| | Country Gentlemen Sugar Hill Collection CD Country Gentlemen Discography of CDs
 (1 Customer Review)
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Our Price: $15.05  CDFor Sale Usually ships in 1-2 days
Our Price: $9.99
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Digitally remastered by David Glasser (Airshow, Springfield, Virginia).
As the title suggests, Sugar Hill Collection compiles the highlights from the Country Gentlemen's recordings for the independent label Sugar Hill. Although these were made later in their career, the group sounds as good as they ever have. ~ Thom Owens
Recorded at Track Recorders, Silver Spring, Maryland and Bias Studios, Springfield, Virginia. Tracks 1-10 originally released on Sugarhill Records (3712) and Tracks 11-20 originally released on Sugarhill Records (3723).
Engineers: Ronnie Bucke (tracks 1-10); Bill McElroy (tracks 11-20).
Personnel: Kent Dowell (vocals, tenor, guitar, banjo); Charlie Waller (vocals, guitar); Doyle Lawson (tenor, guitar, mandolin, fiddle); Billy Yates (baritone, bass voice, acoustic bass); Rick Allred (baritone, dobro, mandolin); James Bailey (baritone, banjo); Mike Auldridge (dobro); Spider Gillam (acoustic bass); Ronnie Bucke (drums).
Audio Remasterer: David Glasser.
Recording information: Bias Recording Company, Springfield, VA; Track Recorders, Silver Spring, MD.
Photographer: Carl Fleischhauer.
Personnel: Doyle Lawson (vocals, guitar, mandolin, fiddle); Charlie Waller (vocals, guitar, tuned glass); Kent Dowell (vocals, guitar, banjo, percussion); Rick Allred (vocals, dobro, mandolin); James Baily (vocals, banjo); Bill Yates (vocals, acoustic bass); Mike Auldridge (dobro); Spider Gilliam (acoustic bass); Ed Ferris (bass); Ronnie Bucke (drums).
Producers: Barry Poss, The Country Gentlemen.
Dirty Linen (4-5/96, p.95) - "...an appreciation of traditional bluegrass and a taste for `newgrass,' a more progressive style that perched them at the edge of rock/pop culture..." Sugar Hill Collection Music | List Price | $17.97 (You save $2.92) | | Category | Rock/Pop Albums, Folk CDs, Country, Soundtrack Collections, Bluegrass | | Label | Sugar Hill | | Orig Year | 1995 | | All Time Sales Rank |  65767  | | CD Universe Part number | 1017858 | | Catalog number | 2207 | | Discs | 1 | | Release Date | Jul 18, 1995 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 52 minutes | | Personnel | Mike Auldridge - dobro
Doyle Lawson - vocals, guitar, mandolin, fiddle
Charlie Waller - vocals, guitar, tuned glass
Ed Ferris - bass
Rick Allred - vocals, dobro, mandolin
Spider Gilliam - acoustic bass
Kent Dowell - vocals, guitar, banjo, percussion
Ronnie Bucke - drums
Also: Billy Yates, JAMES BAILEY |
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I grew up in Texas in the 80s and 90s; heard the siren songs of Waylon, Townes, Billy Joe, Kris, and the Scottish poetry of Stuart Adamson, which afflicted me with a love of music at an early age; lacking any vestige of a Puritan work ethic, I learned to play bass and lurked around the Arlington/Fort Worth punk rock scene with a few bands (Elysian Fields/Death Rabbis) until it became clear that fashion had usurped the music's message, and I turned in my Doc Martens; around this time I bought my first acoustic guitar and learned five chords, which I later discovered was two chords too many, but I figured if I ever decided to go into prog rock, I'm ...
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The story begins in a small town in Kansas, on the campus of an even smaller college. Russell Pyle had matriculated to Hesston College in January of 1999 from the bustling burgh of Richmond, VA. Musicians seem to attract musicians and this was proven true when Russell met the first person he saw on campus, a guitarist by the name of Josh Gingerich. Josh was already a fairly accomplished Bluegrass guitarist and would show Rus songs as Rus would show him some of the more folksy stuff he was writing. After hanging out for a year or so, both went their separate ways, Russell to the Shennendoah Valley of Virginia, Josh about a few miles down the road to Newton, KS. Fast forward to winter of 2005-2006. Josh, now living in Albuquerque, receives a phone call from a number he doesn’t recognize. It was Russell, explaining that he would be moving out to Albuquerque late that spring. The two hadn’t talked in 6 or some odd years, and after catching up they made sure that they would hang out when Russell finally moved, which he did in June of 2006. That fall the two began playing songs together informally, often remarking to one another “Damn, we should really get serious with this thing.” Which they didn’t. Not for another year or so. The summer of 2007 was when The Porter Draw was actually solidified. Josh and Rus played sets for an art opening some friends were having. At one of these sets they met Ben Wood, a lanky banjo player who had some damn good songs of his own. The three traded off songs and enjoyed one another enough to set up a small show at Winning’s Coffee in August. There was a descent crowd, and although Ben had not agreed to be a part of a band just yet, Rus and Josh backed him up and vice versa. The harmonies that ...
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