| | Harlem Hamfats, Vol. 2 CD Harlem Hamfats Discography of CDs
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Our Price: $14.69  CDFor Sale Usually ships in 1-2 days
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Harlem Hamfats, Vol. 2 Music Harlem Hamfats, Vol. 2 Songs | 1. | Keep It Swinging Round and Round | |
| 2. | Ooh-Wee Babe | |
| 3. | I Don't Want You Loving Me | |
| 4. | She's a Mellow Mother for You | |
| 5. | Hallelujah Joe Ain't Preachin' No More | |
| 6. | What's My Baby Doin'? | |
| 7. | It Was Red | |
| 8. | I Feel Like Going to Town | |
| 9. | I'm So Glad | |
| 10. | Jam Jamboree | |
| 11. | Down in Shady Lane | |
| 12. | I'm Cuttin' Out | |
| 13. | Hoodooin' Woman | |
| 14. | I Love That | |
| 15. | My Old Lady Blues | |
| 16. | Baby Don't You Tear My Clothes | |
| 17. | You Drink Too Much | |
| 18. | Empty Bed Blues | |
| 19. | Let Your Linen Hang Low | |
| 20. | If You're a Viper | $0.99 | |
| 21. | Rosetta Blues | |
| 22. | It's Your Turn | |
| 23. | Let's Fall in Love Again | |
| 24. | Worried Man Blues | |
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Harlem Hamfats, Vol. 2 Review
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Personnel includes: Etta James, Harvey Fuqua (vocals); Riley Hampton Orchestra.
Producers: Leonard Chess, Phil Chess.
Reissue producer: Andy McKaie.
Originally released on Argo (4003). Includes liner notes by Andy McKaie.
Digitally remastered by Erick Labson (MCA Music Media Studios, North Hollywood, California).
After spending a few years in limbo after scoring her first R&B hits "Dance With Me, Henry" and "Good Rocking Daddy," Etta James returned to the spotlight in 1960 with her first Chess release, At Last. James made both the R&B and pop charts with the album's title cut, "All I Could Do Was Cry," and "Trust in Me." What makes At Last a great album is not only the solid hits it contains, but also the strong variety of material throughout. James expertly handles jazz standards like "Stormy Weather" and "A Sunday Kind of Love," as well as Willie Dixon's blues classic "I Just Want to Make Love to You." James demonstrates ...
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This is the second volume of this series, this time highlighting the best blues coming out of the Midwest in the period 1949-1952 on 27 tracks in a Digipak. Features Sunnyland Slim & His Sunny Boys, Memphis Slim & His Orchestra, Ray Snead, Big Bill Broon
Picking up in April 1949, where The Mercury Blues Story: Midwest Blues Volume 1 left off, Mercury Blues Story: Midwest Blues Volume 2 continues the label's tale through 1955. The first set was a vivid, patchwork affair, with a large, eclectic mix of singers and bands all hailing from the Midwest, of course. In contrast, this compilation is more focused, featuring a smaller core of artists, including several making encore appearances. That includes Sunnyland Slim, whose orchestra backed St. Louis Jimmy on Volume 1. On this set, Slim is still behind the keyboard, but now he also takes the mic, first with the renamed Sunny Boys, and later in the set with his new trio. A powerful vocalist and a swanky pianist, the artist belts out a series of stunning blues numbers, six in all, that are guaranteed to hold you spellbound. Slim's orchestra features singing guitarist Robert Lockwood, Jr., while Slim himself provided piano and backing vocals in Lockwood's own aggregate. ...
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Three years in the making, Tim Harden’s new self-titled debut album marks his biggest achievement in the art of music. Decades of songwriting, studio experience and live performance have culminated into this single collection of recordings.“This project is, by light years, the biggest musical undertaking of my life. One day, when I finally leave this Earth, I know I can rest comfortably with this CD playing at my tombstone.” – Tim Harden, 2008.Tim showcases the many musical instruments he can command. For most of the songs, he quite literally is a one-man band, playing 4, 5, 12-string and synth basses, electric and acoustic 6 and 12-string guitars, pianos and synthesizers, drum machines and percussion, as well as all of the lead and backing vocal work. “When working in my own studio, I sometimes consider myself to be a ‘Stanley Kubrick’ when it comes to recording. I think nothing of doing 50 or 60 takes to get just the right one.”Apart from singing and playing most of the parts on his record, he also produced, engineered, mixed and mastered the CD from start to finish, with assistance from his assistant producers who were instrumental in providing an “extra set of ears that weren’t so close to the project itself”.Tim has worn many hats over the years on his musical journey. Brief stops along the way were playing in the brass sections of marching and concert bands, and playing bass to a wide variety of musical ...
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