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Ledet, Rosie - Sweet Brown Sugar CD Cover Art
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Rosie Ledet Sweet Brown Sugar CD

 Rosie Ledet Discography of CDs

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Since there aren't many female zydeco singers, the very existence of Rosie Ledet is noteworthy. Fortunately, her debut album, Sweet Brown Sugar, shows that there's a reason to be interested in her outside of sheer novelty. Ledet proves herself to be a strong songwriter and an energetic accordionist on Sweet Brown Sugar. Her voice may be a little too restrained for some tastes, but she makes up for that with her propulsive, infectious instrumental work. Her songs suggest that she could develop into a distinctive lyrical voice in her own right. All in all, it's a fine debut. ~ Thom Owens

Personnel: Rosie Ledet (vocals, accordion); Kent Pierre August (guitar); Pat Breaux (saxophone); Eddie Bodin (keyboards); Corey Ledet (drums).

Sweet Brown Sugar Music


Detailed Sweet Brown Sugar Music Information



List Price $16.98 (You save $3.19)
Category Rock/Pop Albums, World CDs, R&B, Blues, Cajun / Zydeco, Zydeco, Cajun
Label Maison De Soul
Orig Year 1994
All Time Sales Rank   94636  
CD Universe Part number 1016230
Catalog number 1052
Discs 1
Release Date Jan 24, 1995
Studio/Live Studio
Mono/Stereo Stereo
Producer Mike Lachney
Recording Time 56 minutes
Personnel Pat Breaux - saxophone
Rosie Ledet - vocals, accordion
Eddie Bodin - keyboards
Corey Ledet - drums
Kent Pierre August - guitar
Rosie Ledet Sweet Brown Sugar Songs


Rosie Ledet Sweet Brown Sugar Album Track Listing



1.Sweet Brown Sugar
2.Hey Baby, Baby
3.Should've Been Mine
4.You're No Good for Me
5.Ever Love a Woman
6.Wear It Out
7.Swing That Thing
8.When I'm Gone
9.Easy Come, Easy Go
10.Shame on You
11.Don't Tell Me, You Love Me
12.I Waited for You
13.We Call It Zydeco
14.Mardi Gras, The
15.Mo Beer
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The growth from her earliest albums is wonderful for this sensuous singer; no longer are her albums held back by the repetitious beats that used to ensnare her early discs. Most importantly, she is using that wonderful, husky voice that is her natural and best asset to wrap around her insightful lyrics, which reflect a woman's point of view. She is one of the few female zydeco performers who is worth the price of admission. She does sound her best on the slower tempo of "Days Gone By," where she can work with the full expressiveness of her voice. She always seems to sing with a heartfelt integrity in her voice. She started performing in about 1995, when in one night she went to her first zydeco dance to hear Boozoo Chavis and fell in love with both the music and her to-be husband, Morris. Morris had his own band and played the accordion, which she learned by watching him and practicing when he was off at work. She showed him what she could do one day and eventually began leading ...
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Rosie Ledet, the "Zydeco Sweetheart," has become one of the more successful artists playing today. Her band, as evidenced by this record, lays down a solid dance groove. Put on "Do That Thing" and try to keep still -- it's a good test of will power. Ledet sings with a solid mixture of innocence and suggestive sexuality, and she has the looks to back it up. She also has a voice that, on some of the slower numbers, can be as suggestive as any other female singer out there today. Give a listen to "More Than I Can Say" (written by Jerry Allison and Sonny Curtis), the only one she didn't write on the disc. Her ...
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Woman, ceremony, and the allure of evening form the basis for this voluptuous and mysterious album. Gabrielle Roth's Luna begins with "Mother Night," a tapestry of layered percussion, from the deep toms to the metallic twang of the berimbau. Allison Cornell composed the stately yet sensual "Persephone's Song"; her violin skitters and slithers, while her viola offers thick chords played against pelvic bass beats. "Seducing Hades," with its angular staccato rhythms, is the funkiest cut on the album; the vocal apparitions of Cornell lend a ghostly air. World fusion artist Jai Uttal composed "Elusinian Blue"; Uttal's holy chant and stringed dotar give the piece its distinctive Indian flavor, while Gary Thomas' didgeridoo adds camel-like drones. "Labyrinth" features complex layers of crisp syncopated rhythms; featured are Kevin Ansell on balaphone and Joy Plaisted on harp. Luna ends with the title cut, a showcase for frame drum (Hearn Gadbois) and jimbae (Gordy Ryan); Arthur Hull plays the mysterious John Welsh bell, T.M. Stevens holds down the funk on the Warwick ...
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Lightnin' Slim (his real name was Otis Hicks) may have been the rawest artist in the Excello Records stable, and with a roster list that included Slim Harpo, Silas Hogan, and Lonesome Sundown, that's saying something. Slim's barely serviceable (but surprisingly effective) vocals and rudimentary electric guitar skills, backed by sparse drums and the occasional blast of a harmonica, all drenched in producer Jay Miller's trademark bayou reverb, are the very definition of the genre that came to be known as swamp blues. ...
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This double-CD set documents the four-day guitar festival Eugene Chadbourne organized in August 1999 at the Tonic, New York City. Disc One, titled "Dr. Eugene Chadbourne's Adventures at the Guitar Festival," culls eight free improvisations in duos and trios, all featuring the good Doctor. Guests include Kenta Nagai, Jim O'Rourke, David Watson, Joe Morris, Dean Roberts, Elliott Sharp, Misha Feigin, Thurston Moore, Kim Gordon, and Loren Mazzacane Connors. The latter, who gets two rounds with the organizer, once in a duet, the second time adding Roger Kleier, produces the strangest mix of approaches. His sharply-cut moans and groans have little in common with Chadbourne's frantic picking, but their meeting yields a kind of beauty previously unheard. The other pieces cover a wide range of music, from harsh noise (Chadbourne/Moore/Roberts) to delicate -- almost precious -- tiptoeing (Chadbourne/Morris, a highlight). Disc Two, titled "Greetings Fellow Pickers" (also the title of the festival itself) is a completely different affair. The event included jam sessions where participants were invited to relay each other on-stage for an extended trio (the concept is similar to the Relay events organized in London and Athens by the label-cum-venue 2:13). Therefore, Disc Two is a continuous 68-minute track, comprising various excerpts mixed together in the spirit of the jams. Where performance stops and editing begins, the listener cannot tell. The piece starts with Chadbourne, O'Rourke, and Alan Licht engaging in an abstract free-form ...
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TURN AROUND is a wholly appropriate title for Jonny Lang's 2006 album, since it marks a significant change in direction as the young blues singer/guitarist's first full-fledged Christian outing. Having embraced spirituality after his hard-living days as a child prodigy performer, the North Dakota-raised Lang leans strongly toward soul and gospel on this record, ...
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