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Williams, Roger (Easy Listening - Greatest Hits CD Cover Art CD music music CDs songs album

Roger Easy Listening Williams Greatest Hits CD

 Roger Easy Listening Williams Discography of CDs
4.7 stars (3 Customer Reviews)

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Curb's Greatest Hits contains re-recordings of Roger Williams's greatest hits. While these versions are pleasant, they aren't as strong as the originals. ~ Stephen Thomas Erlewine
Greatest Hits Music


Detailed Greatest Hits Music Information



List Price $5.98 (You save $0.03)
Category Rock/Pop Albums, Rock CDs, Nostalgia, Instrumental, Easy Listening, Piano, Greatest Hits Collections
Label Curb
All Time Sales Rank   33305  
CD Universe Part number 1015141
Catalog number 77267
Discs 1
Release Date Mar 27, 1990
Studio/Live Studio
Mono/Stereo Stereo
Roger Easy Listening Williams Greatest Hits Songs


Roger Easy Listening Williams Greatest Hits Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Autumn Leaves
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Born Free
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Lara's Theme
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Lady
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.September Song
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.More
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Misty
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Way We Were, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Somewhere in Time$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Nadia's Theme

Greatest Hits Music Review


Customer Greatest Hits Reviews 




Average Rating: (4.7 out of 5 stars) 4.5 stars

4 stars Peaceful, relaxing music
My massage therapist uses this during her sessions and I loved it so I ordered through CD Universe for $5.99 and she paid $10.99 at Barnes & Noble. I love this CD & CD Universe!
Submitted by chauncey88 (Manchester, NH) Verified Buyer
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5 stars Great Paino player
Enjoy his music and selections, one of a kind of paino players , enjoyment for every-body who loves great music !
Submitted by a reviewer ( U.S.A.)
Was This Review Helpful? Yes No

5 stars Best of all time.
"Somewhere In Time" might possibly be the most beautiful melody of all time, played as only Williams can.
Submitted by a reviewer (Planet Earth)
Was This Review Helpful? Yes No

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"2 LP's On 1 CD" B/W "Trupet's Greatest Hits" 2 LPs on 1 CD: A STRING OF PEARLS (1965)/TRUMPETS' GREATEST HITS (1965).
Recorded in London, England in 1965. Originally released on Epic (26174) & Epic (26155).
Liner Note Author: Dom Cerulli.
Recording information: London, England (04/15/1965-04/27/1965).
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Personnel: Poncho Sanchez (vocals, congas, percussion); Dale Spalding (vocasl, harmonica); Ledisi (vocals); Lon Price (soprano, alto & tenor saxophones); Sal Cracchiolo (trumpet, flugelhorn); Scott Martin (alto, tenor & baritone saxophones); Francisco Torres (trombone, background vocals); David Torres (piano, Hammond B-3 organ, background vocals); Chick Corea, Bruce Malament (piano); Tony Banda (bass, background vocals); Tom Gargano (bass); James Gadson (drums); Jose "Papo" Rodriguez (bongos, percussion, background vocals); Ramon Banda, Tiki Pasillas (timbales).
Recorded at Capitol Studios, Los Angeles, California and Fantasy Studios, Berkeley, California between April 30 & May 8, 2001. Includes liner notes by Bill Milkowski.
Much marketing ado will no doubt be made over the wonderful dream-come-true nature of the legendary conguero's pairing with jazz piano great Chick Corea, in a setting which brings the latter back to his roots playing with Mongo Santamaria in the '60s. And the two Corea-touched tracks are definite highlights. He wrote the jumpy, heavy-chorded jam title track, which finds him doing call and response with feisty horns as Sanchez pitter patters fancifully in the background; the piano improvisations between these interactions are characteristically mind-boggling, as Corea switches off from bebop to hardcore Latin ivory sweeps. He also tackles the frisky Wayne Shorter piece "Juju," dipping and swooping over and under the horns as, once again, Sanchez works up a frenzy all around him. But Sanchez' vision extends way beyond just the Corea songs, as he creates an exciting travelogue through various ...

