| | Film Music Soundtrack CD
Personnel includes: The Graunke Symphony Orchestra Of Munich. Film Music Soundtrack Music Film Music Soundtrack Songs | 1. | Richthofen and Brown (Symphonic Suite) |
| 2. | Private Parts (An Orchestral Fantasy) |
| Film Music Soundtrack Review
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Purchase Music From Film Music CD To buy, Click on price to add to cart | Mysterians DVD (1959) Subtitled
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| | It Happened To Jane DVD (1959) Widescreen
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$9.79 A little-known gem from 1959, this romantic comedy stars Doris Day (THE MAN WHO KNEW TOO MUCH), Jack Lemmon (SOME LIKE IT HOT), and Ernie Kovacs (BELL, BOOK AND CANDLE) in a classic tale of a small-town, underdog triumph over corrupt, big-business interests. Jane Osgood (Day) is a widowed mother who runs a struggling lobster business in coastal Maine, ...
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$7.89 These two outrageous, campy romps from sexploitation king Harry Novak feature some of the loveliest softcore porn stars from the early 1970s. SWEET GEORGIA (Marsha Jordan) is married to an ugly, drunken brute named Big T., so she looks for her satisfaction elsewhere, discovering both Cal, the strapping young ranchhand, and her beautiful stepdaughter Virginia, who enjoys riding her horse in the nude. Then comes Leroy, not exactly the sharpest tack in the box. When Georgia tangles ...
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$7.69 | | Something Wonderful- Bryn Terfel Sings Rodgers & Hammerstein CD (1996)
Film Music Soundtrack
$10.69 Winner of the Lieder prize at the 1989 Cardiff 'Singer of the World' competition AND Gramophone magazine's 'Young Artist of the Year' for 1992, Welsh baritone Bryn Terfel has proven himself in a wide variety of repertoire, including all three baritone roles in 'Don Giovanni'; English songs and orchestral works; lieder; and many operatic roles. SOMETHING WONDERFUL, which received a 1997 Gramophone Award, shows ...
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| | Jane Eyre: The Musical CD (2000) Original Broadway Cast
Film Music Soundtrack
$9.99 Music composed & lyrics written by Paul Gordon, with additional Lyrics by John Caird.
JANE EYRE opened on Broadway at the Brooks Atkinson Theatre on December 3, 2000.
It is no accident that the oversized operettas which became big successes in the musical theater starting in the 1980s, notably Les Misérables (1985) and The Phantom of the Opera (1986), were based on gothic novels written or set in the 19th century, since they provided opportunities for using elements of romantic classical music in the service of complicated plots and strong, if unrealistically good and bad characters. (And it didn't hurt that the stories were out of copyright.) Though such long-running musicals seemed on the verge of dominating musical theater at the time, and were still being performed at the end of the century, the trend had receded by then. Jane Eyre, which opened on Broadway on December 10, 2000 (shortly after the release of this cast album), attempted to revive the trend. Because John Caird, the co-adapter and co-director of the English-language version of Les Misérables, was the librettist, co-lyricist, and co-director of the show, and because John Napier, who designed Les Misérables, also designed it, Jane Eyre was billed in its early advertisements as brought to you by the creators of Les Misérables, a claim that was more than a little deceptive but that revealed something of the producers' intentions. In fact, just as Charlotte Brontë's story of the life of an English governess is not written on the scale of Victor Hugo's lengthy study of French society, so composer/co-lyricist Paul Gordon's musical version of Jane Eyre is not in a league with Alain Boublil and Claude-Michel Schönberg's score for Les Misérables, though that doesn't mean he hasn't tried. His music is full of sweeping romantic passages and his lyrics are wordy, if not witty. There are occasional minor respites from the seemingly endless string of sub-operatic arias, notably the comic housekeeper's song "Perfectly Nice" and "The Finer Things," sung by Jane Eyre's wealthy rival. But they aren't enough to counter the overall impression of yet another musical in which the major characters seem to be bellowing out their overwrought feelings all evening. This is not lessened by Gordon's excessive tendency to have people sing duets with different lyrics, so that you have trouble figuring out what they're saying. (Maybe he had so much plot to get through that he decided to double up whenever he ...
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