround Sound Setup and Imaging: Surround-Sound center speaker phase (1:09) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 55. Surround Sound Setup and Imaging: Surround half-left & half-right imaging (2:25) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 56. Surround Sound Setup and Imaging: Ambience/Reverberation clicks (1:05) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 57. Surround Sound Setup and Imaging: Continuous wideband Surround-Sound frontal pan (1:05) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 58. Surround Sound Setup and Imaging: Stepped wideband Surround-Sound frontal pan (1:07) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 59. Surround Sound Setup and Imaging: Continuous narrowband Surround-Sound frontal pan (1:06) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 60. Surround Sound Setup and Imaging: Stepped narrowband Surround-Sound frontal pan (1:06) |
| Common Name | Surround Sound Setup And Imaging |
| Composer | Recorded Sound |
| 61. Reference Tones: Band-limited pink noise (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 62. Reference Tones: Stereo pink noise (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 63. Reference Tones: Left-channel pink noise (1:08) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 64. Reference Tones: Center-channel pink noise (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 65. Reference Tones: Right-channel pink noise (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 66. Reference Tones: Surround-channel pink noise (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 67. Reference Tones: Left-channel match tone (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 68. Reference Tones: Center-channel level-match tone (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 69. Reference Tones: Right-channel level-match tone (1:06) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
| 70. Reference Tones: Surround-channel level-match tone (1:01) |
| Common Name | Reference Tones |
| Composer | Recorded Sound |
1848 
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