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In The Meantime
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New Studio Record From Orig. Member Of Fleetwood Mac. Personnel: Christine McVie (vocals, keyboards, synthesizer); Christine McVie (piano); George Hawkins (bass instrument, background vocals); Billy Burnette (background vocals); Dan Perfect (vocals, guitar, programming, background vocals); Steve Ferrone (drums); Lenny Castro, Luis Conte (percussion); David Isaacs (background vocals).
Audio Mixers: Christine McVie; Dan Perfect; Ben Georgiades.
Liner Note Author: John Perfect.
Recording information: Sphare Studios, London, England; Studio International, Ojai, CA; Swallow's Studio, Kent, England.
Photographer: ...

Sorry, there is no artwork available at this time
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Magnificent Defeat
Jay Bennett Magnificent Defeat CD  (2006)

Greatest Hits
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Personnel: Jay Bennett (drums); David Vandervelde (vocals, guitar, synthesizer, drums, percussion, bells, background vocals); Edward Burch (vocals, Farfisa, background vocals); John Stirratt (acoustic guitar); Jon Pines, Ken Coomer, Alex Moore (drums).
Audio Mixers: Tim Edward; Jon Pines; Timothy Edwards; Jay Bennett; David Vandervelde.
Recording information: Arlington Heights; Pieholden Suite Sound, Chicago, IL; Rolling Meadows, IL; Studios A And B, Urbana, IL.
Editors: Jon Pines; Justin Z. Walden; Jay Bennett; David Vandervelde.
Arranger: Jay Bennett.
Jay Bennett's fourth album is an exuberant fireball of feisty breakup songs, and his most varied and interesting post-Wilco collection to date. Reportedly just a fraction of the songs written and recorded for these sessions, the 13 tracks here brim with inspiration, anger, sadness, and gritted-teeth resignation. Whether soulfully pounding the Hammond B-3, slamming out scorching alt-country rockers, or playing the literate power-popper, Bennett confidently delivers the goods and seems poised for bigger things than his former sideman-underdog status would allow.
Jay Bennett's fourth solo effort, The Magnificent Defeat, is as dizzying and dazzling as anything he and his former bandmates put together, and it's nowhere near as mopey. For one thing, Bennett's records in general -- and this one in particular -- don't sound like his record collection. They sound like he wrote songs, made noise -- and music -- and had a blast doing it. With a bit of help from longtime collaborator Edward Burch, and co-producer and multi-instrumentalist David Vandervelde, The Magnificent Defeat is one strange, quirky, and labyrinthine journey filled with the quark weirdness of growing up ("5th Grade"), broken love songs (the rollicking country-rock of "Wide Open"), and the gorgeously and perversely orchestrated tale of loss and studied rebuttal ("The Palace at 4 A.M."). This latter track has an obvious inspiration: the Elvis Costello of King of America. It's not just the tune or its arrangements, but Bennett even reaches for those same notes with his own little voice. It's a tribute paid blatantly. It adds immeasurably to the drama, warmth, and humor in this set.
"Replace You " is a rocker with plinking high keys from an upright piano, a pumped up organ, and a guitar riff that the glam kings would have fought the biker bands for. When "Out All Night," comes slinking out of the speakers at a volume of ten with throbbing guitar squall, it becomes obvious that Bennett is lyrically obsessed with brokenness in his relationships, but he celebrates it with the grittiness and accessibility of the best rock & roll, rather than just swimming in the emotion. As a result, he comes to accept it all with the words: "Yeah, it was the best that I could do..." Never have heartbreak and loneliness sounded like such a desirable party to attend. In "Overexcusers," a grand, detached, social and political cynicism is sparkled through with pop hooks, bright spangly production, and quaking drums. "Survey the Damage" is a ballad; it's shot through with just enough bitterness to give the listener a degree of empathy rather than pity. ...

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