| | Matt Monro My Kind Of Girl CD Matt Monro Discography of CDs
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Includes original release liner notes by Lois G. Van Duyne.
Personnel: Matt Monro (vocals).
Liner Note Author: Lois G. Van Duyne. Matt Monro My Kind Of Girl Songs My Kind Of Girl Review
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Purchase My Kind Of Girl CD To buy, Click on price to add to cart | Rebecca Kilgore Not A Care In The World CD (1997)
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| | Very Best Of Vaughn Monroe CD (1998)
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If ever there was a musical populist of the big-band era who managed to hang on into the rock & roll era, it was bandleader/vocalist Vaughn Monroe. Monroe's pleasant baritone vocalizing fit ...
| | Doris Day What Every Girl Should Know/I Have Dreamed CD (2001)
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In the early '60s, recording artists like Doris Day often would assemble the songs for their albums by coming up with a concept -- travel songs, Oscar winners, etc. -- and then picking 12 tunes, most of them from among the hundreds of pop standards that came from movie and stage musicals of the '20s, '30s, and '40s, sometimes commissioning a new song or two on the theme to be written. (Actually, all this legwork was done less often by the singer herself than by the A&R person assigned to her at the record label.) This discount-priced two-fer reissue presents two such albums, the first released originally in 1960, the second in 1961. What Every Girl Should Know was an album of songs of advice, such as "What's the Use of Wond'rin'" from Rodgers & Hammerstein's Carousel and "You Can't Have Everything" from the 1937 movie of the same name. I Have Dreamed was an album of songs about dreaming, such as the 1945 hit "I'll Buy That Dream" and "You Stepped Out of a ...
| | Glenn Miller Time-1965/Great Songs Of The 60'S CD (2001)
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From four decades or more on, Glenn Miller Time 1965 may seem an unlikely recording project. The year 1965, after all, marked a continuation of the British Invasion in rock & roll music, with the volume and the attitude stepped up several notches amid the success of the Rolling Stones et al., and it was also the year of the folk-rock explosion and dozens of other pop culture phenomena that seem a long way from anything to do with Glenn Miller -- who had been gone just a couple of weeks past 20 years at the time of these recording sessions. But the mid-'60s also saw a less widely publicized but incontestable '40s nostalgia boom among audience members over 40 (remember how popular blockbuster war movies were then, not to mention World War II series such as Combat?). What's more, at the time, the officially sanctioned Glenn Miller Orchestra under Ray McKinley was one of the most heavily booked performing outfits in the world, and as luck had it, trumpet legend Bobby Hackett -- who had played ...
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| | Svend Asmussen Danish Imports : Intimate Jazz CD (1959)
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| | Christian Wallumrod Zoo Is Far CD (2007)
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Norwegian pianist and composer Christian Wallumrod has been experimenting with various sonorities and musical colors since his first trio recording for ECM, No Birch in 1998. That group contained the roots of this one with trumpeter Arve Henricksen and percussionist/drummer Per Oddvar Johansen. Saxophonist Trygve Seim made the group a quartet for 2005's A Year from Easter. The pieces juxtaposed improvisation against tightly constructed themes and melodies, using the interval as the chief vehicle for moving, ever slowly, from one place to another. On The Zoo Is Far, Wallumrod has dropped the saxophone entirely, but created a sextet by adding three string players who include Giovanna Pessi on Baroque harp (an instrument that is constructed differently from the contemporary classical instrument and has a deeper lower register), violinist Gjermund Larsen, and cellist Tanja Orning. The music here is in some ways radically different. Most of these 24 pieces are short and draw from some Baroque sources, most keenly Henry Purcell's "Fantasias," the long psalmist tradition in Norwegian sacred music, and even Pakistani music. Where improvisation is present, it is within tightly scripted parameters. The reason is that Wallumrod is interested more in textures, shapes, and tonality. Oftentimes it is difficult for the listener to pick out individual instruments. The melodies come out of sonority, as well as the use of intervals to gradually shift through one theme into another apart from basic lyric ...
| | Gift Pack:Chemical Brothers CD (2007) (Import) Import
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