| | Tony Rice Church Street Blues CD Tony Rice Discography of CDs
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Church Street Blues is essentially a solo album by Tony Rice, demonstrating his musical eclecticism -- the record features everything from contemporary folk to traditional country and blues -- as well as his nimble instrumental grace. ~ Thom Owens
Recording information: 1750 Arch Studios, Berkeley CA; 1750 Arch, Berkeley, CA.
Personnel: Tony Rice (vocals, guitar).
Audio Remixers: Tony Rice; Bob Shumaker .
Church Street Blues Music Tony Rice Church Street Blues Songs Church Street Blues Music Review Purchase Church Street Blues CD To buy, Click on price to add to cart | Tony Rice Guitar CD (1970)
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| | Harold Mabern Few Miles From Memphis CD (1968)
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On A Few Miles from Memphis, recorded by pianist Harold Mabern in 1968, he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer ...
| | Ike & Tina Turner Nutbush City Limits/Feel Good CD (2006) Bonus Tracks
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Raven's 2006 two-fer Nutbush City Limits/Feel Good combines two of Ike & Tina Turner's last albums together and adds five bonus tracks, three of which were taken from other Ike & Tina albums from the early '70s, one taken from a Tina solo record, ...
| | Raga For Peter Walker CD (2006) Digipak
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Many of the legends of acoustic guitar in the 20th ...
| | Buck Owens Together Again/My Heart Skips A Beat CD (1964)
Church Street Blues music CDs
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If you wanted to give someone the quintessential Bakersfield honky-tonk country album (that wasn't a Merle Haggard album), THIS would be it. The beat, strong yet possessed of a near-shuffle-type groove, the chilling harmonies, the weeping pedal steel, the terse twang of the guitars and Owens' expressive singing combine with memorable originals and classic covers ("Close Up the Honky Tonks," "Truck Drivin' Man," "A-11") and a countrified take on the Drifters' "Save the Last Dance for Me" comprise a country music album classic.
Named after his double-sided number one hit single of early 1964, Together Again/My Heart Skips a Beat is one of Buck Owens' strongest albums of the '60s, as well as one of his few records to stick firmly in the honky tonk camp. Despite the rolling drums of "My Heart Skips a Beat," the jumpy "Truck Drivin' Man," the jokey "Ain't It Amazin' Gracie," and a Bakersfield overhaul of "Save the Last Dance for Me," the majority of the album is straight-ahead honky tonk. Whether it's Owens' excellent weepers "I Don't Hear You" and "Getting Used to Losing You," or terrific versions ...
| | Another Side Of David Roth CD (1999)
Church Street Blues songs
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Landslide top vote-getter at the Falcon Ridge (NY) Folk Festival’s “Most-Wanted” competition and NAIRD “Indie” nominee (singer-songwriter album of the year for “Digging Through My Closet”) DAVID ROTH strikes many chords, ...
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Church Street Blues album
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| | Deep Red Chimera CD (2002)
Church Street Blues music CDs
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Deep Red is a study in contrasts, just like their red and black logo, symbolizing darkness and passion. Some hail them as the future of Goth music, regularly featured on top ten Goth favorites lists on alt.gothic and other music forums, while on the other hand remaining virtually unknown to a lot of people. This is their story, how they became what they are, and what their aspirations are for the future.The band was formed in early 1996 in Miami (USA), mainly as a studio project, the brainchild of original members DC astro and Martha M. Arce. Before long, and through a set of bizarre circumstances, they were signed to Candyland Entertainment, a European record label founded by members of Project Pitchfork, a German Industrial band. This in itself was not surprising, as the band always had strong European influences. Word of mouth about the group and its distinctive sound began spreading, leading to their participation on a slew of compilations, including "The Goth Box," "Through A Looking Glass" (A Tribute to Siouxie and The Banshees)," "Strange Love," "Nights Of Darkness," etc. Their first album, "The Awakening," was released in late 1996, followed by the CD single "I Live," that contained several remixes by then label mates Project Pitchfork. The album prominently showcased intricate rhythm loops, sometimes tribal, sometimes euro, blending memorable melodies and meaningful lyrics, a mix of aural and visual references that had been influential to the band up to that point, collecting rave reviews on both sides of the Atlantic.In 1997, the band was again busy as the opening act for Project Pitchfork' s Chakra Red European Tour. At this point, extra musicians were needed to recreate Deep Red's multi-layered sound on stage, and Mario Soto who provided backing vocals on "The Awakening," became a permanent member of the band prior to the tour, due to his talents as vocalist, drummer, guitarist, bassist and keyboardist. After the tour Deep Red continued reshaping their sound, mixing sometimes disparate ingredients to achieve ...
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Though it's based in Annapolis, this Latin jazz outfit conjures a wide variety of hot Afro-Cuban grooves on its second album, with cuts ...
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