| | Addicted To Love Soundtrack CD (1 Customer Review)
World-Pop Classics;Score By Rachel Portman
Recording information: C.T.S. Studios, Wembley, England. Editor: Dan Lieberstein. The witty and charming Addicted to Love reaffirms Rachel Portman's place among the premier romantic comedy composers of her era. By turns starry-eyed and goofy, the soundtrack balances both components of the genre with consummate skill. Portman's lush symphonics conjure the spirit of classic Hollywood, but her wry, ironic melodies are wonderfully modern; both the main love theme and its accompanying chase theme crackle with wit and affection. TVT's official soundtrack release does poorly by Portman, whittling her score to 30 minutes to frontload the disc with a series of pop hits. That said, it's hard to complain when the extras include Serge Gainsbourg's carnal masterpiece "Je T'Aime...Moi Non Plus" and the Left Banke's "Walk Away Renee" which is, quite simply, the greatest song ever written on the subject of unrequited love. ~ Jason Ankeny
Addicted To Love Soundtrack Music | List Price | $17.98 (You save $4.09) | | Category | Rock/Pop Albums, Soundtrack CDs | | Label | TVT | | Orig Year | 1997 | | All Time Sales Rank | 76471  | | CD Universe Part number | 1019105 | | Catalog number | 8120 | | Discs | 1 | | Release Date | Jun 02, 1997 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Original Soundtrack |
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$12.25 Disc two is an Enhanced CD, which includes both regular audio tracks and multimedia computer files. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: Taz Alexander (vocals); Scarlett, Washington & Whiteley (guitar); Michael Fisher (percussion); Ian Green (programming). Audio Mixers: Chris Lord-Alge; Peter Craige; Larry Mah; Mudrock ; Andy Wallace; Ben Grosse. Audio Remixers: Paul Oakenfold ; Charles Clouser. Arrangers: Marilyn Manson; Tim Skold. The Matrix rewrote cinematic rules and became a pop culture phenomenon in 1999, thereby enabling its creators, the Wachowski Brothers, to let their imaginations run wild for its sequel, 2003's The Matrix Reloaded. Too bad their imaginations didn't run as far as the soundtrack, since The Matrix Reloaded: The Album is of piece with the soundtrack to the original, relying on industrial, aggro nu-metal, and dark dance music. In 1999, it was everything that was stereotypically cyberpunk, and even then, it was feeling a little out of date. Four years later, it really seems out of date, even if it contains several bands that didn't exist back then, since the sub-goth darkness of this adolescent-geared murk doesn't quite gibe with the sounds of 2003. Then again, this could have been a deliberate extension of the first film, a way to tie them together, since this 12-track collection (the second disc is given over to the evocative score) contains four artists featured on the first soundtrack (Marilyn Manson, Rob Zombie, Deftones, and Rage Against the Machine). Also, much of this is instrumental -- or, if it does have words, it plays as instrumental -- which makes it evocative and cohesive, even if overall, the music doesn't seem nearly as elegant, sleek, provocative, or muscular as the film itself. But, if anything related to The Matrix Reloaded had to be tailored for the red-meat-craving teenagers who form part of its core audience, better have it be in the soundtrack than the film itself, and much of this is pretty good for what it is, even if the general aesthetic feels too retrograde for the film. The first half of the record, in particular, doesn't have a false step, but it unravels a bit in the second half, thanks to the guttural wailing on Unloco's "Bruises," the always-irritating Zack de la Rocha on Rage Against the Machine's "Calm Like a Bomb," the always-insipid Paul Oakenfold's ...
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