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Gravity Kills - Guilty DS Cover Art
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Gravity Kills Guilty CD Single

 Gravity Kills Discography of CDs

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Guilty Music

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Category Rock Albums, Heavy Metal CDs, CD singles, Rock/Pop
Label TVT
Orig Year 1996
All Time Sales Rank   105429  
CD Universe Part number 1019033
Catalog number 5912
Discs 1
Release Date Feb 13, 1996
Studio/Live Studio
Mono/Stereo Stereo
Gravity Kills Guilty Songs


Gravity Kills Guilty Album Track Listing



1.Guilty - (Juno Reactor remix)
2.Guilty - (Roli Mosimann remix)
3.Guilty - (Youth's Blood Orchid Sky remix)
4.Guilty - (album version)
5.Guilty - (Youth's Art As Prostitution remix)
6.Guilty - (Tomandandy remix)
7.Goodbye - (demo version)
8.Guilty - (Roli Mosimann instrumental instrumental)
9.Guilty - (Juno Reactor instrumental instrumental)
10.Guilty - (Nothing Remix)
11.Guilty - (Lo-Fi Remix)
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Gravity Kills
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Gravity Kills CD  (1996)

Guilty album
CD $13.49  5 stars Audio Samples
Gravity Kills is an industrial band with rock and roll underpinnings. The band's electronically-based music is cut with real guitars and drums. Like many artists in the genre (Nine Inch Nails, Marilyn Manson, Ministry), Gravity Kills writes songs that expound dark themes. But for the most part, Gravity Kills stays out of the psychological infernos that are so often found in this kind of music. Quirky samples and dance beats are interspersed among the heavy guitars and keyboards, making for a lighter sound that is at once challenging and accessible. The debut effort from St. Louis industrial rock band Gravity Kills delivers an ample mix of crunching guitars, pounding drum loops, layered synthesizers, and vocals that escalate from intense whispers to raging screams. With its themes of alienation, hopelessness, and regret, the album resembles the abrasive tone of its first single "Guilty," the song that initially brought the band together to record when a St. Louis radio station was looking for tracks to include on a compilation project. "Guilty" gained popularity through extensive radio airplay in both the U.S. and Canada, quickly bringing industry attention to the four-piece. Along with this success came the pressure to record and release a full-length album. In 1995, the band signed with TVT Records and released Gravity Kills a year later. Throughout the album's 11 tracks, the band's sound rings a bit too familiar. It closely resembles that of a handful of other industrial rock acts, due in part to the influence of co-producer John Fryer (Nine Inch Nails, Stabbing Westward, Filter, White Zombie). Unfortunately, where the album is rich in production, it falls short on melody and originality. This isn't to say that melodies have been completely forgotten, but those that can be detected often seem recycled and are obstructed by a muddied layer of samples and atmospherics. Throughout the program, it seems that the band is using studio wizardry to over-compensate for la
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Gravity Kills Manipulated CD  (1997)

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CD $8.79  4 stars Audio Samples
MANIPULATED features GRAVITY KILLS remixes by T.H.E.M., Mark Saunders, Al Jourgensen, Critter, The Done Brothers, Van Christie, Jason McNinch, J.C. Stokes, Praga Kahn, Martin Atkins, David Barratt, P.M. Dawn, Juno Reactor and Roli Mosimann. Manipulated collects assorted remixes of the tracks "Here," "Enough," "Blame," "Down" and "Guilty" from Gravity Kills' eponymous 1996 debut. Among the remixers are Ministry's Al Jourgensen, Lords of Acid, Martin Atkins, Roli Mosimann, Juno Reactor and, most intriguingly, P.M. Dawn. ~ Mark Donkers 13 Track EP Remixes Of Debut By Al Jourgensen,Lords Of Acid Personnel includes: Deni Bonet (violin feedback). Engineers include: Yaron Fuchs.
When Forever Comes Crashing
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Converge When Forever Comes Crashing CD  (1998) Remastered; Enhanced CD

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CD $11.59  5 stars Audio Samples
Over the course of the years since the band's formation in the early '90s, Converge has continued to release solid hardcore-metal records that improve each time in their technicality and structure, becoming more and more experimental within a musical genre that has a reputation for being quite stagnant. When Forever Comes Crashing is the culmination of that growth -- an extremely solid, well-written, and produced album that pushes the hardcore boundaries while maintaining the ability to explode. Precise and relentess, the 11 tracks plow through heads like an unsteered bus filled with armed schizophrenics. From the first straight-up metal riff and spastic screams of "My Unsaid Everything" to the quirky buried-alive screeching of "The Lowest Common Denominator" and all the way through to "Love as Arson," it is undeniable that Converge has become one of the most powerful and effective bands in metallic hardcore. ~ Blake Butler Reissue with bonus tracks. Reissue Is Now Enhanced W/ 1 Bonus Track. Recorded at God City Studio, Allston, Massachusetts between December 22, 1997 & January 3, 1998. Converge: Jacob Bannon (vocals); Stephen Brodsky (guitar, bass guitar); Kurt Ballou (guitar, electronics); Aaron Dalbec (guitar); Nate Newton (bass guitar); Ben Koller, Damon Bellorado (drums). Converge: Jacob Bannon (vocals); Kurt Ballou (guitar, electonics); Aaron Dalbec (guitar); Steve Brodsky (bass); Damon Bellorado (drums).
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CD $11.59  4.5 stars Audio Samples
Another 11 tracks of blistering demonic screamy hardcore, wilting the leaves off the trees and turning the earth sour. Converge can break multiple bones throughout the body with sound alone, assaulting with beautiful metal riffs, throat-ripping screams, and aggressive smashing percussion. The first track on the album, "The Saddest Day," is one of the band's most revered and legendary songs, alone making Petitioning the Empty Sky a must-have for any fan of this genre. ~ Blake Butler Reissue Is Now Enhanced W/ Bonus Tracks. Reissue with bonus tracks. Converge: Aaron Dalbec (guitar); Kurt Ballou (bass instrument, background vocals); Stephen Brodsky, Jeff Feinburg (bass instrument); Damon Bellorado (drums). Converge: Kurt, Damon, Steve, Aaron, Jake. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
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CD $10.95
Audio Mixers: Pelle Henricsson; Magnus Lindberg . Recording information: Hotline Studio, St. Blaise, Switzerland; Theatre De La Passade, Boudry, Switzerland.
This Elegy, His Autopsy
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Big Time Sensuality
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Big Time Sensuality was the final single released from Björk's first solo album, Debut. The song was issued as a U.S. maxi-single with the LP version, two non-album tracks, a remix of "Come to Me," and the famous "Fluke Minimix" of "Big Time Sensuality." The album version of "Big Time Sensuality" is a poppy, bouncy dance cut, but the remix is a fantastic, dizzying, techno-fied take on the song that wound up becoming the version featured in the song's video, although the video version was longer (the version here is an edit). The first bonus track, "Sidasta Eg," is a lovely, melancholy song sung in Icelandic, with Björk accompanied mostly by a jangly guitar. "Gloria" is a sparse, ghostly, flute-only instrumental track. The slow-burning remix of "Come to Me" is creepy, icy, dark, and ripe with Eastern-tinged influences. The bonus tracks are great for collectors, but the real star here is the remix of "Big Time Sensuality," which was one of 1993's biggest dance hits, and, although it didn't score too high on the U.S. Top 100, remains one of Björk's biggest and most accessible singles. ~ Jose F. Promis Personnel: Björk (vocals, flute).
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