| | Delbert Mcclinton CD Delbert McClinton Discography of CDs
 (1 Customer Review)
Personnel includes: Delbert McClinton, Tanya Tucker (vocals); Danny Gatton (guitar). Delbert Mcclinton Songs | 1. | The Sun Medley: Mystery Train / My Baby Left Me / That's All Right Mama |
| 2. | Tell Me About It |
| 3. | Weather Man - (from "Ground Hog Day") |
| 4. | Mary Lou |
| 5. | Have a Little Faith in Me  |
| 6. | Wanderer, The - (from "One Hot Summer") |
| 7. | Just You and Me |
| 8. | One More Last Chance |
| 9. | Lay Around and Love on You |
| 10. | He Will Break Your Heart |
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Delbert Mcclinton Music Review Purchase Delbert Mcclinton CD To buy, Click on price to add to cart | Delbert McClinton I'm With You CD (1990)
Delbert Mcclinton album
 $5.95  
I'm With You is another solid release from the road-tested, fan-approved vocalist Delbert McClinton. At the time of this release, McClinton hadn't done a studio effort since 1981's somewhat disappointing Plain From the Heart. The gift of I'm With You is that McClinton makes it sound like he had been away for ten days rather then almost ten years. "That's the Way I Feel" is an effortless country blues bop with great, punchy Memphis by way of Tower of Power styled horns. Unlike many artists, McClinton wasn't stingy with a good track, and Jimmy Hall shows up on the old-fashioned "Got You on My Mind" and offers great harmony. Although I'm With You has McClinton is good voice and spirits, the tracks tend to run together, and the results don't click during the first listen. The album standout, "The Real Thing," has McClinton put through the ringer in a good way by a conquest as he bellows the title and the lyrics ...
| | Delbert McClinton Never Been Rocked Enough CD (1992)
Delbert Mcclinton CD music
$6.15 
| | Delbert McClinton Great Songs: Come Together CD (1995)
Delbert Mcclinton music CDs
$5.65
| | Faith Hill Breathe CD (1999)
Delbert Mcclinton songs
$9.89  
Faith Hill won the 2000 CMA Award for Female Vocalist Of The Year.
BREATHE won the 2001 Grammy Award for Best Country Album. "Breathe" won the 2001 Grammy Award for Best Female Country Vocal Performance. "Let's Make Love" won the 2001 Grammy Award for Best Country Collaboration with Vocals. "Breathe" was nominated for the 2001 Grammy Award in the categories of Best Country Song and Song Of The Year. "The Way You Love Me" was nominated for the 2001 Grammy Award for Best Country Song.
With her third album, FAITH, Faith Hill tasted pop crossover success--and she evidently liked the taste. BREATHE, Hill's fourth release, takes the pop/country stylings of FAITH to the next level. It's an appealing collection of pop, gospel, R&B, rock, and ballads, with just a bit of country thrown in. The production, featuring Hill's big voice surrounded by booming drums and screaming guitars, is so slick you could skate on it.
Love is the subject of nearly every song, from the exuberant "I Got ...
| | Delbert McClinton Victim Of Life's Circumstances CD (1996) (Import) Australia
Delbert Mcclinton album
$19.99
Raven is to be congratulated for their Delbert McClinton series. There are three two-fers in the series available covering his years at ABC, Capricorn, and Capitol's Muscle Shoals Sound (MSS) imprint. Victim of Life's Circumstances and Genuine Cowhide were his first two albums for ABC and basically his first two solo recordings. They show the restless musical vision that McClinton, a Lubbock, TX, native like fellow adventurer Buddy Holly, was possessed by that blurred the lines between hard honky tonk country, Memphis soul, funk, classic New Orleans R&B, Chicago blues, and more. McClinton is unique in that not only does he display here his considerable gift as a singer and musical gadfly, but he's also a stunning harmonica player -- who taught John Lennon the licks that ended up on "Love Me Do" -- and songwriter. The former album ...
| | Talking Heads - Stop Making Sense DVD (1984) Widescreen
Delbert Mcclinton CD music
 $25.55
Those who aren't familiar with the work of seminal 1980s band The Talking Heads may find themselves becoming instant fans after viewing this incredibly entertaining ...
| | Bumble Bee Slim Complete Recorded Works, Vol. 3: (1934-1935) CD (1994) Import
Delbert Mcclinton music CDs
$14.05
The opening six songs on this volume, which covers the period from November 1934 until April 1935, are decidedly different in texture from much of the material that preceded them in Slim's output. With no more than a guitar or two and perhaps a mandolin backing him up, his music leans less toward the kind of urban R&B sound that his early Vocalion tracks did. The playing is superb, with Carl Martin and Ted Bogan showing off a special virtuosity, while Slim's vocals are brilliantly expressive. The sound is rather rough on some of the material here, leading one to believe that there aren't many copies around of several of these songs -- "Way Down In Georgia" and "There You Stand" would not pass muster for release on most labels, being nearly inaudible amid their extreme surface ...
| | Rockin Dopsie, Jr Feet Don't Fail Me Now CD (1995) (Import) Australia
Delbert Mcclinton songs
$14.95
Rockin' Dopsie, Jr. & The Zydeco Twisters: David "Rockin' Dopsie, Jr." Rubin (vocals, rub board); Anthony "Dopsie" Rubin (vocals, accordion); Alton "Tiger Dopsie" Rubin, Jr. (vocals, drums); Paul "Buck" Sinegal, Shelton Sonnier (guitar); Jerry Jumonville (saxophone); Alonzo Johnson (bass guitar); Willie The Whip (tambourine).
