| | Tim O'Brien Away Out On The Mountain CD Tim O'Brien Discography of CDs
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If you ever wished you could hear brand new music with the conviction and flawless vocal vork of the classic Everly Brothers recordings this album by brother and sister Mollie and Tim O'Brien is for you. The cuts are mostly contemporary gospel-bluegrass sounding tunes with an A.P. Carter and Leadbelly song tossed in. There is not a misplaced note. ~ Richard Meyer
Recorded at Colorado Sound Recording, Westminster, Colorado and Coupe Studios, Boulder, Colorado from November 1993 to March 1994.
Personnel: Tim O'Brien (vocals, guitar, bouzouki, mandolin); Mollie O'Brien (vocals); Matt Flinner, Scott Nygaard (guitar); Mike Seeger (banjo); John Magnie (accordion); Richard Moore (electric bass).
Unknown Contributor Role: Eugene Smith.
Personnel: Mollie O'Brien (vocals); Tim O'Brien (vocals, guitar, bouzouki, mandolin, fiddle, Hammond organ); Matt Flinner, Scott Nygaard (guitar); Spencer Bohren (pedal steel guitar); Mike Seeger (banjo); John Magnie (accordion); Sally Truitt, Mark Schatz (acoustic bass); Rich Moore (bass); Eugene Smith (percussion).
Engineers: Kevin Clock, David Channing.
Sing Out! (11-12/94-1/95, p.142) - "...AWAY ON THE MOUNTAIN has a contemporary sound and contains material drawn from some of the best singer-songwriters working in the bluegrass-country vein..." Away Out On The Mountain Music | List Price | $17.98 (You save $2.93) | | Category | Rock/Pop Albums, Country CDs, Soundtrack Collections, Folk, Bluegrass | | Label | Sugar Hill | | Orig Year | 1994 | | All Time Sales Rank |  56676  | | CD Universe Part number | 1018078 | | Catalog number | 3825 | | Discs | 1 | | Release Date | Jun 28, 1994 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Tim O'Brien | | Recording Time | 47 minutes | | Personnel | Tim O'Brien - vocals, guitar, bouzouki, mandolin
Tim O'Brien - vocals, guitar, bouzouki, mandolin
Mollie O'Brien - vocals
Mark Schatz - acoustic bass
Rich Moore - bass
Eugene Smith - percussion
Richard Moore - electric bass
Sally Truitt
Also: John Magnie, Mike Seeger, Scott Nygaard, Matt Flinner, Spencer Bohren |
Tim O'Brien Away Out On The Mountain Songs | 1. | Away Out on the Mountain |
| 2. | Wichita |
| 3. | Orphan Girl |
| 4. | He Lifts Me |
| 5. | When I Was a Cowboy |
| 6. | Tragic Romance |
| 7. | Don't Let Me Come Home a Stranger |
| 8. | Home by the Sea |
| 9. | Price to Pay |
| 10. | That's How I Learned to Sing the Blues |
| 11. | Bad Day (Hole in Your Shoe) |
| 12. | When My Blue Moon Turns to Gold Again |
| 13. | Ain't No Grave Gonna Hold My Body Down |
| 14. | Father Adieu |
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Away Out On The Mountain Music Review Purchase Away Out On The Mountain CD To buy, Click on price to add to cart | Tim O'Brien Red On Blonde CD (1996)
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If there is one single influence to name, one comparison to make, it is with Robert Wyatt. Not that Stars Like Fleas' debut album reaches the heights of Shleep or Cuckooland, but at times it comes surprisingly close and it will surely appeal to fans of Wyatt's later material. The similarities reside in the group's joint use of pop instrumentation, free improvisers, and electronics. Mainly the project of multi-instrumentalist Shannon Fields (he racks up two dozen instrumental credits, ranging from piano to banjo, clarinet, and electronics), Stars Like Fleas also features the voice and words of ex-Stars of the Lid collaborator Montgomery Knott. His half-murmured half-sung litanies are often overdubbed two or three times, enhancing his rambling tone by slightly phasing out his narrative. The music often consists of soft piano and guitar motifs, laced in electronic textures. Multi-reedists Daniel Carter, Charles Waters, and Avram Fefer, trumpeter Michael Patti, and a few others improvise over the music, their place moving inside the mix from upfront soloing to background misdemeanor. Sometimes scored avant-jazz lines are substituted to improvisation. "I've Pumped Your Stomach and Broken Through Your Skin" thumps a bit hard at times, adding drums and fuzz bass, but most of the album floats in a dreamy state of consciousness. Highlights include "Lumps. of. Clay" and the 15-minute "On a Generous Day," which keeps on transforming into something else each time you expect it to end. Each song is a dense amalgam of acoustic, electronic, abstract, and pop elements. The balance is at times fragile, but Fields turns this fragility into an uncanny form of charm. Sun Lights Down on the Fence requires many listens, as there is so much happening on so many layers at once. But it grows on you in unexpected ways. Highly recommended. ~ François Couture
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