| | Shaken Not Stirred CD (1 Customer Review)
As compilations of '60s cocktail lounge music go, this isn't top value, including only 13 cuts (one of which is an unidentified bonus track). If this style is your bag, it's decent enough, with selections from James Bond & His Sextet, the In Group, Jack (Bongo) Burger, Harry Zimmerman, Bob Florence, and exotica star Arthur Lyman. It's neither the cheesiest nor the most gripping stuff this genre has to offer, focusing more on suave elegance than stirring up a heat. Dig, however, the lounge-friendly versions of "The Man with the Golden Gun" and "If I Had a Hammer" by the In Group, whose ranks included none other than Glen Campbell, Leon Russell, and top sessionaires Tommy Tedesco and Earl Palmer. ~ Richie Unterberger
Includes liner notes by Joseph Lanza.
Personnel: Herbie Harper (tenor); Milton Norman, Tony Rizzi (guitar, banjo, mandolin); Archie Grant, John Kramer (guitar, ukulele, flute, clarinet, bass guitar, percussion); Alan Soares (guitar, piano, celesta, percussion); Al Viola, Tommy Tedesco (guitar); Glen Campbell (12-string guitar); John Lowe (flute, alto flute, bass flute, clarinet, bass clarinet, baritone saxophone); Bernard Fleischer (flute, piccolo, clarinet, alto saxophone, tenor saxophone); Phil Sobel (flute, clarinet, alto saxophone, tenor saxophone, baritone saxophone); Bill Green (flute, clarinet, alto saxophone, tenor saxophone); Buddy Collette (flute, saxophone, tenor saxophone); Cappy Lewis (harmonica, trumpet, flugelhorn); Ernice Felice, Carl Fortina (accordion); Norman Bello (clarinet, oboe, English horn, tenor saxophone); Joe Palange (clarinet, bassoon, alto saxophone, tenor saxophone, baritone saxophone); Jerome Casper (clarinet, contrabassoon, alto saxophone, tenor saxophone, baritone saxophone); Ralph Pena (bass clarinet, oboe, tenor saxophone); Harold Land (tenor saxophone); Marty Berman (bass saxophone); Bobby Bryant (trumpet, piano); Ray Blagof (trumpet); Ottavio de Rosa, Vincent DeRosa, John Cave (French horn); Karl de Karske (trombone); Gail Martin, Marshal Cram (bass trombone); Donn Trenner (piano, celesta, organ); Roy Sherman, Bob Florence (piano, celesta); Elmer Schmidt (piano, marimba); Joe Parnello, Clem Low, Bobby Gil (piano); Leon Russell (harpsichord); Ralph Hansell (vibraphone, marimba, xylophone); Arthur Lyman (vibraphone, marimba, snare drum, congas, bongos, cowbells, cymbals, tambourine, timbales, wood block, percussion, gong); Gene Estes (vibraphone, bongos, cymbals, percussion); Bob Winslow (marimba, xylophone, cymbals, timpani, bells); Harold Chang (xylophone, percussion); Don Tosti (electric bass); Jimmy Bond (bass guitar); Tito Riviera (drums, congas); Jack Burger (drums, bongos, scratches); Irving Cutler (drums, cymbals, tom tom, chimes); Earl Palmer , Frank Capp, Harry Zimmerman, John Guerin (drums); Roy Hart, Jack Sperling (congas, bongos).
Liner Note Author: Joseph Lanza.
Photographer: Tom Kelley.
Unknown Contributor Roles: Darol Rice; Roy Hart; Elmer Schmidt; Archie Grant; Jack Burger; Jack Sperling; Ralph Hansell; Henry Mandel; John Kramer ; Arthur Lyman.
Arrangers: Dick Grove; Harry Zimmerman; Paul Conrad; Arthur Lyman; Bob Florence. Shaken Not Stirred Music Review Purchase Shaken Not Stirred CD To buy, Click on price to add to cart | Bob Dylan Christmas In The Heart CD (2009)
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Nowadays, anyone who keeps up with reality tv shows, sports, and music knows that everyone loves an underdog. Think about it, this is the generation that goes against the grain and defies the ordinary just to stand out from others. People will root for the little guy just so they can add significance to the phrase "I told you so".For II Tre, the term "underdog" is an understatement being that he is a self taught, college dropout from the unknown city of Fort Smith, Arkansas. And thus far, no rapper from his region has had major success in the music business. But surprisingly, he actually likes the odds and is ambitiously looking forward to being a pioneer in the hip hop scene of what he calls the "Dusty Souf" region. "I feel like the younger guys need someone to look up to," he says. "I know plenty of rappers with hit records. But they look at the area and think they can't make it. That's who I do this for. It is imperative that I become successful so that I can show others how to do it," he adds.At the age of 15, II Tre discovered that he had the natural ability to rap. And due to the fact that it was not many producers located in his city, a couple of years later, he also learned how to make beats and record himself using a computer, a mic, and various software programs. Thoughout his high school career, he also began doing live performances with other local rappers as well. And after seeing the great responses from the crowds, he finally began to consider music as a career instead of just a hobby.After a year of college, at the age of 19, II Tre became a part of the hip hop group called Souf Land. Almost immediately after ...
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