| | Delbert McClinton Never Been Rocked Enough CD Delbert McClinton Discography of CDs
 (1 Customer Review)
Personnel includes: Delbert McClinton (vocals, harmonica, percussion); Randy Jacobs, Dann Huff, Cornell Dupree (guitar); Jim Horn (flute, recorder, soprano, tenor & baritone saxophones); William Bergman, Arno Hecht (tenor saxophone); Gregory Smith (baritone saxophone); John Berry Jr., Mike Haynes (trumpet); Bob Funk (trombone); Mike Duke (piano, background vocals); Francisco Centano (bass); Kenny Aronoff, Curt Bisquera (drums); Anton Fig (drums, tambourine, bongos); Debra Dobkin (percussion).
Background vocals: Donna McElroy, Vicki Hampton, Ivan Neville.
Producers: Don Was, Jim Horn, Delbert McClinton, Bonnie Raitt.
Engineers: Peter Breckerman, John Siket, Ed Churney, Jeff Baehl, Lonzo Parris, Andy Uldof, Ross Donaldson, Brett Newman.
Recorded at Sound On Sound Studios, New York; Conway Studios, Rumbo Recorders, Ameraycan Studios, Los Angeles; Dream Street, Nashville.
Personnel: Delbert McClinton (vocals, harmonica, percussion); Bonnie Raitt (vocals, guitar, acoustic guitar, slide guitar); Dann Huff, Sid McGinnis, Randy Jacobs (guitar, electric guitar); Stephen Bruton (guitar, mandolin); Cornell Dupree, Richard Wachtel, Fred Knobloch, Randall Jacobs, Waddy Wachtel (guitar); Jim Horn (soprano saxophone, tenor saxophone, baritone saxophone, horns); Chris Cioe (alto saxophone); William Bergman, Arno Hecht (tenor saxophone); Greg Smith (baritone saxophone); Hollywood Paul Litteral, Mike Haynes , John Berry, Jr. (trumpet); Charles Rose, Bob Funk (trombone); Paul Shaffer (piano, organ, Wurlitzer organ, keyboards); Mike Duke (piano, background vocals); Benmont Tench (piano); Anton Fig (drums, bongos, tambourine, percussion); Curt Bisquera, Kenny Aronoff (drums); Tom Roady (congas, tambourine, percussion); Styhak Levy, Debra Dobkin (percussion); Donna McElroy, Francine Reed, Melissa Etheridge, Tom Petty, Vicki Hampton (background vocals).
Audio Mixer: Ed Churney.
Photographer: Aaron Rapoport.
Unknown Contributor Role: Uptown Horns.
Arranger: Jim Horn.
One of those influential "musician's musician" types, vocalist/harp-player Delbert McClinton was able to call on the likes of Bonnie Raitt, Tom Petty and Melissa Etheridge for support on Never Been Rocked Enough. The results cover the whole checkerboard while remaining vintage McClinton: his harp wails on "Everytime I Roll the Dice"; "Can I Change My Mind" flirts with Motown soul; "Blues as Blues Can Get" defines the confessional blues ballad; "I Used to Worry" and the title track chug into Band/Little Feat territory. The disc also includes the performer's Grammy winning duet with Bonnie Raitt, "Good Man, Good Woman." ~ Roch Parisien Never Been Rocked Enough Music | List Price | $8.97 (You save $1.68) | | Category | Rock Albums, Country CDs, Blues, Rock/Pop, Country Rock, Honkytonk | | Label | Curb | | Orig Year | 1992 | | All Time Sales Rank |  5300  | | CD Universe Part number | 1015485 | | Catalog number | 77521 | | Discs | 1 | | Release Date | May 05, 1992 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 40 minutes | | Personnel | Jim Horn - flute, recorder, soprano, tenor & baritone saxophones
Dann Huff
Kenny Aronoff - drums
Anton Fig - drums, tambourine, bongos
Mike Haynes - trumpet
Cornell Dupree - guitar
Delbert McClinton - vocals, harmonica, percussion
Curt Bisquera - drums
Randy Jacobs - guitar, electric guitar
Debra Dobkin - percussion
List all 52 contributors
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Never Been Rocked Enough Music Review Purchase Never Been Rocked Enough CD To buy, Click on price to add to cart | Delbert McClinton Live From Austin CD (1989)
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Live Recording
John Coltrane Quartet: John Coltrane (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison, Reggie Workman (bass); Elvin Jones (drums).
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey between December 21, 1961 and November 13, 1962.
This Deluxe Edition of BALLADS includes a bonus disc of previously unissued material.
Personnel includes: John Coltrane (soprano & tenor saxophone);
McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums).
Producer: Bob Thiele.
Reissue producers: Ken Druker, Bryan Koniarz.
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey between December 21, 1961 and November 13, 1962. Includes liner notes by Francis Davis and Rudy Van Gelder.
All tracks have been digitally remastered.
Personnel: John Coltrane (soprano saxophone, tenor saxophone); McCoy Tyner (piano); Elvin Jones (drums).
Liner Note Author: Gene Lees.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (12/21/1961-11/13/1962).
Photographers: Chuck Stewart; Jim Marshall .
BALLADS (1962) finds John Coltrane's classic quartet (which includes bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones) gathering force as a unit and turning their skills to a softer, warmer sound than is usually be found on the team's recordings from the time. Some critics accused Coltrane of capitulating to commercial pressures with this release, but that reaction overlooks the gorgeous performances on "You Don't Know What Love Is," "I Wish I Knew," and others. A beautiful album, and a great entry point for those who might otherwise find Coltrane's '60s work too abrasive.
Throughout John Coltrane's discography there are a handful of decisive and controversial albums that split his listening camp into factions. Generally, these occur in his later-period works such as Om and Ascension, which push into some pretty heady blowing. As a contrast, Ballads is often criticized as too easy and as too much of a ...
| | Tom Principato Blazing Telecasters CD (1984)
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"Blazing" is just the right word for this live set with blues guitar hotshot Tom Principato, who played on and off with Gatton through 1984. This is the resulting snapshot that Principato reissued several years later on his own Powerhouse label (and remains available by mail-order there, regardless of its ongoing demand as an Internet auction item). Principato's blues-oriented style -- which also draws on elements of jazz, jump blues, and swing -- pushed Gatton beyond the peaks he'd achieved with his Redneck Jazz Explosion, and the '50s- and '60s-style explorations of Unfinished Business. This guitar summit meeting, then, inspired some unlikely choices -- such as a countrified take on Bob Dylan's "Don't Think Twice, It's All Right." Other highlights include "Honey Hush (Talkin' Woman)," which features some sizzling exchanges between both guitarists, and a Latin-oriented swing into Les Baxter's "Quiet Village," where everyone pulls off inspired soloing (except drummer Robbie Magruder). There's a bright reading of the jazz standard "Cherokee," which ...
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