| | Telemann: Vol 1, La Changeante / Simon Standage CD Standage / Telemann CDS
Telemann: Vol 1, La Changeante / Simon Standage Music | List Price | $18.99 (You save $4.10) | | Label | Chandos | | Orig Year | 7/29/1992 | | All Time Sales Rank |  16106  | | CD Universe Part number | 1012078 | | Catalog number | 519 | | Discs | 1 | | Release Date | Jul 29, 1992 | | Recording Time | 1 3 |
Telemann: Vol 1, La Changeante / Simon Standage Review
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Telemann: Vol 1, La Changeante / Simon Standage Songs | 1. Concerto for violin, strings & continuo in A minor, TWV 51:a1: I. Adagio (7:35) | | Common Name | A1, Concerto For Violin Strings & Continuo | | Catalog No. | TWV 51 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Performer | Simon Standage (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1708-1716 | | Period | Baroque | | Venue | Rosslyn Hill Chapel, Hampstead, London N | | Notes | Rosslyn Hill Chapel, Hampstead, London NW3 (12/05/1990-12/07/1990) | | 2. Concerto for violin, strings & continuo in A minor, TWV 51:a1: II. Allegro (8:28) | | Catalog No. | TWV 52 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Performer | Rachel Brown (Flute)
Simon Standage (Violin) | | Genre | Baroque Period / Concerto | | Date Written | by 1768 | | Period | Baroque | | Venue | Rosslyn Hill Chapel, Hampstead, London N | | Notes | Rosslyn Hill Chapel, Hampstead, London NW3 (12/05/1990-12/07/1990) | | 3. Concerto for violin, strings & continuo in A minor, TWV 51:a1: III. Presto (5:37) | | Common Name | 201, Concerto For 4 Violins | | Catalog No. | TWV 40 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Performer | Miles Golding (Violin)
Micaela Comberti (Violin)
Andrew Manze (Violin)
Simon Standage (Violin) | | Genre | Baroque Period / Concerto | | Date Written | by 1768 | | Period | Baroque | | Venue | Rosslyn Hill Chapel, Hampstead, London N | | Notes | Rosslyn Hill Chapel, Hampstead, London NW3 (12/05/1990-12/07/1990) | | 4. Concerto for flute, violin & strings in E minor "Concerto à Sei", TWV 52:e3: I. Allegro (7:08) | | Common Name | A1, Concerto For 4 Violins Strings & Continuo | | Catalog No. | TWV 54 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Performer | Miles Golding (Violin)
Micaela Comberti (Violin)
Andrew Manze (Violin)
Simon Standage (Violin) | | Genre | Baroque Period / Concerto | | Date Written | by 1768 | | Period | Baroque | | Venue | Rosslyn Hill Chapel, Hampstead, London N | | Notes | Rosslyn Hill Chapel, Hampstead, London NW3 (12/05/1990-12/07/1990) | | 5. Concerto for flute, violin & strings in E minor "Concerto à Sei", TWV 52:e3: II. Adagio (19:20) | | Common Name | Overture For Strings & Continuo | | Catalog No. | TWV 55 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Genre | Baroque Period / Partita / Suite | | Date Written | by 1768 | | Period | Baroque | | Venue | Rosslyn Hill Chapel, Hampstead, London N | | Notes | Rosslyn Hill Chapel, Hampstead, London NW3 (12/05/1990-12/07/1990) | | 6. Concerto for flute, violin & strings in E minor "Concerto à Sei", TWV 52:e3: III. Presto (11:37) | | Common Name | E2, Concerto For Violin Strings & Continuo | | Catalog No. | TWV 51 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Performer | Simon Standage (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1720 | | Period | Baroque | | Venue | Rosslyn Hill Chapel, Hampstead, London N | | Notes | Rosslyn Hill Chapel, Hampstead, London NW3 (12/05/1990-12/07/1990) |
Telemann: Vol 1, La Changeante / Simon Standage Music Composers on Telemann: Vol 1, La Changeante / Simon Standage CD : Georg Philipp Telemann Genres on Telemann: Vol 1, La Changeante / Simon Standage CD : Baroque Period, Concerto, Partita, Suite Performers on Telemann: Vol 1, La Changeante / Simon Standage CD : Micaela Comberti, Andrew Manze, Miles Golding, Rachel Brown, Simon Standage Purchase Telemann: Vol 1, La Changeante / Simon Standage To buy, Click on price to add to cart | Collegium M Telemann, Vol. 2: Ouverture Burlesque CD (1993)
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Andrea Bocelli returns to his roots for this special performance in rural Tuscany. The show was filmed in the town of Lajatico, where the acclaimed tenor grew up, and features 18 songs from Bocelli's back catalogue. Among the guests joining the celebrations are Kenny G, Sarah Brightman, and Chris Botti.
Italian tenor Andrea Bocelli's career is full of rare, unusual, and often daring choices. Boccelli is best known as an opera star, but he has also crossed over into the world of pop. This live performance, captured on camera in Bocelli's quaint home town of Lajatico in Tuscany, sees the singer attempting to build bridges between the musical worlds he inhabits by inviting a wide array of guests to join him on stage. Among the performers are Kenny G, Sarah Brightman, Laura Pausini, and Chris Botti.
This DVD/CD set captures Bocelli's first ever concert performance of his most popular songs featuring guests Chris Botti, ...
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This album was originally released as part of the two-disc HYMNS/SPHERES. SPHERES is presented in four movements, all of which are improvisations on a baroque organ at the Benedictine Abbey in Ottobeuren, Germany. At the time of this recording Jarrett was enjoying considerable success with his solo piano recordings (in particular THE KOLN CONCERT and the mammoth SUN BEAR CONCERTS).
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Modern Masters is unaccompanied choral music chosen and/or written for Octarium by living composers. The CD includes music of composer collaborators such as Mark Adamo, Rene Clausen, Daniel Gawthrop, Stephen Hatfield, Libby Larsen, Morten Lauridsen, Stephen Paulus, Steven Stucky, and Eric Whitacre, as well as “On Green Mountains” by Steve Danyew, the winner of the 2009 Octarium Composition Competition.WHAT THE COMPOSERS ARE SAYING ... This is unquestionably the finest, most sensitive and thoughtful rendering of this piece that I have ever heard and is among the top three or four performances of anything of mine that I've yet encountered. Balance, blend and intonation are absolute perfection, your recording venue is magical and I can't wait to hear the whole disc!Daniel Gawthrop, Lo How a RoseOctarium has a very, very beautiful, cultivated, musicianly sound, which is lovingly recorded here. The choir overall has a wonderfully mixed, organ-like blend--the men in particular---and they make the silences as absorbing as the phrases.Mark Adamo, Pied Beauty Listening to your recording, I realize that other performances I’ve heard of the piece create a kind of generalized brown aura when some of those changes come, as opposed to actually striking the chord. It is a great satisfaction to hear Leah on the solo, with the personality ...
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