| | Swingin Utters Juvenile Product Of The Working Class CD Swingin Utters Discography of CDs
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Even though a lot of the same elements on their first album can be found on Juvenile Product of the Working Class, the Swingin' Utters still manage to put out some of the catchiest working class anthems for the '90s. The take-no-crap attitude, gruff songwriting, and British accents are still present, but somehow these guys manage to outdo The Streets of San Francisco -- they've progressed as a band and even have acoustic guitars and accordions incorporated into their tunes. It's easy to say that this is what Stiff Little Fingers should have sounded like after Nobody's Heroes. ~ Mike DaRonco
All tracks have been digitally mastered using HDCD technology.
Personnel: Darius Koski (vocals, guitar, accordion); Johnny "Peebucks" Bonnel (vocals); Greg McEntee (drums).
Audio Mixer: Ryan Greene.
Recording information: H.O.S. Redwood City.
Photographer: Steve Zeigler.
Swingin' Utters includes: Johnny (vocals); darius (guitar, accordion, background vocals); Kevin (bass); Greg (drums).
Juvenile Product Of The Working Class Music Swingin Utters Juvenile Product Of The Working Class Songs Juvenile Product Of The Working Class Review
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Purchase Juvenile Product Of The Working Class CD To buy, Click on price to add to cart | Swingin Utters Five Lessons Learned CD (1998)
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$12.85 Vinyl LP version also available directly from the label at www.whatmusic.comThis is a reissue on CD and LP (LP is available from www.whatmusic.com) of a rare classic from 1975. Listen to "Sunshine Star" first. The packaging is high quality digipak, and the following interview with Micheline Pelzer (the drummer and daughter of the band leader) is included on the packaging:The whatmusic.com interview...I started playing drums at 14 - it was the instrument that attracted me the most because in my mind drums represented freedom. It was when I heard John Coltrane 4tet with Elvin Jones in 1965 at Comblain-La-Tour Festival that I really decided to be a drummer. Of course the influence of my father Jacques Pelzer was important in my decision to become a professional musician. In my infancy I was always surrounded by bebop musicians - Bobby Jaspar, Rene Thomas and Chet Baker, for example.I began performing concerts in 1967, mostly with my father and also with guitarist Rene Thomas and organist Lou Bennett; the best school to learn is the stage! In the late 60s I was very influenced by the free jazz scene and Steve Lacy, who was a good friend of my father, asked me to join his Post Free Big Band (with Enrico Rava on trumpet) for a 6 month tour of Italy.Back in Belgium I then had a few concerts under my own name with a trio comprised of Johnny Dyani on bass and Mongezi Feza on trumpet, and I asked my father to join us for that 'free adventure'. In 1969 we opened for Miles Davis at the Liege Festival. That evening, Wayne Shorter heard the group and asked me to come to NY to record with him.I arrived in New York in December 1969 and then recorded Wayne's Blue Note LP "Moto Grosso Feio" in April 1970 with Chick Corea, Dave Holland, John McLaughlin, Ron Carter and Miroslav Vitous. New York was a big shock for me; I've never felt such strong vibrations anywhere else. I think that every jazz musician in the world must go to N.Y. at least once in their lifetime, as it is the foremost jazz town in the world.When I arrived there I ...
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