| | Jimmie Rivers Brisbane Bop CD Jimmie Rivers Discography of CDs
(1 Customer Review)
The Brisbane of the title refers not to the city in Australia but Brisbane, California, where these non-commercial live recordings of Jimmie Rivers & the Cherokees were made in the early '60s. Rivers was a local sensation as guitarist and leader ... Jimmie Rivers Brisbane Bop Songs | 1. | Back Bay Shuffle |
| 2. | Jimmie's Blues |
| 3. | Jammin' With Jimmy |
| 4. | On the Alamo |
| 5. | Hold It |
| 6. | Smo-O-O-Oth One, A |
| 7. | Slow Boat to China |
| 8. | It's All Your Fault |
| 9. | Steelin' Home |
| 10. | Tippin' In |
| 11. | After You've Gone |
| 12. | Swedish Pastry |
| 13. | Buffalo Burgers - (previously unreleased) |
| 14. | Air Mail Special - (previously unreleased) |
| 15. | How High the Moon - (previously unreleased) |
| 16. | Surf Ride - (previously unreleased) |
| 17. | Rose Room - (previously unreleased) |
| 18. | It's a Sin to Tell a Lie - (previously unreleased) |
| 19. | Twin Guitar Special - (previously unreleased) |
| Brisbane Bop Music Review Purchase Brisbane Bop CD To buy, Click on price to add to cart | Billy Jack Wills & His Western Swing Band CD (1954)
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| | Junior Watson If I Had A Genie CD (2002)
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| | Wood Brothers Hooked On Country CD (1991)
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| | John Gielgud Hamlet CD (2004) (Import)
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| | Jazz Moods Vol 4 CD (2008) (Import)
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| | Blaze Foley Wanted More Dead Than Alive CD (2007) Remastered
Brisbane Bop songs
$10.79 BLAZE FOLEY "WANTED; MORE DEAD THAN ALIVE" #1...songwriter of the year(F.A.R. charts) #1...album of the year(historic recording) #1...best in Industry (waddell hollow) #18..(euro americana charts) #2...(FAR charts)"The events leading up to the recording of, the recovery of and the eventual release of this CD, are truly stranger than fiction. I'll try to shed a little light on how after more then fifteen years of being lost, stolen, or destroyed; these songs of Blaze Foley's life have ended up on this CD. First, let me say that this is the absolutely truth as clearly as I can remember it. I met Blaze in 1983 over at Townes Van Zandt's house, where he was asleep on the couch when I arrived. When he woke up, he picked up his guitar and sang 'If I Could Only Fly'. I told him that I could fly and I was going to fly right down to the liquor store and buy us some vodka. From then on, I was lucky enough to call him my friend. We played together every time we could with my brother, David and many other friends and musicians. We played for the fun of the music, in any place that would let us. We didn't care about the money and hardly ever made any, but every now and then they would let us run a bar tab [mistake, mistake]. Fast forward about 6 years, to us sitting in the Austin Outhouse, a place we all had been thrown out of many times, but always gravitated back to. Blaze said that he really wanted to do a country album in a good studio, with us and other friends. So we made it happen. We had a good friend and lawyer, Peggy Underwood (who, by the way, kept us all out of jail), who really wanted to help Blaze with his career. She was very involved in Blaze's music and, contrary to what a lot of people say, did love and believe in him and was willing to financially support the project. We booked Bee Creek Recording Studio in Driftwood, Texas, run by bass player and engineer, Spencer Starnes. The core group for the project was my brother David, on bass, Joe Gracey on acoustic guitar, Charlie Day on steel guitar, Kimmie Rhodes on vocals and me on drums. We recorded the first day and got the 10 tracks that are here pretty much done. On the second day we cleaned up the tracks and had Kimmie record her vocals. We recorded these songs live, rather than over-dubbing the instruments one at a time. Everything was going great and we were getting ready to start the 3rd day, when it just fell apart. No more days were booked, no one got paid, and the money disappeared. No explanation was given to me, Blaze, or anybody else. Just like that, it was over. Luckily, some of us made copies of what we had done up until then. Then, over time, copies of copies were handed around to friends, until they too just disappeared. The master tapes on which all the music was on also were ...
| | Duane Eddy $1,000,000 Worth Of Twang CD (1960)
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| | Victor Sylvester Strictly Ballroom Dancing CD (2008) (Import)
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