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Hats off to Alternative Tentacle Records for re-issuing "Soul Pollution" for all those who can't get enough of the Logical Nonsense angst on their "Expand the Hive" album. Originally released in 1995, this record represents the time of LN when they started to experiment with a Neurosis influence. Sure the songs are grim, but in that blistering sort of way that could motivate one to go out and do something about all the wrong doings around you. True, it's not as technical and progressive as their later work, but give them a break man, they were new at this. ~ Mike DaRonco
Of 1995 Album
Recorded at Polymorph Studios, Oakland, California in March 1995.
Personnel: Mike Miller (vocals); David Rodriguez (guitar, background vocals); Pat Rivera (drums).
Audio Mixer: Noah Landis.
Recording information: Polymorph Studios, Oakland, CA (03/1995).
Unknown Contributor Role: Pat Rivera. Logical Nonsense Soul Pollution Songs Soul Pollution Review
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Practically a one-woman band, an energetic, edgy, multi-instrumentalist who has traveled the globe and picked up a vast mixture of musical influences: a touch of Ireland in her tin whistling; a little New Orleans in her piano playing; even hints of Latin America in many of her tunes. A troubadour, a Vaudevillian, a storyteller and an inspired performer.ZOE LEWIS was born and brought up in the little fishing village of Rottingdean on the south coast of England. She started playing piano at the age of 4,discovered JAZZ and moved to LONDON at the age of 18 and played in a variety of bands exploring all sorts of musical styles. She was keyboard player in the LATIN-JAZZ-POP group AVANTI for 3 years,toured the country and also established residencies in many LONDON pubs playing and singing COLE PORTER and GERSHWIN tunes into the wee hours. At 23 she started ...
| | Byzantine Fundamental Component CD (2004)
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Right from the very start -- which, for all intents purposes, was signaled by their 2004 debut album, The Fundamental Component -- West Virginia's Byzantine were doing their chosen name justice by serving up a veritable smorgasbord of existing ...
| | Beautiful South Golddiggas, Head Nodders & Pholk Songs CD (2004) (Import) England; Germany
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The Beautiful South created this far-flung anthology of songs just because they wanted to sing them in their own distinctive style. Twelve tracks range from well-known (but very different) titles such as soul show-stopper "Till I Can't Take It Anymore" to "You're The One That I Want" (from the movie GREASE). Songs from Rufus Wainwright, Ramones, and Willie Nelson also included.
The Beautiful South modestly inaugurate a new label association with Sony with this all-covers collection. Artists known for original material who make albums like this often do so to pay tribute to the beloved music of their youth; think of John Lennon's Rock 'n' Roll or David Bowie's Pin Ups. The Beautiful South, however, are known for their sarcastic lyrics wrapped in pretty melodies and arrangements, and a gaze at the track list inevitably poses the question whether the band's sense of irony has crept into its song choices. Is this really music that they love, or are they taking the piss? The latter seems to be the case at the top, a version of "You're the One That I Want" from the movie adaptation of Grease, transformed from the driving rocker wailed by John Travolta and Olivia Newton-John into a dramatic ballad sung with what sounds like mock sincerity. Much the same can be said of the loping, country-styled arrangement of ELO's "Livin' Thing" that follows. Clearly, whether they mean these performances affectionately or comically, the members of the Beautiful South are intent on redefining the songs by giving them arrangements their creators never would have dreamed of. It may be that, the fruitier the selection, the more they feel the need to transform it. Willie Nelson's "Valentine," Rufus Wainwright's "Rebel Prince," and especially the Stylistics' ...
| | Mississippi Heat Thunder In My Heart CD (2003)
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THUNDER IN MY HEART was released in 1995. This is the band's third CD. The sound quality and song material is particularly good here. So is the inspiration from all the band members - Deitra Farr on vocals, and the same musicians as in LEARNED THE HARD WAY (1994). By this time the band was tight and well rehearsed. An exciting set of 14 original tunes! THUNDER IN MY HEART marks the first time bass man Bob Stroger records his singing voice (a cover tune called "Loan Me Train Fare" with additional lyrics from Bob, and one written for him by Pierre Lacocque called "Don't Dare Call"). ************Here is what the critics say:PRESS REACTION/REVIEWSTHUNDER IN MY HEART« MISSISSIPPI HEAT provides the next best thing to a time machine. »- SYRACUSE NEWS TIMES« Deitra Farr sings with convincing passion throughout the mostly original program, and Lacocque's imaginative harmonica lines always seem to be exactly in the right places, whether he's flying in a full-blown solo or simply adding a flavorful fill. Stroger and Kirk are as steady a rhythm section as you're likely to find in these parts, but the real key to MISSISSIPPI HEAT's swinging style may be the marvelous interplay between guitarists Wheeler and Flynn. They trade licks and alternate rhythm patterns in a manner reminiscent of Chess Records' sidemen The Aces and later, Robert Jr. Lockwood and Luther tucker in the 50's. MISSISSIPPI HEAT proves that contemporary blues can be played with power and conviction without resorting to the kind of rock histrionics practiced by many of today's so-called blues bands. THUNDER IN MY HEART is modern chicago blues at its finest. »- ILLINOIS ENTERTAINER«Top honors go to the Chicago-based MISSISSIPPI HEAT. The band is rock-solid rhythmically, but what drives their success is their collective vocal talent. Deitra Farr is the band's lead vocalist, but guitarists Billy Flynn and James O. Wheeler and bassist Bob Stroger also contribute convincing lead vocals. ! Harmonica man Pierre Lacocque has found the thick harp tone needed to anchor works done in the Chicago blues tradition; he plays with discretion, usually ...
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