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Rush, Bobby - Best Of Bobby Rush CD Cover Art
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Best Of Bobby Rush CD

 Bobby Rush Discography of CDs
3 stars (1 Customer Review)

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Best Of Bobby Rush Music


Detailed Best Of Bobby Rush Music Information



List Price $15.97 (You save $2.58)
Category Rock/Pop Albums, R&B CDs, Blues, Soul/R&B, Urban Soundtrack, Contemporary Blues, Greatest Hits Collections
Label La Jam
Orig Year 1999
All Time Sales Rank   97511  
CD Universe Part number 1018265
Catalog number 6
Discs 1
Release Date Jun 29, 1999
Studio/Live Studio
Mono/Stereo Stereo
Best Of Bobby Rush Songs


Best Of Bobby Rush Album Track Listing



1.Sue
2.Buttermilk Kid
3.What's Good for the Goose Is Good for the Gander
4.Bertha Jean
5.Shakey Ground
6.Man Can Give It, A (But He Can't Take It)
7.Making a Decision
8.Be Still
9.Wearing It Out
10.Nine Below Zero
11.Gotta Have Money$0.99
12.28 Dayz
Best Of Bobby Rush Music Review


Customer Best Of Bobby Rush Reviews 




Average Rating: (3 out of 5 stars) 3 stars

3 stars BOBBY RUSH
THOUGHT IT WOULD HAVE HAD MORE OF HIS SONGS THAT I KNEW.
Submitted by a reviewer (CHICAGO, IL USA)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

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Havana
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Havana ranks among John Stewart's best albums, which is saying a good deal, since he has released more than 40 -- many of them excellent -- in a career that dates all the way back to 1961. His first new studio recording in five years, Havana features an eclectic mix of 15 folk-tinged ballads and spirited rockers, all but one by Stewart. (The sole non-original is the standard "Lucky Old Sun," which proves a perfect match for the singer's world-weary baritone.) The lyrics -- some personal, some political -- hit their marks more often than not and are frequently poignant ("Waiting for Castro to Die" and the terrific "Cowboy in the Distance") or funny. ("Attention Kmart shoppers," Stewart begins one song, "Do you really need all of that crap?") Not every lyric works: While clearly heartfelt, a tribute to Stewart's wife ("Miracle Girl") is cliché ridden; "Davey on the Internet" is fun but nonsensical; and songs about rock & roll and Princess Diana all fall short in their effort to say something profound. But the melodies and vocals are consistently strong on this CD. So is the instrumentation, which is mostly by Stewart, who plays guitars, banjo, bass, keyboards, percussion, and harmonica. Even when a lyric occasionally falls short, therefore, the music is strong enough to keep you well entertained. ~ Jeff Burger This is the first new CD of studio recordings in five years by John Stewart, one of the overlooked founders of the "Americana" genre, whose musical career encompasses more than 40 years and 40 albums. "Havana" features 14 memorable Stewart originals that ponder modern life and materialism ("Davey on the Internet," "Who Stole the Soul of Johnny Dreams"), mortality and existentialism ("Dogs in the Bed," "Starman"), personal and public heroes ("I Want to Be Elvis," "Turn of the Century [Diana]"), love ("Miracle Girl," "Cowboy in the Distance"), and life's cosmic mysteries ("Star in the Black Sky Shining," "Rally Down the Night"). John tackles these issues with unquenched wonder and hard-won experience, a wry cynicism forged by reality but tempered with an optimism based on faith in the individual. The title ...
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This posthumous album from the chitlin circuit soul/bluesman is comprised of previously unreleased songs left over from his various Malaco albums. But even though there has been some overdubbing, remixing, and touching up of these original sessions recorded from 1984-1999, the disc flows remarkably well. The usual Malaco embellishments of slick horns, slicker backing vocals, and inconsistent material plagues some of the music, but in general this is as solid a collection of songs as any he released for the imprint. Tracks ten through 16 were recorded in 1999 for his last album, Gotta Get the Groove Back, which was released shortly before his death. They feature the cream of the Muscle Shoals studio musicians, including bassist David Hood, guitarist Jimmy Johnson, and occasional Rolling Stones saxman Jim Horn. The sound remains polished, but Taylor is in terrific voice and spirits throughout, and he, like his idol Sam Cooke (who he imitates briefly in "Where Is Your Woman Tonight"), elevates even the most lackluster material with his malleable pipes. One of the most interesting tracks is a 1988 cover of Paul Simon's "Take Me to the Mardi Gras," a duet with his son Floyd, who added harmony vocals after his dad's death. Although these were leftovers, there is nothing second-rate about them. Slow, swampy burners such as "Please Sign the Dotted Line" and the gospel-ish "I Reach for You," along with upbeat funk like "Con Lover," rank ...
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