| | Essência Do Brasil / Brazilian Guitar Quartet CD Brazilian Guitar Quartet CDS
Essência Do Brasil / Brazilian Guitar Quartet Music | List Price | $16.99 (You save $4.10) | | Label | Delos | | Orig Year | 3/23/1999 | | All Time Sales Rank |  3369  | | CD Universe Part number | 1007456 | | Catalog number | 3245 | | Discs | 1 | | Release Date | Mar 23, 1999 | | Recording Time | 54 minutes |
Essência Do Brasil / Brazilian Guitar Quartet Review
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Purchase Essência Do Brasil / Brazilian Guitar Quartet To buy, Click on price to add to cart | Backstreet Boys Millenium CD (1999)
Essência Do Brasil / Brazilian Guitar Quartet
 $8.99    
MILLENNIUM was nominated for the 2000 Grammy Award for Album Of The Year and for Best Pop Vocal Album. "I Want It That Way" was nominated for Record Of The Year and for Song Of The Year.
"Show Me The Meaning Of Being Lonely" was nominated for the 2001 Grammy Award for Best Pop Performance by a Duo or Group with Vocal.
The Backstreet Boys self-titled 1997 debut album endeared the group to millions of teens and pre-teens with its radio-friendly blend of pop harmonies and danceable beats. MILLENNIUM finds the Boys in the unenviable position of following up the mind-blowing success of the first album. Less ambitious artists might wither under such pressure, but the Backstreet Boys beat the dreaded sophomore slump in style. In the tradition of the debut, the album is a combination of romantic ballads guaranteed to make your little sister sob, and syncopated, eminently danceable, upbeat tunes. Throughout, it's the rich combination of the members' voices that creates the distinctive sound the group's legion of fans has grown to love. Most notably though, there is an added maturity in both the songs and the performances. It seems, regardless of their fans' fervent wishes, that even Backstreet Boys can't help but grow up.
Additional personnel includes: Chieli Minucci (acoustic & electric guitars); Dennis Gallo (acoustic guitar, keyboards); Dominic Miller, Esbjorn Ohrwall, Jojje Wadenius, Billy Chapin (guitar); Paul Howards (saxophone, keyboards, percussion); Andrew Fromm (piano); Edwin "Tony" Nicholas (keyboards, bass, drum programming); Kevin Richardson (keyboards, bass); Peter-John Vettesse, Olle Romo (keyboards, programming); Tom Smith (keyboards); Tomas Lindberg, Loie Vigilante (bass); Tim Berkebile (drums); Bashiri Johnson (percussion); Stephen Lipson, Ben Glynne (programming).
Producers include: Kristian Lundin, Max Martin, Rami, Robert John "Mutt" Lange, Stephen Lipson.
Engineers include: Kristian Lundin, Bo Reimer, George Spatta.
Personnel: Kevin Richardson (vo
| | Bach: Sonatas & Partitas - Arranged For Guitar / Galbraith CDs (1998)
Essência Do Brasil / Brazilian Guitar Quartet
$19.45
2cd Bach Done On 8-String Guitar
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Essência Do Brasil / Brazilian Guitar Quartet
$12.85 | | Faith Hill Breathe CD (1999)
Essência Do Brasil / Brazilian Guitar Quartet
$9.89 
Faith Hill won the 2000 CMA Award for Female Vocalist Of The Year.
BREATHE won the 2001 Grammy Award for Best Country Album. "Breathe" won the 2001 Grammy Award for Best Female Country Vocal Performance. "Let's Make Love" won the 2001 Grammy Award for Best Country Collaboration with Vocals. "Breathe" was nominated for the 2001 Grammy Award in the categories of Best Country Song and Song Of The Year. "The Way You Love Me" was nominated for the 2001 Grammy Award for Best Country Song.
With her third album, FAITH, Faith Hill tasted pop crossover success--and she evidently liked the taste. BREATHE, Hill's fourth release, takes the pop/country stylings of FAITH to the next level. It's an appealing collection of pop, gospel, R&B, rock, and ballads, with just a bit of country thrown in. The production, featuring Hill's big voice surrounded by booming drums and screaming guitars, is so slick you could skate on it.
Love is the subject of nearly every song, from the exuberant "I Got My Baby," to the soulful "Love Is a Sweet Thing," to the cutesy "The Way You Love Me," with its Beatlesque backing vocals. But while Hill can obviously handle a wide range of material, she sounds best on the quieter, country-flavored numbers, like the title track, the lovely "It Will Be Me," and a haunting, vaguely Latin-flavored reworking of Bruce Springsteen's "If I Should Fall Behind." The most emotional track is "Let's Make Love," a full-fledged duet with Hill's husband Tim McGraw. Because McGraw's voice is unmistakably country, Hill adopts a similar sound to match him. And because you know they've lived the lyrics, the song--about reconnecting emotionally and physically with your mate--comes across as undeniably real.
Principally recorded at Ocean Way, Nashville, Tennessee.
Personnel: Faith Hill (vocals); Julian King (recorder).
Audio Mixers: Chris Lord-Alge; J.R. Rodriguez; Bryan McConkey; Mike Shipley.
Recording information: Emerald ENtertainment, Nashville, TN; Essential Sound, Nash
| | Talking Heads - Stop Making Sense DVD (1984) Widescreen
Essência Do Brasil / Brazilian Guitar Quartet
 $24.09
Those who aren't familiar with the work of seminal 1980s band The Talking Heads may find themselves becoming instant fans after viewing this incredibly entertaining concert film. It starts with David Byrne stepping out alone on empty stage with an acoustic guitar to sing "Psycho Killer." The rest of the musicians follow one by one and the stage gradually fills to bursting with powerful, tightly orchestrated brilliance. Director Jonathan Demme (SILENCE OF THE LAMBS, PHILADEPLPHIA) expertly captures the music's energy, fusing cinema with performance to create something more than the sum of its parts. Through it all, Byrne comes off as a charismatic artist of supernatural energy and robotic precision, and he's backed by an equally inspired group of musicians, including bassist Tina Weymouth. Artistically ambitious, filled with joyous but controlled energy, this is considered by many critics to be the best concert film of all time. Songs performed include "Take Me to the River," "Once in a Lifetime," "Girlfriend is Better," "Burnin' Down the House" and a hilarious cover of "Genius of Love, " by the Tom-Tom Club (a side project for bassist Tina Weymouth and drummer Christ Frantz). It was filmed at the Pantages Theater in Los Angeles.
This quintessential music film features the incredible musi c of Talking Heads.
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James Wesley Stemple has had a prolific career composing music for film and television, applying his natural diversity of style and attitude to suit each project's inherent uniqueness. James is comfortable working both domestically and internationally, and has crafted music for features, television, documentaries, animation, commercials and live performance. Sparked by the challenges of exploring new directions and diverse styles, the projects he pursues are usually ones he feels strongly about, despite box-office projections.
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