| | Prokofiev: Complete Piano Music, Vol. 1 CD Berman, Boris CDS
Prokofiev: Complete Piano Music, Vol. 1 Music | List Price | $18.97 (You save $4.22) | | Label | Chandos | | Orig Year | 10/28/1992 | | All Time Sales Rank |  23728  | | CD Universe Part number | 1012648 | | Discs | 1 | | Release Date | Nov 10, 1992 | | Recording Time | 1 5 |
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Prokofiev: Complete Piano Music, Vol. 1 Songs | 1. Piano Sonata No. 5 in C major (Version 2), Op. 135: I. Allegro tranquillo (15:06) | | Composer | Sergey Prokofiev (1891 - 1953) | | Performer | Boris Berman (Piano) | | Genre | Sonata / Sonatina | | Date Written | 1952-1953 | | Venue | Snape Maltings Concert Hall, Snape, Suff | | Notes | Snape Maltings Concert Hall, Snape, Suffolk, England (12/10/1989-12/12/1989) | | 2. Piano Sonata No. 5 in C major (Version 2), Op. 135: II. Andantino (3:03) | | Composer | Sergey Prokofiev (1891 - 1953) | | Performer | Boris Berman (Piano) | | Genre | March / Scherzo | | Date Written | 1922 | | Country | Soviet Union | | Venue | Snape Maltings Concert Hall, Snape, Suff | | Notes | Snape Maltings Concert Hall, Snape, Suffolk, England (12/10/1989-12/12/1989) | | 3. Piano Sonata No. 5 in C major (Version 2), Op. 135: III. Un poco allegretto (9:22) | | Common Name | Pieces For Piano | | Composer | Sergey Prokofiev (1891 - 1953) | | Performer | Boris Berman (Piano) | | Date Written | 1918 | | Venue | Snape Maltings Concert Hall, Snape, Suff | | Notes | Snape Maltings Concert Hall, Snape, Suffolk, England (12/10/1989-12/12/1989) | | 4. March & Scherzo for piano, Op. 33 ter (arr. from The Love for Three Oranges, Op. 33): I. Scherzo. Al (34:09) | | Common Name | Romeo And Juliet Pieces For Piano | | Composer | Sergey Prokofiev (1891 - 1953) | | Performer | Boris Berman (Piano) | | Genre | Transcription | | Date Written | 1937 | | Venue | Snape Maltings Concert Hall, Snape, Suff | | Notes | Snape Maltings Concert Hall, Snape, Suffolk, England (12/10/1989-12/12/1989)
Composition written: 1937.
Composition revised: Soviet Union. |
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Concertina player John Williams hails from Chicago, but comes from a long line of Irish musicians with roots in County Clare; he has won five all-Ireland titles and was the first American-born musician to take first place in the senior concertina category. On his second solo album, he's joined by local fiddler Liz Carroll, guitarists Dennis Cahill, Randall Bays, and Dean Magraw, bassist Larry Gray, percussionist Paul Wertico, and his colleagues from Solas, Seamus Egan and John Doyle, for a set of traditional tunes played with equally high levels of energy and skill. Williams himself spends most of his time on concertina, but also plays button accordion, flute, whistles, and bodhran, and sometimes more than one at once, as on the multi-tracked slow reel set "Paddy Canny's Toast & Paddy Faheys." Elsewhere, the arrangements are more minimal: The jigs "Up in the Garret" and "The Old Tipperary" are bare-bones concertina and guitar (and beautiful in that setting), while the reels "Billy Brocker's," "The Old Dudeen," and "The Night We Had the Goats" feature Williams on whistles, Paul Donnelly on bodhran, and an unidentified drone; the result is vaguely eerie. This is a complex and lovely album. ~ Rick Anderson
Dennis Cahil, Randal Bays, Dean Magraw, John Doyle, Jim DeWan (guitar); Seamus Egan (banjo); Paul Donnely (bodhran); Liz Carroll (fiddle); Larry Gray (cello, bass); Paul Wertico (percussion).
2nd Solo;Founding Member Of Solas
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Personnel: John Williams (flute, tin whistle, concertina, bodhran); Randal ...
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Norwegian singer Sissel defies easy categorization. She can soar like a seasoned diva in the most difficult of arias, project a plain-spoken earthiness in folk tunes, whisper intimately in romantic ballads, or belt out anthemic showstoppers with unbridled gusto. Sissel's name may be unfamiliar to some, but her reputation grows in leaps and bounds as a result of her work with a variety of luminaries, including operatic superstars Placido Domingo and Bryn Terfel, crossover sensation Josh Groban, and Irish music legends the Chieftains. In addition, millions have already experienced her talent via her vocal contributions to the award-winning score of the blockbuster TITANIC.
Sissel offers a well-chosen set of old and new on MY HEART, delivered with a straightforward elegance that places the focus squarely on the purity of her voice. The Scandinavian chanteuse turns to an eclectic mix of songwriters for material, notably Richard Marx ("Someone Like You," "Beyond Imagination"), Gemma Hayes ("Angel Rays"), and Jon Lord ("Wait a While"). She also puts forward unaffected readings of arias by Handel, Saint-Saens, and Puccini, as well as luminous renditions of Schubert's "Ave Maria" and "Pie Jesu" by Andrew Lloyd Webber. Astor Piazzolla's "Oblivion" and "Deborah's Theme" by Ennio Morricone add some international flavor to the mix. MY HEART is a well-produced showcase for this fine young singer.
Personnel: Sissel (vocals, background vocals); Michael Hart Thompson (guitar); Richard Marx (nylon-string guitar, keyboards, drum programming, background vocals); Richard Galliano (accordion, bandoneon); Steve Brewster (drums).
Audio Mixers: David Cole; Dick Lewzey; Phil Bodger.
Recording information: Air Studios, London, England; Avatar Studios, New York, NY; EMI Abbey Road ...
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Track Listing of songs: Trois Poemes de Stephane Mallarme, for soprano & 5 instruments: Rondel II; Trois Poemes de Stephane Mallarme, for soprano & 5 instruments: Salut; Trois Poemes de Stephane Mallarme, for soprano & 5 instruments: Petit Air I; Herbstpathetique, electro-acoustic music; Mer, electro-acoustic music: Fevrier, La; Mer, electro-acoustic music: Mars, La; Mer, ...
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