| | Charley Patton Complete Recorded Works, Vol. 3 (1929-1934) CD Charley Patton Discography of CDs
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For completists, specialists and academics, Document's Complete Recorded Works, Vol. 3 (1929-1934) is invaluable, offering an exhaustive overview of Charley Patton's early recordings. For less dedicated listeners, the disc is a mixed blessing. There are some absolutely wonderful, classic performances on the collection, but the long running time, exacting chronological sequencing, poor fidelity (all cuts are transferred from original acetates and 78s), and number of performances are hard to digest. The serious blues listener will find all these factors to be positive, but enthusiasts and casual listeners will find that the collection is of marginal interest for those very reasons. ~ Thom Owens
Recorded between 1929 & 1934.
Personnel: Charley Patton (vocals, guitar); Henry "Son" Sims (vocals, violin); Bertha Lee (vocals); Willie Brown (guitar).
Liner Note Author: Bob Groom.
Personnel includes: Charley Patton (vocals, guitar); Henry Sims (vocals, violin); Bertha Lee (vocals); Willie Brown (guitar).
Complete Recorded Works, Vol. 3 (1929-1934) Music Charley Patton Complete Recorded Works, Vol. 3 (1929-1934) Songs Complete Recorded Works, Vol. 3 (1929-1934) Review
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Purchase Complete Recorded Works, Vol. 3 (1929-1934) CD To buy, Click on price to add to cart | Tommy Johnson Complete Recorded Works In Chronological Order: 1928-1929 CD (1990)
Complete Recorded Works, Vol. 3 (1929-1934) album
 $13.15   
This CD compiles all the songs recorded for the Victor and Paramount labels between 1928 - 1929.
An essential Tommy Johnson collection, Document's Complete Recorded Works (1928-1929) features 17 songs from the Delta blues pioneer, including two alternative takes and a pair of previously unissued songs known respectively as "Morning Prayer Blues" and "Boogaloosa Blues." Culled from the great Delta musician's recording sessions in Memphis and Grafton, WI, from February 1928 to December 1929, this collection shines a light on all of Johnson's known output during his most active recording years. As with most music taken straight from original 78s, the sound quality varies between tracks; all in all, the pops and static aren't too distracting here. The music is well-worth seeking out as the writing, guitar playing, and singing are all exceptional. ...
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Tracks 1-13 & 17 recorded live at The Universal Amphitheater, Los Angeles, California; tracks 18-20 recorded at Universal Recording, Chicago, Illinois.
Digitally remastered by Joe Gastwirt (Ocean View Digital, Los Angeles, California).
It isn't exactly difficult to scoff at the Blues Brothers -- beginning your musical career as a sketch on Saturday Night Live is not the best way to develop artistic credibility, and while Elwood Blues wasn't too shabby a harp player, his brother, Joliet Jake, sang only marginally better than that guy who used to impersonate Joe Cocker on late-night television. But no one ever bought a Blues Brothers album expecting a life-changing musical experience -- these guys were there to put on a show, and putting on a great show is just what they did. It helped that Dan Aykroyd and John Belushi obviously loved the music, and they knew how to put together a killer band (any fan with the vision to hire Steve Cropper, Donald "Duck" Dunn, Steve Jordan, and Matt "Guitar" Murphy" to cover classic blues and R&B deserves credit for good taste, if nothing else). The Definitive Collection ...
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