| | Chad & Jeremy Yesterday's Gone: A Golden Classics Collection CD Chad & Jeremy Discography of CDs
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Alone among their British Invasion cohorts, Chad Stuart and Jeremy Clyde specialized in acoustic guitar-based soft pop, kind of like Simon and Garfunkel crossed with a dash of Petula Clark. The duo only released a few albums--oddly, for some reason, their proto-psychedelic masterwork, OF CABBAGES AND KINGS, rarely gets anthologized--and didn't have much US chart success outside of the lilting "A Summer Song" and "Yesterday's Gone."
Consequently the several anthologies available tend to reiterate the same material, like the folk-rocking "Willow Weep For Me" and the duo's cover of Billy J. Kramer and the Dakotas' Lennon-McCartney-penned hit "From A Window." This commendable anthology adds a couple of more rare tracks, the beat-poppy "You Know What" and a terrific version of Ewan MacColl's folk classic "Dirty Old Town."
Personnel: Jeremy Clyde, Chad Stuart (vocals, guitar).
Liner Note Author: Mark Marymont.
Yesterday's Gone: A Golden Classics Collection Music Chad & Jeremy Yesterday's Gone: A Golden Classics Collection Songs Yesterday's Gone: A Golden Classics Collection Music Review Purchase Yesterday's Gone: A Golden Classics Collection CD To buy, Click on price to add to cart | ABBA Visitors CD (1981) (Import) Bonus Tracks; Germany
Yesterday's Gone: A Golden Classics Collection album
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| | Dengue Fever CD (2003)
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Despite its rough edges, the debut album by Dengue Fever is an indicator of where pop music is headed, particularly in areas of multicultural urban sprawl. Though Cambodian émigré Chhom Nimol's sinuous vocals dominate each song, Zachary Holtzman (guitar, vocals) plays an equally essential role in defining the band's direction. Retro surf ...
| | Chad & Jeremy Chad Stuart & Jeremy Clyde CD (1983) (Import)
Yesterday's Gone: A Golden Classics Collection music CDs
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| | Randy Travis Glory Train CD (2005)
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| | Conjure One CDs (2002) Limited Edition
Yesterday's Gone: A Golden Classics Collection music CDs
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CONJURE ONE [Limited] is a specially packaged limited edition which contains a remix bonus CD "Tears From The Moon", "Redemption", and "Sleep". Includes two mixes of "Tears From The Moon".
Rhys Fulber had already proven his skills in ambient dance with Delerium. On Conjure One, he develops his own ideas further, applying a wonderful grasp of sounds from the Mediterranean and Middle East. Fulber traveled the world to put together this breathtaking work, which was recorded in Amsterdam, Vancouver, London, and Los Angeles. Given his busy production schedule, it's no surprise that this took three years to finish. The result is satisfying to say the least, as Conjure One is nothing short of sweeping ambient dance-pop. Like Sarah McLachlan's contribution to Delerium's "Silence," the guest vocalists here enhance Fulber's already powerful songwriting. Most magnificent are Sinéad O'Connor ("Tears From the Moon"), Poe ("Center of the Sun"), and Marie Claire D'Ubaldo ("Manic Star"). With other collaborations from Billy Steinberg and the Vancouver Symphony Orchestra, this ethereal solo debut (if you can call it a solo effort) is another big step forward for Fulber, as well as culturally diverse pop. A limited-edition version comes with a second disc of remixes. ~ Kenyon Hopkin
Rhys Fulber had already proved his skills in ambient dance with Delerium. On Conjure One, he develops his own ideas further, applying a wonderful grasp of sounds from the Mediterranean and Middle East. Fulber traveled the world to put together this breathtaking work, which was recorded in Amsterdam, Vancouver, London, and Los Angeles. Given his busy production schedule, ...
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| | Nathaniel Street-West Witness CD (2006)
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Somewhere in Malibu, in a living room overlooking the ocean, a miracle transpired last November. What else could you call it when Mark Howard, one of the most respected producers in the business, with credits that include Bob Dylan, U2, and REM, drives down from the desert on little more than a hunch and moves his studio into the home of an artist he barely knows?And what do you call it when some of the top session players, from up-and-coming stars like Alanis Morissette's keyboardist Zack Ray to legends on the level of Jim Keltner, come to that same house and, in just one week, begin and finish an album of that artist's extraordinary songs? Call it a miracle if you like, but the real miracle is in the mind, the hands, and the voice ofNathaniel Street-West, who takes a big step toward greatness with that album, Witness. Like landmark albums of years past, Witness is a live document, recorded by great players gathered into one room, feeding from each other's energy and from the fountain of Street-West's brilliant material.Like the best of today's releases, it's tuned to a modern sensibility, alive with images that tumble through surreal streams of consciousness or pare down to the essence of anger and fear and wounded love. There are epics on Witness, like 'Debra,' a story of shattered beauty that bewilders as it enlightens, like a beacon in a house of mirrors. And there are moments of abbreviated eloquence, like 'Road Of Life,' which is here and suddenly gone, like the song's picture ...
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