| | T Graham Brown Best Of (Curb Records) CD T Graham Brown Discography of CDs
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This is an excellent single-disc compilation of T. Graham Brown's Capitol recordings from the mid- to late '80s. These ten tracks highlight the majority of his radio favorites, including "I Tell It Like It Use to Be," "I Wish I Could Hurt That Way Again," "She Couldn't Love Me Anymore," "Darlene," and his first number one from 1986, "Hell and High Water." This is a good place to get familiar with Brown's soulful vocals and R&B-inspired country. ~ Al Campbell
Personnel: T. Graham Brown (vocals).
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On his third outing, guitarist and producer Gurf Morlix shifts gears with a cranking clatter. While his previous recordings were saturated with loud and greasy guitars and killer bluesy riffs that provided enough good vibes to start-or end a party, this set is markedly different; it's a solid country record, stripped to the rag and bone shop of the heart, and full of broken love songs. And though the subject matter is on the low-down side of lonesome, the musical groove is prescribed as pure honky tonk pain management. Morlix, who wrote or co-wrote all but one song here, plays everything but drums on this set; that's left to the great Rick Richards. The 13 songs here reflect the timelessness of a relationship and in Morlix's lyrics one thing becomes painfully clear: when it comes to men and women, there is nothing new under the sun. "Yesterday She Didn't," speaks in its Western swing drawl to the inconsistency of a lover who bounces both sides of the emotional fence in regard to the protagonist. Loping, acoustic guitars stroll out the tough tale, but the singer seems to accept that this is just the way it is -- his feelings remain the same. "Were You Lyin' Down?" Its answer line "when you stood me up" is self explanatory, but in the ringing Telecasters and two-stepping bass, it becomes a country & western dance tune à la Buck Owens. The singer may be brokenhearted, but he might as well strut his way through the pain on the barroom floor. In the jukebox honky tonk of "Without You," the roadhouse becomes the temple of confession for love's great losses. Again with Richards' setting the backbeat, Morlix fills his lines with spare and tight single-string runs and loping turnarounds and one can smell the smoke and stale beer in the atmosphere. The shimmering bluesy country ...
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Hailed as "super-engaging, ... a fire-breathing tightrope walker" (Village Voice, 2003) and as "an enormously prolific and talented composer" (Bumbershoot International Festival 2003), Lurie's musical works are both groundbreaking and addictive. Described as "...a feast for those who favor the crossroads where post-bop blurs boundaries between jam-band textures, avant-jazz colors, and much more."(Seattle Weekly, 2002), the Jessica Lurie Ensemble features Lurie's talents as band leader and composer as well as player. With an original repetoire ranging from groove to funk, haunting eastern ...
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