| | Inkuyo Temple Of The Sun CD Inkuyo Discography of CDs
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Featured are more crisp, evocative performances from these masterful performers. This time the music is inspired by the legends surrounding Coricancha, the famous fallen temple of the sun located in the Incan capital city of Cusco. With its exterior walls covered in gold, the building was mercilessly plundered by the Spanish in the 1500s. Inkuyo succeeds in capturing the mystery, majesty, and tragedy of this historical wonder. ~ Linda Kohanov
Audio Mixer: Cookie Moreno.
Liner Note Authors: Pamela Darington; Gonzalo Vargas.
Recording information: OTR Studios, Belmont, CA (1991).
Photographers: Jaime Fernandez; Jake Rajs.
Unknown Contributor Roles: Jorge Tapia; Omar Sepulveda.
Arranger: Inkuyo. Inkuyo Temple Of The Sun Songs Temple Of The Sun Music Review Purchase Temple Of The Sun CD To buy, Click on price to add to cart | Inkuyo Double-Headed Serpent CD (1993) (Import)
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Having made her name as the ethereal vocalist of Vas, Azam Ali ventures forth with this shimmering solo debut. Openly influenced by Hildegard von Bingen, PORTALS OF GRACE continues Ali's long relationship with the music and stories of medieval Europe, drawing from Sephardic, Breton, and Latin sources, to name a few.
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The Light Of Midnight began as beautiful piano music surrounded by synthesizers and effects. A choir added an angelic touch. Then, one summer night we recorded a magnificent loon calling to its mate. Haunting, yet uplifting, it gets better with each listen. Ed ...
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As the title states, WINDHAM HILL AMERICA is a collection of American tunes played by some of the record label's finest artists. Windham Hill delivers 12 superb tracks on this compilation and, not surprisingly, many of these tunes are culled from the Great American Songbook.
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“Recruitment Songs” (verbunks) conjures up the Age of Romanticism and national revival in Hungary. The contemporary society created “national” forms of music and dance through a process of countrywide “globalisation”; this resulted in a common dance dialect that existed above the different traditions belonging to the various regions. During this process the tastes and fashions of different social strata were unified through the careful mediation of contemporary dance gurus. This performance is a memorial to the development of the “national dance”, and its survival in folk tradition. In the first part we give the viewers a glimpse of archaic dance forms (jumping dances, whirling dances, pair dances, and military dances), which were used as source material during the unifying programmes of the Romantic Movement. The “verbunk” (recruitment dance) developed from archaic men’s dances, whilst the “czardas” developed from the closed, whirling, stooping and cajoling couple dances, which appeared during the sixteenth and seventeenth centuries ...
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