| | Saffire The Uppity Blues Women Broadcasting CD Saffire The Uppity Blues Women Discography of CDs
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Our Price: $10.59  CDFor Sale Usually ships in 1-2 days
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Saffire-The Uppity Blues Women: Gaye Adegbalola (vocals, guitar, harmonica); Ann Rabson (vocals, piano, guitar).
Between Hot Flash and Broadcasting, Saffire lost a bassist, but added a mandolinist, fiddler, organist, and electric guitarist, which gives Broadcasting a fuller, richer sound. Fortunately, that hasn't distracted attention from the bawdy, sassy vocals of Ann Rabson and Gaye Adegbalola, who still exhibit a raw, natural charisma. And the material -- which ranges from fresh interpretations of warhorses from Louis Jordan and Hank Williams to clever originals -- is all first-rate, helping make the album one of the group's best efforts. ~ Thom Owens
Recorded at Streeterville Studios, Chicago, Illinois.
Producers: Saffire-The Uppity Blues Women, Bruce Iglauer.
Additional personnel: Steve Freund (guitar); Andra Faye McIntosh (mandolin, fiddle, background vocals); Larry Gray (bass).Dirty Linen (Apr/May 93, p.65) - "...Saffire sings the blues from a woman's perspective...It sounds like Saffire is having a good time and really getting enthusiastic about their brand of energetic acoustic guitar and piano blues..." Saffire The Uppity Blues Women Broadcasting Songs Broadcasting Review
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Muddy Waters was sharp enough to realize he was onto a good thing after Johnny Winter helped him get back to his roots on 1977's HARD AGAIN. He continued working with Winter in the same no-nonsense vein through the rest of the decade. The fruit of their collaboration can be heard in a live setting on this 1979 release, which takes HARD AGAIN's brand of revitalized Muddy to the stage. Backed by his regular band plus Winter, Muddy invests these songs with so much emotion you'd swear it was the first time he'd sung "Mannish Boy" instead of the ten-thousandth. Willie "Big Eyes" Smith's simple, insistent drums, and the guitars of Winter, Bob Margolin and Luther Johnson move together with the single-minded precision of a power drill, with Muddy playing the part of the husky-voiced drill bit. Amazingly, Muddy's power is undiminished from his '50s salad days. When he closes with a newer number about "going down to Florida," there's no need to worry about early retirement. He sounds ready to keep going as long as there's life in him. And that's exactly what he did.
In its original edition as a 1979 live album, Muddy "Mississippi" Waters Live was a pleasing but inessential adddition to the great bluesman's catalog. The classic versions of most of the numbers from Waters' live set at the time are found on much earlier studio recordings, and there are better Waters live recordings as well. All that taken into account, it's questionable as to whether a two-CD expanded deluxe edition of the release was hungered after ...
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Music hath the power to soothe the savage beast. Over the ages, mankind has found relaxation, entertainment and new meaning to life by this power. The ability to make music is as unique to the human being as is the power of reasoning. And yet, the making of music would not have progressed beyond the stand-up chamber acapella stage if Thomas Alva Edison had not invented the phonograph. It is the recording of sound and the critical analysis that is thereby made possible that contributes to improved techniques and technology. From the crude tinfoil-based contraption he initially experimented with in 1917, onto the wieldier and versatile wax cylinder - of which the once popular LP was the direct descendant - Edison was the pioneer of immortalizing music and sound in general for posterity. He gave the world its first recordings through his National Phonograph Company. Though his patent was eventually improved upon by others and he finally ceased production of recorded music, we cannot forget that it was Thomas Edison who is, by implication, the father of recorded sound. For that reason alone, his early recordings are a matter of historical importance. In Edison Sound Recordings - (Popular Instrumental Music) Audio CD from the A2ZCDS series, you will hear some of the world’s timeless favorite instrumentals the way they were recorded for the very first time. There is an all-pervading atmosphere of awe as the crude instruments mesh in melody for the benefit of rudimentary recording equipment. Tunes like the 12th Street Rag as performed by the Imperial Marimba Band and Rudolf Friml’s ‘Allah’s Holiday’ speak to us from over a chasm of almost ...
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The Very Best of The Country Years picks up from the point where Wanda made a seamless transition from country- inflected pop and rock to straight country. It contains a few more early rockers, all of her important country hits (there were over 20 in number), and several superlative LP tracks, a fabulous combination that showcases all the varied talents of this remarkable artist. The eye-catching booklet includes a 4000+ word essay by Rob Finnis together with ads, reviews and rare pics of Wanda from the relevant period. Wanda Jackson remains very active on the touring circuit, having found a following among younger audiences who sense her rebel spirit. She also runs a busy website which contains feedback from her many fans including Elvis Costello, and this release should be assured considerable media attention.
Some know the legendary Wanda Jackson only as either a wild rockabilly banshee or a gospel singer. Jackson was also a solid, original country ...
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