| | Percy Faith Passport To Romance/Mucho Gusto CD Percy Faith Discography of CDs
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These relatively early (1956) Percy Faith albums are typical of his early career: PASSPORT TO ROMANCE is a collection of sentimental love songs, plus, bizarrely, Kurt Weill's "The Ballad of Mack the Knife," here titled "Theme from the Threepenny Opera" and somehow managing to sound deeply sardonic and ironic even in Faith's straitlaced instrumental arrangement. "Bonjour Tristesse" and "The Little Lost Dog" are more typical. MUCHO GUSTO is Faith's second album of Mexican-influenced instrumentals, and the huge orchestral readings of tunes as bouncy or melodic as "Besame Mucho" and "Cielito Lindo" are a bit kitschy-sounding, but they actually maintain a certain amount of their fun and sentiment. There are far, far worse easy listening albums out there than these.
Includes liner notes by Mark Marymont.
2 LPs on 1 CD: PASSPORT TO ROMANCE (1956)/MUCHO GUSTO (1961). Passport To Romance/Mucho Gusto Music Percy Faith Passport To Romance/Mucho Gusto Songs | 1. | Madeira | $0.99 | |
| 2. | Merry-Go-Round (Complainte de la Butte) | |
| 3. | Bonjour Tristesse | $0.99 | |
| 4. | Theme from The Threepenny Opera, A (Moritat) | |
| 5. | Heart of Paris (I Left My Heart in the Heart of Montmartre) | |
| 6. | Bread, Love and Dreams (Pane, Amore E Fantasia) | |
| 7. | Little Bells and Big Bells | $0.99 | |
| 8. | Little Lost Dog, The (Chiens Perdus Sans Collier) | |
| 9. | Scalinatella (Stay After School) | |
| 10. | Portuguese Washerwoman, The (Les Lanvandiers du Portugal) | |
| 11. | Sierra Madre (Luna Gitana) | |
| 12. | Sombra (Merveilleux) | |
| 13. | Mucho Gusto | |
| 14. | Besame Mucho | |
| 15. | Negra, La | |
| 16. | Maria Elena | |
| 17. | Huapango | |
| 18. | Mananitas, Las | |
| 19. | Altenitas, Las (A Gay Ranchero) | |
| 20. | Perfidia | |
| 21. | Cielito Lindo | |
| 22. | Adios Mariquita Linda | |
| 23. | Cocula | |
| 24. | Chaparrita, La | |
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Passport To Romance/Mucho Gusto Music Review Purchase Passport To Romance/Mucho Gusto CD To buy, Click on price to add to cart | Percy Faith Bouquet/Bouquet Of Love CD (1999)
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Faith Hill won the 2000 CMA Award for Female Vocalist Of The Year.
BREATHE won the 2001 Grammy Award for Best Country Album. "Breathe" won the 2001 Grammy Award for Best Female Country Vocal Performance. "Let's Make Love" won the 2001 Grammy Award for Best Country Collaboration with Vocals. "Breathe" was nominated for the 2001 Grammy Award in the categories of Best Country Song and Song Of The Year. "The Way You Love Me" was nominated for the 2001 Grammy Award for Best ...
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This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.
IT GOES WITHOUT SAYING, the U.S. debut of London-based trio Dum Dums, contains that rarest of combinations--good songs and lots of creativity. Sprinkling their songs with an indie rock vibe and plentiful doses of humor, Dumdums created quite a buzz for themselves without major market radio play in America.
"Everything" and "Can't Get You Out of My Thoughts" are one part Green Day and two parts Supergrass, while some of the other songs that make IT GOES WITHOUT SAYING a worthy major label debut are "Caught Me in a Trap," "Until My Ship Comes In," and "Killing Me With Kindness."
The British trio plays good-natured pop-punk on its American debut, which includes the singles "Everything" and "Can't ...
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Singer/songwriter Jason Daniello had a chance to hone his compositional and multi-instrumental skills as a veteran of numerous New Mexico bands throughout the 1990s, and it's therefore no surprise that those experiences carried through into his new millennium solo work. Recorded in 2006, Everything Good was his second solo album, and its songs generally alternate between a pleasantly dreamy blend of rock, folk, and pop when he's strumming his acoustic ("How Long," "Stared," "Tiny Pill") and a subdued form of power pop when he cranks up his electric ("What You Can," "Resist," "Elizabeth Anne"). But Daniello changes tack completely for the turgid, slow-as-molasses title track and its somber low-end guitar rumbles, suggesting he certainly didn't miss out on Seattle completely during his formative years. Then, on the heartfelt ballad "I Do" (featuring his wife on background vocals), he strips a Beatles vocal melody down to its fragmentary essence and tacks it onto a mournful acoustic framework that borders on anemic (even more so when his ideas aren't fully fleshed out -- see "Walking Away" and "Daylight"). His voice, meanwhile, alternates between bouncy economy and a fragile soulfulness that often sounds virtually identical in timber to Incubus' Brandon Boyd, curiously enough. So for fans of laid-back desert musings, rife with modern rock references ranging from the Smithereens and Wilco to Bob Mould and Matthew Sweet, Daniello is just the ticket. ~ Eduardo Rivadavia
Singer/songwriter Jason Daniello’s nearly ever-present smile and infectiously positive attitude have served him well over the past year and a half. Since the debut of his acclaimed self-released CD Everything Good in late 2004, he’s experienced a critical mass of career activity. Traveling far beyond his native New Mexico, Daniello has revealed the true depth and breadth of his talents to an ever-wider audience on the festival circuit, on tour and with widespread radio play. Performing both solo and with his band, Jason and the ...
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In an Era where Digital corruption reigns and TRUE, yet APPEALING Christ-like entertainment ...
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