| | Bobby Hendricks Itchy Twitchy Feeling CD Bobby Hendricks Discography of CDs
Bobby Hendricks' "Itchy Twitchy Feeling" was a rock & roll anthem for those who got, like, real nervous, man, digging the crazy sounds of the '50s. The song also provided fodder for those who believed that rock music was a bad influence, since the song is about rock & roll provoking wild behavior and a loss of control in its listeners. Hendricks' former group, the Swallows, covered "Itchy Twitchy Feeling" just as soon as Hendricks' version began to make noise, but Hendricks won out and his recording became a Top Five R&B hit that also crossed over to the pop Top 40. He managed one additional chart entry in 1960, the minor hit "Psycho," which is well-remembered among fans of novelty music. Featuring a dialogue between a psychiatrist and his patient, "Psycho" depicts a babbling young man driven insane by romantic misfortune (and the babbling portions of the song likely inspired Shirley Ellis' 1965 hit "The Name Game"). Itchy Twitchy Feeling is a 19-track anthology of Hendricks' Sue Records sides that includes the title track and two versions of "Psycho." Hendricks' other efforts include "Cast Your Vote," a call for rockin' governance similar to the Treniers' earlier song "We Need a Rock and Roll President"; orchestrated pop ballads such as "If I Just Had Your Love" (which appears in two takes); and the straight-up rock & roll of "Molly Be Goode," a sequel of sorts to "Good Golly Miss Molly." "Itchy Twitchy Feeling" and "Psycho" are the main attractions, but curious listeners will find more to enjoy among Hendricks' various other recordings. ~ Greg Adams
Personnel: Bobby Hendricks (vocals).
Liner Note Author: Mark Marymont.
Itchy Twitchy Feeling Music Bobby Hendricks Itchy Twitchy Feeling Songs Itchy Twitchy Feeling Review
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Purchase Itchy Twitchy Feeling CD To buy, Click on price to add to cart | Reparata & The Delrons Whenever A Teenager Cries CD (1993)
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| | Jimmy Witherspoon Blue Spoon/Spoon In London CD (2001)
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This CD combines two chronologically close, but stylistically different, LPs onto a single-disc reissue. Blue Spoon, from 1964, was one of Witherspoon's jazzier sessions, still retaining his characteristic jazz-blues blend, but lighter on the soul, pop, and shouting R&B elements of some of his other releases. The jazzy flavor was guaranteed by his backup quartet of Kenny Burrell on guitar, Eddie Kahn on bass, Gildo Mahones on piano, and Roy Haynes on drums. Dominated by ballads, it's on the mellow side, with a pleasant yet unadventurous selection of covers. These include Cecil Gant's "I Wonder," "Nobody Knows You When You're Down and Out," "It's All in the Game," and "Baby Please Don't Go" (here retitled "Back to New Orleans," with the writing credits given to Brownie McGhee and Sonny Terry). Kenny Burrell contributed one composition, "Blues in the Morning." Spoon in London is an uncharacteristic entry in the Witherspoon catalog. Recorded in London in June 1965, there's a definite soul-pop slant to the production, with backup woman singers who wouldn't have been out of place at a Ray Charles session; brassy, bright arrangements; and lean blues-rock guitar backup that leads one to suspect that an ace U.K. session man ...
| | Jay-Z Blueprint: The Gift & The Curse CDs (2002)
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THE BLUEPRINT 2 was nominated for the 2004 Grammy Award for Best Rap Album. "Excuse Me Miss" was nominated for Best Rap Song.
It's hard not to somewhat admire the guts of a rapper who would lead off his album by not merely sampling a hearty slice of the hallowed Notorious B.I.G.'s "Juicy" while Faith sings in the background, but by claiming Biggie's tacit approval on "A Dream." This is before he compares himself to Jesus at least three times. It's exactly this sort of unyielding confidence ever teetering on the verge of megalomaniacal arrogance that propelled Jay-Z to the pinnacle of the rap world.
As 2002 wound to a close, the prolific Sean Carter dropped the sequel to the critically lauded, platinum-selling THE BLUEPRINT; two CDs, no skits, no filler, nothing but urgent poetics over tight tracks. Jay-Z may never possess the elevated prose of his arch-rival Nas, but he knows the power in brevity, in a terse, well-turned phrase. While he's always been an eccentric sampler, on THE BLUEPRINT VOL. 2 he pares away any hint of gimmickry or excess. On "Guns And Roses," he effortlessly reconfigures a Cake instrumental as picture-perfect backdrop to a stark parable about life's duality as Lenny Kravitz wails along. Overall, THE BLUEPRINT VOL. 2 continues and builds upon the legacy of the Queens megastar MC.
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As many second-rate electronica labels have demonstrated in the recent past, if you're not careful a chillout compilation can be seen as an invitation to lazy programming. Pad a mediocre downtempo dance track with two minutes of ambient noodling on each end and call it a "remix," then string ten of those suckers together and whammo! You've got yourself a chillout compilation. But one thing you can count on is that the folks at Perfecto aren't ...
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