The title of the CD, Feets Don't Fail Me Now, is the perfect mantra for every zydeco dancer. Dancing the zydeco can easily wear those doggies out, and no dancer worth a bowl of red beans and rice wants to sit down before the dance is over. When the body protests, it is the music that keeps it going. That's where great musicians like Rockin' Dopsie come in. The late accordion player from Carencro, LA, was popular for decades for his intense playing style and ebullient stage persona that could help keep a dancer going. In this endeavor, the zydeco accordion master is ably assisted by a fine array of guest musicians, including Waylon Thibodeaux, Michelle Shocked, Kermit Ruffins, and the New Birth Brass Band, as well as family members Rockin' Dopsie Jr., Anthony Dopsie, and Tiger Dopsie. Zydeco music is part blues, part country, and all soul, with an infectious beat that can cause the feet to mysteriously move of their own accord. You can check out the truth of this statement by putting on this record and trying to keep your feet still on the fast-paced title cut, "Jambalaya," and "Matilda." See if they won't do a slow drag on "Worried Life Blues," or a rhythmic pulse to "Baby What You Want Me to Do?," "Don't You Lie to Me," and "Please Come Home." By then, Rockin' Dopsie may have you so deeply under his spell that when he plays "Walking to New Orleans," you will pull out the atlas and hope the Crescent City is not too far away. ~ Rose of Sharon Witmer
Recorded at Ultrasonic Studios, New Orleans, ...
| | Mosaic Select-Duke Pearson CDs (2003)
Delbert Mcclinton album
$41.75
The Mosaic Select series continues -- having released eight impressive volumes n the calendar year 2003 -- this being the last, it's a provocative set in that it compiles five Duke Pearson albums from 1968-1970, all of them centered around his "exotic period: The Phantom, Merry Ole Sole, How Insensitive, It Could Only Happen With You, and I Don't Care Who Knows It. In addition, it places all of those recording sessions in their proper chronological order and includes two completely unreleased tracks.
What these sessions -- completely immersed in Brazilian and Latin rhythms and melodies -- all have in common is drummer Mickey Roker. The most common rhythm section here is Roker with bassist Bob Cranshaw, who plays on all but two of these sessions. Around this catalyst, Pearson's albums recruited a number of soloists and ensemble players from Bobby Hutcherson and flutists Jerry Dodgion and Hermeto Pascoal, guitarist Ralph Towner, vocalists Flora Purim and Andy Bey, and percussionists from Airto to Potato Valdes. The size of the ensembles varies from quintet to nonet with a chorus of no less than 17 voices on How Insensitive. The material here reflects Pearson's complete abandonment of hard bop tempos, but not the blues. Here, ...
| | Banda Comala Pelo Brasil CD (2005) (Import) +1 Track; +1 Bonus Track
Delbert Mcclinton CD music
$12.65
Additional Tracks
| | Ololiuqui Other Side Of Odra CD (2007)
Delbert Mcclinton music CDs
$17.19
| | Russian Circles Geneva CD (2009) Digipak
Delbert Mcclinton songs
$12.85
The relationship between the calm before the storm and the storm itself is a crucial element of post-rock. The patience and restraint to allow the music to build slowly and organically is an incredible virtue within the genre, and it's a virtue that Russian Circles have been growing into over the course of their career. On Geneva, their third full-length outing, we find a band that has matured as songwriters. With a larger, more atmospheric set of tools at their disposal, the band crafts songs that are more about buildup than release. Instead of down the usual "build, build, build, destroy" route that's so common, the songs grow organically, with changes unfolding so naturally that the big finish is more of a logical conclusion than an explosion. Brian Cook's (of Botch and These Arms Are Snakes) impact on this record is more apparent than it was on Station. His gritty, fuzzed-out bass provides a dynamic contrast to the lighter moments, providing a bit of sonic dirt for the more ethereal guitar parts to play in. This influence might also have something to do with Russian Circles' further tempering of their metal tendencies. While Geneva has its heavier moments (like "Fathom" and "Geneva"), they're not as out-and-out metal as their past work, more reminiscent of Pelican's later work or the sludgy harmony of Zozobra. Given their past work, it would be easy for Russian Circles to simply play it quiet for a while and then absolutely bowl over the listener with huge, metal riffing. As the record goes on, that patience and restraint starts to reveal itself more and more. On the sprawling, eight-minute epic, "When the Mountain Comes to Muhammad," the band allows the song to build slowly and easily, reigning the
The relationship between the calm before the storm and the storm itself is a crucial element of post-rock. The patience and restraint to allow the music to build slowly and organically is an incredible virtue within the genre, and it's a virtue that Russian Circles have been growing into over the course of their career. On GENEVA, their third full-length outing, we find a band that has matured as songwriters. With a larger, more atmospheric set of tools at their disposal, the band crafts songs that are more about buildup than release. Instead of down the usual "build, build, build, destroy" route that's so common, the songs grow organically, with changes unfolding so naturally that the big finish is more of a logical conclusion than an explosion. Brian Cook's (of Botch and These Arms Are Snakes) impact on this record is more apparent than it was on STATION. His gritty, fuzzed-out bass provides a dynamic contrast to the lighter moments, providing a bit of sonic dirt for the more ethereal guitar parts to play in. This influence might also have something to do with Russian Circles' further tempering of their metal tendencies. While GENEVA has its heavier moments (like "Fathom" and "Geneva"), they're not as out-and-out metal as their past work, more reminiscent of Pelican's later work or the sludgy harmony of Zozobra. Given their past work, it would be easy for Russian Circles to simply play it quiet ...
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