| | Cruisin' 1965 CD (2 Customer Reviews)
An instantly recognizable bargain bin staple since the late '70s, thanks to their colorful comic book covers tracing the romantic life of an Everycouple named Peg and Eddie, the Cruisin' series of discs are built on a brilliant concept: each disc is devoted to a single year, with hit songs, local commercials, station jingles, and news headlines all presided over by a noted DJ from the era for a near-perfect re-creation of that year's AM radio experience. Hosted by Robert W. Morgan of KHJ "Boss Radio" in Los Angeles, CA, Cruisin' 1965 dips into the folk-rock waters of that year with the Turtles' superlative reworking of Bob Dylan's "It Ain't Me Babe" and Barry McGuire's now campy as all get out faux-protest song "Eve of Destruction." Otherwise, though, the R&B focus of most volumes in the Cruisin' series remains in place; highlights include the Ramsey Lewis Trio's funky soul-jazz instrumental version of "The in Crowd," which plays up the tune's obvious similarities to the Capitols' earlier hit "Cool Jerk," and Barbara Mason's lovely "Yes I'm Ready." Cruisin' 1965 is a pivotal entry in the series, marking the first use of a several-years-old song introduced as a golden oldie. (In this case, it's Chuck Berry's "Sweet Little Sixteen.") As the series progresses through the latter half of the 1960s, more and more golden oldies would appear, as some of the bigger hits of 1966-1970 don't really fit vibe the series producers were going for. ~ Stewart Mason Cruisin' 1965 Songs | 1. | Khj I.D. & Robert W. Morgan Jingle |
| 2. | Wooly Bully - Sam the Sham & the Pharaohs |
| 3. | You Can Have Her - Righteous Brothers |
| 4. | Birds and the Bees, The - Jewel Akens |
| 5. | King of the Road - Roger Miller |
| 6. | Sweet Little Sixteen - Chuck Berry |
| 7. | Name Game, The - Shirley Ellis |
| 8. | in Crowd, The - Ramsey Lewis Trio |
| 9. | It Ain't Me Babe - The Turtles |
| 10. | Downtown - Petula Clark |
| 11. | Eve of Destruction - Barry McGuire |
| 12. | Lover's Concerto - The Toys |
| Cruisin' 1965 Music Review Purchase Cruisin' 1965 CD To buy, Click on price to add to cart | Cruisin' 1958 CD (1988)
Cruisin' 1965
$9.15
| | Cruisin' 1961 CD (1988)
Cruisin' 1965
$9.25 An instantly recognizable bargain bin staple since the late '70s, thanks to their colorful comic book covers tracing the romantic life of an Everycouple named Peg and Eddie, the Cruisin' series of discs are built on a brilliant concept: each disc is devoted to a single year, with hit songs, local commercials, station jingles, and news headlines ...
| | Cruisin' 1962 CD (1980)
Cruisin' 1965
$9.25 Spanning over 15 years of rock & roll radio, the many volumes in the Cruisin' series spotlight major-market DJs spinning discs, cueing reverb-friendly commercial spots, and conveying all the latest by way of the occasional news flash -- not to mention all the hip and wigged out banter they intone ...
| | Cruisin' 1963 CD (1987)
Cruisin' 1965
$9.25 An instantly recognizable bargain-bin staple since the late '70s, thanks to their colorful comic book covers tracing the romantic life of an Everycouple named Peg and Eddie, the Cruisin' series of discs is built on a brilliant concept: Each disc is devoted to a single year, with hit songs, ...
| | Cruisin' 1964 CD (1986)
Cruisin' 1965
$9.25 An instantly recognizable bargain bin staple since the late '70s, thanks to their colorful comic book covers tracing the romantic life of an Everycouple named Peg and Eddie, the Cruisin' series of discs are built on a brilliant concept: each disc is devoted to a single year, with hit songs, local commercials, station jingles, and news headlines all presided over by a noted DJ from the era for ...
| | Cruisin' 1967 CD (1995)
Cruisin' 1965
$9.25 An instantly recognizable bargain-bin staple since the late '70s, thanks to their ...
| | Faust/So Far CD (1972)
Cruisin' 1965
$12.99 Though a commercial blip in its day, Krautrock has become one of the most enduring movements in music history, with countless indie acts namedropping the genre's most famous as influences. Now, as then, Hamburg's Faust gets the least love. Revisited Records hopes to change that with this long overdue reissue of the band's classic second long-player, SO FAR. One of the worst commercial failures in the history of Virgin Records, SO FAR was a slight capitulation to the marketplace after their mellow-harshing debut: there are some hints of accessible grooves (the mesmerizing opener, "It's A Rainy Day, Sunshine Girl") and melodicism (the Jimmy Page-ish guitar and flute of "On the Way to Adamae") to pull in the faint of heart.
Otherwise, SO FAR builds on the drastic pastiches of the first album: proto-industrial soundscapes evaporate into dreamier, layered ones and back again throughout the album's nine tracks. Faust didn't have the groove of Can, the ...
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Cruisin' 1965
$15.15 Principally recorded at Signal To Noise, Toronto, Canada; Shabby Road, Avatar, New York, New York; The Disc Limited, Detroit, Michigan.
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Cruisin' 1965
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| | Underoath They're Only Chasing Safety: Deluxe Edition CDs (2004) Special Edition
Cruisin' 1965
$14.35 Any listener still under the impression that Christian music is strictly light and positive need only listen to a few moments of Underoath's THEY'RE ONLY CHASING SAFETY before realizing that the Lord works in mysterious, and in this case, uncompromisingly rocked-out, ways. The first and most obvious clue that indicates a break with the original CCM soft-pop sound is frontman Spencer Chamberlain's throat-shredding vocal style. With most lyrics emitted in a manner more reminiscent of Morbid Angel than Margaret Becker, the singer makes even Christian-metal masters Pillar and P.O.D. sound tame in comparison. The remaining members of Underoath deal in powerfully direct emo-core, replete with dissonant guitar chords, hyper-speed drumming, and complex rhythmic patterns. Even close examination of THEY'RE ONLY CHASING SAFETY's lyric sheet provides few obvious signs of the band's religious inclinations. That said, the intensity with which Underoath imbues its music is a perfect reflection of the unwavering commitment necessary for an active faith.
Whether you describe this type of alternative rock as screamo, post-hardcore, or melodic hardcore, albums like They're Only Chasing Safety are all about contrasts -- heaven contrasting with hell, melody contrasting with sledgehammer brutality, "normal" singing (whatever "normal" is) contrasting with tortured, agonized, death-all-over-your-face screaming. This screamo/post-hardcore/melodic hardcore approach is quite different from full-fledged metalcore; while metalcore units like Hatebreed, Brick Bath, and Finland's notoriously ferocious Rotten Sound go right for the jugular, Underoath ...
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