| | Lorrie Morgan Classics CD Lorrie Morgan Discography of CDs
Classics is a ten-track budget-priced collection that features some of Lorrie Morgan's biggest hits, including "The First Few Days of Love," "In for Rain," "Let It Be Yesterday," "Tell Me I'm Only Dreamin," "Don't Go Changing," "Easy Love" and "Someday We'll Be Together." Since it contains the original versions of many of her big hits, it's not a bad choice for casual fans on a tight budget. ~ Stephen Thomas Erlewine
Classics is a ten-track budget-priced collection that features some of Lorrie Morgan's biggest hits, including "The First Few Days of Love," "In for Rain," "Let It Be Yesterday," "Tell Me I'm Only Dreamin," "Don't Go Changing," "Easy Love" and "Someday We'll Be Together." Although this isn't a bad budget-priced disc, there are better collections available, offering more songs and better sound for not much more money. ~ Stephen Thomas Erlewine Classics Review
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Purchase Classics CD To buy, Click on price to add to cart | Best Years Of Our Lives DVD (1946)
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In 1990, a plane crash took the lives ...
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With his hot flatpicking, strong voice, extroverted showmanship, and barbed sense of humor, Fulks became a hero of the '90s alt-country underground. After a couple of albums for roots rock haven Bloodshot, Fulks made the leap to the majors for LET'S KILL SATURDAY NIGHT (not to be confused with the album of the same name by Fulks's talented pals the Five Chinese Brothers). After maverick Fulks's inevitable departure from said major, he gave Bloodshot the OK to fill the gaps in his discography with this collection of rarities (the album's title is typical of the musician's gallows humor).
It's a testament to Fulks's consistency as both writer and performer that nearly every song here stands right up alongside any of his "official" album cuts. The spot-on "Roots Rock Weirdoes" displays his well-aimed satire at its best. Despite his iconoclasm, Fulks's reverence for classic country is apparent. "May the Best Man Win" is the best song Buck Owens never wrote, while "I Just Want to Meet the Man" is a smartly penned cuckold's tale that wouldn't sound out of place on a vintage George Jones ...
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At the end of 1983, Reba McEntire completed her contract with Mercury Records and moved to MCA, launching the new affiliation in the late winter of 1984 with the Top Five country single "Just a Little Love," followed by an album of the same name in April. McEntire had signed to Mercury in 1975, and the label had built her up slowly to the point that, in early 1983, she scored back-to-back number one singles with "Can't Even Get the Blues" and "You're the First Time I've Thought About Leaving." Her decision to move on might be vindicated later, but Just a Little Love was not an auspicious beginning with the new company. McEntire seemed, at least on the evidence of the single, to be moving in more of a contemporary country direction, an impression confirmed by the follow-up single, "He Broke Your Memory Last Night," which reached the Top 20. On the LP, she displayed her versatility, ranging stylistically from the tropical feel of "I'm Gettin' over You" and the pop/rock sound of "Every Second Someone Breaks a Heart" to the Western swing of "Congratulations" and the Bakersfield ...
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With 2007's FINDING BEAUTY IN NEGATIVE SPACES, the Los Angeles-based heavy-rock band Seether tones down the dark mood of KARMA & EFFECT in favor of a more energetic, straight-ahead sound. Reinvigorated by a stint in rehab, South African-born vocalist/guitarist Shaun Morgan, whose singing often recalls that of Metallica's James Hetfield, has an enthusiastic intensity that's evident on the swaggering "Fake It" and the urgent "6 Gun Quota," making for one of Seether's most lively albums.
Seether's lead singer/songwriter, Shaun Morgan, is an unabashed, unapologetic worshiper of Kurt Cobain, using Nirvana's sound as a template for Seether and, more importantly, interpreting Kurt's teenage angst as something entirely un-ironic and confessional. This is a pretty skewed reading of Nirvana but not an uncommon one, and there have been scores of bands that have devoted their careers to ironing out every quirk in Cobain's legacy, with Seether being one of the more prominent of this legion in the new millennium. In Morgan's interpretation of Nirvana, music is just a vehicle for emotional catharsis and boy did he ever have a lot to get off his chest in 2007, as in the previous year he lost a guitarist; was subjected to the humiliation of his ex, Amy Lee, pretty much writing an entire album about him on Evanescence's The Open Door (including the withering hit single "Call Me When You're Sober"); and did a stint in rehab. All this turmoil is evident on their third proper album, Finding Beauty in Negative Spaces, a title that hints at Morgan's propensity for purple prose (but not his predilection for profanity; the F-word powers more than a few choruses here). Those tortured and tormented words are at the center of Finding Beauty as Morgan pours out his soul, pairing naked emotional bloodlettings with jacked-up and overly polished active rock. He doesn't really put a unique spin on his angst, although "Rise Above This," a midtempo tune with an identifiable melodic hook, stands out. [A clean version was also released.] ~ Stephen Thomas Erlewine
Seether's lead singer/songwriter, Shaun Morgan, is an unabashed, unapologetic worshiper of Kurt Cobain, using Nirvana's sound as a template for Seether and, more importantly, interpreting Kurt's teenage angst as something entirely un-ironic and confessional. This is a pretty ...
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Classics CD music
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